The Hooligan's Return: A Memoir (Hardcover)

~ (Author), Angela Jianu (Translator) "The bright spring light, like an emanation from Paradise, streams through the large picture window wide as the room itself..." (more)
Key Phrases: inner adversity, outer adversities, blue notebook, New York, Augustus the Fool, East European (more...)

Editorial Reviews

From Booklist

Manea is a Romanian-born novelist [Black Envelope (1995)] and essayist (On Clowns: The Dictator and the Artist) whose life and work have been marked by themes of departure, exile, and ambivalence about his past. After a harsh childhood in Transnistra, a concentration camp for Romanian Jews, and a frustrated, tedious adulthood as an engineer within the Communist system, Manea finds writing--and controversy--in middle age, and he emigrates to New York. His memoir is the eloquent story of his return to Romania amid academic controversy and lingering questions about his identity. Familiar Manean literary caricatures travel with him and become vehicles for understanding the haunted past: the White Clown (representing brutal dictators past, present, and future) and Augustus the Fool, his exiled-artist foil. Manea visits his hometown and his mother's grave and flashes back to his past, but he never finds the catharsis he seeks. "The return did not restore me," he mourns. "I am an embarrassed inhabitant of my own biography." Perhaps true, but his engrossed readers will likely forgive him. Brendan Driscoll
Copyright © American Library Association. All rights reserved

Review

"Arch, literary, and self-effacing...An affecting exploration of past and present all the same." -- Kirkus Reviews

"Dense, absorbing, and internally complex." -- Publishers Weekly

"Recounted with the caustic dexterity and lyrical power we would expect from the accomplished novelist...Fascinating." -- Ariel Dorfman, The New York Times Book Review

"Slyly disguised as an unsentimental journey back to his native Romania, Norman Manea's fascinating memoir is, among other things, the history of a country; a moving portrait of a family improbably surviving the serial horrors of Hitler, Stalin, and Ceausescu; a meditation on exile and freedom, memory and language, solitude and community; and a thoughtful, beguiling record of the almost incredible events that can transpire in one life, especially if that life is lived in 20th-century Eastern Europe. The Hooligan's Return operates on so many levels--psychological and political, ironic and tragic, moral and philosophical, satirical and elegiac--that finally it eludes all classification and reveals itself as art."
--Francine Prose

"Romania's greatest living novelist weaves together three journeys, three precise moments in his life, in this subtle, exacting, obsessive and extraordinary memoir that wrenches beauty from pain and transfixes life into art. The Hooligan's Return is a brilliant achievement."
--Edward Hirsch

"We know when we’ve come on a work of literature that alters, for the rest of our lives, how we see, how we understand even that which we may have believed we understood before. Primo Levi’s The Drowned and the Saved. The Death of Ivan Ilyich. Chaim Grade’s My Quarrel with Hersh Rasseyner. Ward Number Six. And now The Hooligan’s Return. I am profoundly grateful for this living, flesh-and-blood, yet unearthly memoir."
—Cynthia Ozick

-- Review

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Product Details

• Hardcover: 400 pages
• Publisher: Farrar, Straus and Giroux (August 18, 2003)
• Language: English
• ISBN-10: 0374282560
• ISBN-13: 978-0374282561
• Product Dimensions: 9 x 6.4 x 1.2 inches
• Shipping Weight: 1.4 pounds
• Average Customer Review: 4.0 out of 5 stars  See all reviews (3 customer reviews)
• Amazon.com Sales Rank: #1,366,056 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

19 of 21 people found the following review helpful:

5.0 out of 5 stars A great autobiography, March 20, 2004

By A Customer

This is a wonderful, if difficult book. It cronicles the author's life. Norman Manea suffered from both the Holocaust and Communism. Being Jewish, he and his family were deported during the Second World War to a concentration camp set up by Romania's fascist regime (General Ion Antonescu, Hitler's ally) in Transnistria, where several hundred thousand Jews were imprisoned and died in horrible circumstances. Luckily he survived the KZ and returned to Romania. Later on, when he had become a writer, he was declared enemy of the state and a 'hooligan' by Romania's Communists, because he had dared criticize the antisemitic government in an article. (Another fascinating Romanian-Jewish writer, Mihail Sebastian (see his Jurnal) was described as a 'hooligan' by antisemits in a literary scandal back in the 30's - the term has deep connotations for Manea). His relationship to his homeland remained troubled even after he left Romania in the 80's, settling down in New York as a professor for literature (he teaches at Bard College). Although he is one of Romania's best writers, his country's literary elite treats him with a certain embarassment. He can be compared in this respect to Imre Kertesz's relationship with Hungary.
I liked this book not only because of all the detailed, multi-faceted and subtle description of these events, but also because it is an honest and selfironical autobiography. Manea is a reluctant autobiographer. My feeling is that he wrote this book out of duty; not to brag about his past, rather to pay tribute to those he loved and to remind the world of the terrible journey he has been through - a very typical journey for Jews and many East Europeans in the 20th century...

P.S. If this book is superfluous, then so are the books by e.g. Anne Frank, Primo Levy and Mihail Sebastian. Good luck in burning them!

10 of 12 people found the following review helpful:

4.0 out of 5 stars This is the real thing: NOT a "pseudo-Romanian" writer!, December 30, 2004

By	slovakgirl5 (Cleveland, Ohio USA) - See all my reviews

Francine Prose's blurb says it all: check it out on the inside cover of this book. THR is a multi-layered memoir that does not always proceed in chronological fashion. This story of a Romanian exile's return to his homeland is more substantial and real than Romanian-born writer Andrei Codrescu (who changed his surname from Perlmutter to "Codrescu," probably to appear more exotic in the US). When Norman Manea fears encountering the staff at the Intercontinental Hotel in Bucharest, he has REAL reason to, unlike the poseur "Codrescu," who likes to fancy himself a revolutionary. In 1992, Manea penned a controversial essay on M. Eliad, a conflicted man whose relations with Romania's ultranational Iron Guard caused him much intrapersonal conflict. Manea also blew the whistle then on the RO community in chicago where a significant community of IG sympathizers still carry the flame today. In fact, he intimates, there may yet be a connection between the IG/Chicago Legionnaires and the Securitate in RO even today. Dangerous stuff even in these enlightened times some 60+ years later after the changing of the fascist/communistic guard in RO. Debates of this type go on in all eastern European countries, as they begin to sort thru their messy post-fascist/post-communist pasts; combine this with the added and ironical baggage of having many former Party leaders morph into "democratic" leaders. Absurdity never dies. Manea inspires his readers to delve into the works of other RO writers like Cioran, Paul Celan, I. Culianu, Petru Cretia...so Francine Prose sums things up neatly with her observation that "THR operates on so many levels that finally, it eludes all classification." Well said.

1 of 2 people found the following review helpful:

3.0 out of 5 stars I was expecting more, November 10, 2008

By	Andrei Berechet (New York) - See all my reviews (REAL NAME)

This review is from: The Hooligan's Return: A Memoir (Paperback)

I'm half way through this book and all Manea talks about is how he didn't want to leave Romania and how ten years later he doesn't want to return to Romania. And besides that he's trying to be philosophical about it.
That's it. Pretty 'un-entertaining'.