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Editorial Reviews
From Publishers Weekly
A teenage boy's doomed love for his glamorous French instructor in 1960s Poland informs the masterfully constructed debut of Warsaw critic and drama director Libera. When a beautiful 32-year-old teacher, known primarily as "Madame," takes over the narrator's high school French class, he is entranced by her combination of austere intelligence and immaculate beauty. He soon begins following her and researching her life to feed his obsession. When he flirtatiously taunts her in class with covert references to her past, she seems only mildly indignant. Finally, he discovers that she is the daughter of a man who left Poland for political reasons during the 1940s, and that she has felt uncertain of her own identity for much of her adult life; this revelation fills him with empathy for her. The unlikely chemistry between the immature pupil and his adult teacher is electrifying, and the tantalizing pace builds to a mystifying and heart-wrenching climax. Libera paints the narrator's obsession with Madame with a wit worthy of Nabokov (in a crystalline translation by Kolakowska) as his satire of the youth's reckless romantic impulse mixes with heated romantic intrigue. In the course of researching his amour, the narrator sees Picasso's The Human Comedy drawings and Lelouch's film A Man and a Woman, both new at the time; the attitude toward physical and psychological love expressed in both adds a complex and fitting symbolism to the intense politics and passion in the narrative. The layers of the student's obsession unravel with impressive measure as well, even if Libera occasionally gives too much attention to the inner workings of his hero's mind or the history of Poland's oppression by Communist forces. This epic fantasy is deeply satisfying, heartbreaking and enthralling. (Apr.)
Copyright 2000 Reed Business Information, Inc.
From Library Journal
In this first novel from Polish critic and theater director Libera, the high school-aged protagonist finds life in Soviet-dominated Poland to be dreary and lacking in the drama of earlier eras. The pressure to conform politically and socially thwarts his desire for pure artistic expression. His resignation to the unremarkable is interrupted by a growing obsession with his elegant and enigmatic French teacher, Madame--seemingly out of reach at age 32. Thus, the young man spends his final year of high school uncovering the details of Madame's personal life, hoping to use these details to woo her through a covert operation that involves the intricate manipulation of the spoken and written word. While engaged in this espionage, he learns that the dramatic is made up of the everyday and that the Polish-Soviet system promotes mediocrity while burying the exceptional. This deeply symbolic Bildungsroman is full of tragedy and comedy, exuberance and suffocation. Highly recommended.
-Rebecca A. Stuhr, Grinnell Coll. Libs., IA
Copyright 2000 Reed Business Information, Inc.
See all Editorial Reviews
A teenage boy's doomed love for his glamorous French instructor in 1960s Poland informs the masterfully constructed debut of Warsaw critic and drama director Libera. When a beautiful 32-year-old teacher, known primarily as "Madame," takes over the narrator's high school French class, he is entranced by her combination of austere intelligence and immaculate beauty. He soon begins following her and researching her life to feed his obsession. When he flirtatiously taunts her in class with covert references to her past, she seems only mildly indignant. Finally, he discovers that she is the daughter of a man who left Poland for political reasons during the 1940s, and that she has felt uncertain of her own identity for much of her adult life; this revelation fills him with empathy for her. The unlikely chemistry between the immature pupil and his adult teacher is electrifying, and the tantalizing pace builds to a mystifying and heart-wrenching climax. Libera paints the narrator's obsession with Madame with a wit worthy of Nabokov (in a crystalline translation by Kolakowska) as his satire of the youth's reckless romantic impulse mixes with heated romantic intrigue. In the course of researching his amour, the narrator sees Picasso's The Human Comedy drawings and Lelouch's film A Man and a Woman, both new at the time; the attitude toward physical and psychological love expressed in both adds a complex and fitting symbolism to the intense politics and passion in the narrative. The layers of the student's obsession unravel with impressive measure as well, even if Libera occasionally gives too much attention to the inner workings of his hero's mind or the history of Poland's oppression by Communist forces. This epic fantasy is deeply satisfying, heartbreaking and enthralling. (Apr.)
Copyright 2000 Reed Business Information, Inc.
From Library Journal
In this first novel from Polish critic and theater director Libera, the high school-aged protagonist finds life in Soviet-dominated Poland to be dreary and lacking in the drama of earlier eras. The pressure to conform politically and socially thwarts his desire for pure artistic expression. His resignation to the unremarkable is interrupted by a growing obsession with his elegant and enigmatic French teacher, Madame--seemingly out of reach at age 32. Thus, the young man spends his final year of high school uncovering the details of Madame's personal life, hoping to use these details to woo her through a covert operation that involves the intricate manipulation of the spoken and written word. While engaged in this espionage, he learns that the dramatic is made up of the everyday and that the Polish-Soviet system promotes mediocrity while burying the exceptional. This deeply symbolic Bildungsroman is full of tragedy and comedy, exuberance and suffocation. Highly recommended.
-Rebecca A. Stuhr, Grinnell Coll. Libs., IA
Copyright 2000 Reed Business Information, Inc.
See all Editorial Reviews
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