Omeros (Paperback)

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Editorial Reviews

Amazon.com Review

Creating an epic poem based on Homer and Odysseus seems a risky proposition for a modern poet, but Derek Walcott accomplishes the feat with stunning results in Omeros. The title, which is Homer's name in Greek, nods to the wandering and exile of the great poet himself, who learned and suffered while traveling. From there, Walcott takes off to "see the cities of many men and to know their minds." After an exhilarating exploration of tremendous proportions, we learn of the past and the present and ride along the rhythm of the words of Walcott in this amazing text.

From Publishers Weekly

This magnificent modern epic by poet-playwright Walcott ( The Arkansas Testament ) follows the wanderings of a present-day Odysseus and the inconsolable sufferings of those who are displaced and traveling with trepidation toward their homes. Written in seven circling books and magically fluid tercets, the poem illuminates the classical past and its motifs through an extraordinary cast of contemporary characters from the island of Santa Lucia: humble fishermen Achilles, Philoctete and Hector; a feverishly beautiful house servant, Helen, who incites her own Trojan War; a local seer, Seven Seas; and the narrator himself, who wanders to the States, to Europe and back again although he knows, "the nearer home, the deeper our fears increase, / that no house might come to meet us on our own shore." Singularly ambitious, and as moving as the works of its namesake, Omeros (Greek for "Homer") remains accessible despite its complexity and divergent strains, which include the privations of Native Americans, African natives and exiled English colonials.
Copyright 1990 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Paperback: 325 pages
• Publisher: Farrar, Straus and Giroux (June 1, 1992)
• Language: English
• ISBN-10: 0374523509
• ISBN-13: 978-0374523503
• Product Dimensions: 8.4 x 5.4 x 1 inches
• Shipping Weight: 1 pounds (View shipping rates and policies)
• Average Customer Review: 4.6 out of 5 stars  See all reviews (14 customer reviews)
• Amazon.com Sales Rank: #233,223 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

19 of 21 people found the following review helpful:

4.0 out of 5 stars Postcolonial Homer, January 6, 2004

By	J. Ott "John Ott" (Los Angeles, CA USA) - See all my reviews (REAL NAME)

Walcott confidently feels his way into epic form, borrowing the blind eyes of Homer and tropes from Homer's tales. Jam-packed with craft, OMEROS' Dantesque tercets make hairpin turns on the pinpoints of vowels and consonants. Walcott is nothing if not evocative, calling forth the spirits of breadfruit, waves, Plains Indians, sunken treasure, sea creatures and all his other muses with a music that is beyond sounds.

For all the great poetry, what fans of the modern epic will miss in OMEROS is a narrative through-line. Structurally, it is more like William Carlos Williams' PATERSON or especially Hart Crane's THE BRIDGE, than like THE ILLIAD or THE ODYSSEY. The stories in the poem are given secondary importance to the ideas. While I will not disagree with other reviewers' characterizations of the characters as 'well-developed,' I will say that Walcott gives his characters very little to do. The greatest journey is the one taken by the un-named narrator (who seems to be prowling the University Poet circuit from the Carribean to the U.S. to England). Those who want a story with their modern epic are directed to THE CHANGING LIGHT AT SANDOVER by James Merrill.

What Walcott offers in place of narrative is recollections, meditations and essays on a post-colonial world. Certain human motifs are bound to repeat, he says, and demonstrates with the story of fishermen Hector and Achille fighting for the island girl in the yellow dress, Helen. To me, Omeros is really a collection of poems in a similar form spiralling around similar themes, taking up each others' melodies in different keys. Like any symphony, it sometimes gets lost. But its individual passages are, more often than not, magnificent -- and beautiful to hear.

13 of 15 people found the following review helpful:

5.0 out of 5 stars what you read is true, April 19, 2003

By	Glenn Becker (Arlington, MA USA) - See all my reviews (REAL NAME)

My review title shouldn't be construed as me claiming any knowledge re: Caribbean culture/history, or indeed -any- of the experiences of the disenfranchised peoples this book touches on. All I can say is that the glowing reviews here on Amazon are accurate. Walcott's poetry is supple almost beyond belief: so facile and brilliant that it would stand between the reader and the subject if Walcott himself didn't admit that, yes, he can be awfully facile and brilliant with the English language! The writer walks a dozen dangerous lines - among them, the could-be-precious placing of himself in his own poem - and walks away triumphant from every single challenge.

If you are looking for a linear "story" in the tradition of Homer but transplanted to a Caribbean locale, this isn't it. If however you are looking for great poetry and the understanding of others (and yourself) that great poetry can bring, then it is right here. OMEROS is eminently worth your time.

12 of 14 people found the following review helpful:

5.0 out of 5 stars Excellent, May 28, 2000

By A Customer

An amazing poem, especially when read in an environmental context similar to St. Lucia. I attended a semester in the Bahamas, where our English class spent fifteen weeks reading and dissecting the poem. "Omeros" is stunning, elegantly written, subtle and outspoken at the same time. The mingling of Helen and Helen, of Mr. Walcott's personal history (or the history of the "phantom narrator," as we chose to call him) and that of his island are masterful. A challenging but very worthwhile read.