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Better Together
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Editorial Reviews
From Publishers Weekly
Starred Review. Fadiman, a National Book Critics Circle Award winner for The Spirit Catches You and You Fall, makes a bold claim: "I believe the survival of the familiar essay is worth fighting for." The "familiar essays" that Fadiman champions and writes are in the mold of the early 19th century, rather than critical or personal works as we've come to know them. Her essays combine a personal perspective with a far-reaching curiosity about the world, resulting in pieces that are neither so objective the reader can't see the writer behind them nor too self-absorbed. And spending some time with Fadiman is a pure delight. She loves the natural world and taxonomies of all kinds, as well as ice cream and coffee. Her love of the romantic age goes beyond the stylistic, and she prefers Coleridge and Lamb over Wordsworth and Southey. The collection rolls good-naturedly through its subjects until the final piece—an account of a whitewater rafting trip that went tragically awry, a harrowing reminder of the stakes on which all endeavors rest. This collection is a perfectly faceted little gem. Essayists, of both the critical and personal sort, could do worse than to follow Fadiman into the realm of the familiar. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Fadiman begins her second essay collection by quoting her father, the waggish intellectual of page, radio, and television Clifton Fadiman, lamenting the impending demise of the "familiar essay." Decades later, Anne is happy to report that the essay has survived, even if the familiar essay is now less, well, familiar than the critical or personal essay. A familiar essay is a confiding, inquiring, and witty reflection on a passionately considered subject. This intimate form was perfected by Charles Lamb, a writer Anne adores. With Lamb and her father serving as muses, Fadiman writes funny and keen essays that seemingly without effort mesh the personal with the literary and historical to surprising and edifying ends. Fadiman finds lessons for living in the contemplation of ice cream and coffee, the adventures of an Arctic explorer, and the collecting of butterflies. A master of the tangential, a close observer, and a lover of language, Fadiman is blithely brilliant in her pursuit of beauty and meaning as she wrestles with questions of life, death, and rebirth. Donna Seaman
Copyright © American Library Association. All rights reserved
See all Editorial Reviews
Starred Review. Fadiman, a National Book Critics Circle Award winner for The Spirit Catches You and You Fall, makes a bold claim: "I believe the survival of the familiar essay is worth fighting for." The "familiar essays" that Fadiman champions and writes are in the mold of the early 19th century, rather than critical or personal works as we've come to know them. Her essays combine a personal perspective with a far-reaching curiosity about the world, resulting in pieces that are neither so objective the reader can't see the writer behind them nor too self-absorbed. And spending some time with Fadiman is a pure delight. She loves the natural world and taxonomies of all kinds, as well as ice cream and coffee. Her love of the romantic age goes beyond the stylistic, and she prefers Coleridge and Lamb over Wordsworth and Southey. The collection rolls good-naturedly through its subjects until the final piece—an account of a whitewater rafting trip that went tragically awry, a harrowing reminder of the stakes on which all endeavors rest. This collection is a perfectly faceted little gem. Essayists, of both the critical and personal sort, could do worse than to follow Fadiman into the realm of the familiar. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Fadiman begins her second essay collection by quoting her father, the waggish intellectual of page, radio, and television Clifton Fadiman, lamenting the impending demise of the "familiar essay." Decades later, Anne is happy to report that the essay has survived, even if the familiar essay is now less, well, familiar than the critical or personal essay. A familiar essay is a confiding, inquiring, and witty reflection on a passionately considered subject. This intimate form was perfected by Charles Lamb, a writer Anne adores. With Lamb and her father serving as muses, Fadiman writes funny and keen essays that seemingly without effort mesh the personal with the literary and historical to surprising and edifying ends. Fadiman finds lessons for living in the contemplation of ice cream and coffee, the adventures of an Arctic explorer, and the collecting of butterflies. A master of the tangential, a close observer, and a lover of language, Fadiman is blithely brilliant in her pursuit of beauty and meaning as she wrestles with questions of life, death, and rebirth. Donna Seaman
Copyright © American Library Association. All rights reserved
See all Editorial Reviews
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