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Better Together
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Editorial Reviews
Amazon.com
There are very few classics in the field of pop culture--the academic stuff tends to be too dry and the fun stuff is too quickly dated. This book by Luc Sante is the exception--in fluid prose liberally sprinkled with astute metaphors, Sante tells the story of New York's Lower East Side, circa 1840-1920. The personal histories of criminals, prostitutes, losers, and swindlers bring to life the social and statistical history that the author has meticulously researched. Not limiting himself to the usual sources, Sante finds his history in old copies of Police Gazette as well as actual police, fire, and social service records. Above all, what really makes this book work is the writing, which brings to life a culture of the streets that continues to form a silent influence on our contemporary popular culture. --This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
In his first book, freelance writer Sante tours the underside of Manhattan's underclass circa 1840-1919. Clarifying his territory, he notes that "New York is incarnated by Manhattan (the other boroughs . . . are merely adjuncts)." Sante's bad old days are populated with lethal saloon keepers, thieves, whores, gamblers, pseudo-reformers, Tammany Hall politics, crooked cops et al. Capital of the night is the Bowery, center of the "sporting life"; bohemia encompasses the likes of short story writer O. Henry, a one-time embezzler from Texas, plus ethnic enclaves (with the Jewish and Slavic bohemians singled out as the most argumentative). East Side, West Side, semi-rural uptown, wide-open downtown, 19th-century Manhattan is presented as the realm of danger and pleasure. "The city was like this a century ago, and it remains so in the present," maintains an author who sees his Manhattan as seamy, seedy and sinister.
Copyright 1991 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
There are very few classics in the field of pop culture--the academic stuff tends to be too dry and the fun stuff is too quickly dated. This book by Luc Sante is the exception--in fluid prose liberally sprinkled with astute metaphors, Sante tells the story of New York's Lower East Side, circa 1840-1920. The personal histories of criminals, prostitutes, losers, and swindlers bring to life the social and statistical history that the author has meticulously researched. Not limiting himself to the usual sources, Sante finds his history in old copies of Police Gazette as well as actual police, fire, and social service records. Above all, what really makes this book work is the writing, which brings to life a culture of the streets that continues to form a silent influence on our contemporary popular culture. --This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
In his first book, freelance writer Sante tours the underside of Manhattan's underclass circa 1840-1919. Clarifying his territory, he notes that "New York is incarnated by Manhattan (the other boroughs . . . are merely adjuncts)." Sante's bad old days are populated with lethal saloon keepers, thieves, whores, gamblers, pseudo-reformers, Tammany Hall politics, crooked cops et al. Capital of the night is the Bowery, center of the "sporting life"; bohemia encompasses the likes of short story writer O. Henry, a one-time embezzler from Texas, plus ethnic enclaves (with the Jewish and Slavic bohemians singled out as the most argumentative). East Side, West Side, semi-rural uptown, wide-open downtown, 19th-century Manhattan is presented as the realm of danger and pleasure. "The city was like this a century ago, and it remains so in the present," maintains an author who sees his Manhattan as seamy, seedy and sinister.
Copyright 1991 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
Product Details
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