From Publishers Weekly
The saxophone has come to be synonymous with 20th-century music, not to mention all things cool: jazz, cocktail lounges, hip cats and the like. Segell (
Standup Guy: Manhood After Feminism) traces the instrument back to its eccentric Belgian creator, Adolphe Sax, an acoustical craftsman who survived disease, accidents and even assassination attempts from his instrument-making competitors. Just 10 years after Sax completed the first prototype of the saxophone in 1843, the shining horn had traveled all over the U.S. and throughout Europe. Music would never be the same again. Like its creator, the sax was revolutionary, an instrument whose very sound—which has been described as "carnal" and "voluptuous"—caused it to be banned by Nazis and Communists; religious leaders—including the Vatican—deemed the instrument "profane." As Segell recounts the saxophone's history, he simultaneously illuminates many of its renowned players, namely jazz greats Benny Carter, Sonny Rollins, Lee Konitz and Branford Marsalis. An amateur musician himself, Segell has a personal relationship with the horn, which adds a stirring sense of immediacy to the narrative.
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Review
"A minor miracle. . .a book that will appeal to both jazz musicians and jazz lovers alike." --
Rob Fishburn, The Roanoke Times"A story as much fun to read as listening to a sax master." --
Kirkus Reviews"It's clear [Segell] grasps the jazzmans dictum that its the journey, not the destination." --
Dave Itzkoff, The New York Times Book Review"What a splendid tribute Segell has written to that time-bending musical continuum that still holds so many in its thrall." --
Tom Nolan, The San Francisco Chronicle"[A] historical and deeply personal tribute to the saxophone." --
Jonathan Bor, The Baltimore Sun"[Michael Segell] guides us on an entertaining journey." --
Matt Schudel, The Washington Post Book World