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Delving into heretofore untapped sources, Hermione Lee does away with the image of the snobbish bluestocking and gives us a new Edith Wharton--tough, startlingly modern, as brilliant and complex as her fiction.
Born in 1862, Wharton escaped the suffocating fate of the well-born female, traveled adventurously in Europe and eventually settled in France. After tentative beginnings, she developed a forceful literary professionalism and thrived in a luminous society that included Bernard Berenson, Aldous Huxley and most famously Henry James, who here emerges more as peer than as master. Wharton's life was fed by nonliterary enthusiasms as well: her fabled houses and gardens, her heroic relief efforts during the Great War, the culture of the Old World, which she never tired of absorbing. Yet intimacy eluded her: unhappily married and childless, her one brush with passion came and went in midlife, an affair vividly, intimately recounted here.
With profound empathy and insight, Lee brilliantly interweaves Wharton's life with the evolution of her writing, the full scope of which shows her far to be more daring than her stereotype as lapidarian chronicler of the Gilded Age. In its revelation of both the woman and the writer, Edith Wharton is a landmark biography.
Hermione Lee's Reading Guide to Edith Wharton
Hermione Lee, about whose Virginia Woolf the Amazon.com reviewer wrote, "Biographies don't get much better than this," has turned for her next major subject to Edith Wharton. Wharton's classics, including The House of Mirth, The Age of Innocence, and Ethan Frome, are known to many readers, but Lee has prepared exclusively for us a Reading Guide to Edith Wharton that goes beyond those familiar titles to unearth lesser-known gems among her remarkable stories and novels, from the story "After Holbein," "a masterpiece of ghoulish, chilling satire," to The Custom of the Country, her "most ruthless, powerful, and savage novel."
From Publishers Weekly
Starred Review. One might think that R.W.B. Lewis's excellent 1975 biography had precluded the need for another book about Edith Wharton. Not so. Reading Lee's superb new biography is akin to comparing a fine watercolor sketch to a vivid masterpiece. Access to previously unrevealed letters, and the same meticulous research for which her Virginia Woolf biography was praised, allow Lee to illuminate many dark corners of Wharton's life and to reinterpret previously accepted opinions. Most important, Lee exhibits an intuitive empathy with her subject (never glossing over her less admirable characteristics) and thus animates Wharton as a fully dimensional figure of complex and contradictory values and impulses—a woman of fierce ambition and lingering self-doubt, of generous friendships and ignoble snobbery and prejudices, with a zest for travel and adventure despite frequent, debilitating ill health. Lee challenges several traditional stereotypes about Wharton, including her literary relationship with Henry James—more peer than acolyte, Lee shows—and with Walter Berry and Bernard Berenson. (Although she provides many instances of Wharton's violent anti-Semitism, Lee does not note the paradox of Wharton's close relationship with Berenson.) In no other biography is there a more perceptive analysis of how Wharton's life was reflected in her work. Her nightmarish marriage and midlife passionate affair with Morton Fullerton, the straitjacket social code that she violated by seeking a divorce were transmogrified in the novels, stories and poetry (some of it erotic). Lee's portrait of Wharton as a strong-willed woman determined to surmount the background she drew on for inspiration, a woman obsessed with "double lives, repression, sexual hypocrisy, hidden longings," is a major achievement. 24 pages of photos. 75,000 first printing. (Apr. 30)
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