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Editorial Reviews
Amazon.com
In his second collection of short fiction, Great Dream of Heaven, Pulitzer Prize-winning playwright Sam Shepard offers a resonant examination of interpersonal crisis and revelation in 18 lean tales. At times humorous, tense, and tragic, these stories often focus on the elusive search for connection and understanding, visiting characters at key moments of consciousness or detachment. Seized by compulsion or repression, many in this work disengage from life by assuming familiar roles or patterns. In "The Stout of Heart," a man obsessed with horse breeding locks himself in his room annually to study catalogues, shutting out his family, while in "An Unfair Question," another man's frustration with his role as husband and father surfaces when he engages a party guest in friendly conversation and ends up holding her at gunpoint. These stories achieve an understated impact due in part to Shepard's knack for acute dialogue and descriptions that reveal his dramatist's eye for sparse but evocative detail. In "Living the Sign," a handmade sign in a fast food restaurant inspires a man to self-awareness, though he finds that its teenage creator is only dimly aware of its significance. "The Remedy Man," the collection's first and strongest story, tells of a guarded boy who comes to realize his potential by helping E.V., the road-worn title character (a fixer of bad horses), break a stallion. "Horse is just like a human being," E.V. tells him. "He's just gotta know his limits. Once he finds that out he's a happy camper." Offering many such moments of distilled wisdom, the stories in Great Dream of Heaven are no less brief but memorable encounters. --Ross Doll
From Publishers Weekly
"E.V. made no bones about it; he was not a horse whisperer by any stretch," writes Shepard (Cruising Paradise, etc.) in the first of 18 brief stories that make up his new collection. "He could fix bad horses, and when he fixed them they stayed fixed." This terse, weather-beaten "remedy man" turns out to be so observant that he gives a bullied boy a new sense of the truly vast scale of life and of his own possibilities. Some of the tales explore how characters fail to connect with any greater vision. Ambushed by sex, buried in habit or gripped by a desperation they didn't know they possessed, they become like blind forces of nature, some of them terrifying and heartbreaking. At his best, Shepard shows us how in brief, bright moments people wake up from the suck and drag of the distractions that cloud their lives. In "Living the Sign" a young fast-food worker commemorates his moment of lucidity by posting a sign that reads, "`Life is what's happening to you while you're making plans for something else.'" Shepard shows that consciousness calls out to us: eager to track down the employee who made the sign, a patron asks if anyone there seems "particularly auspicious? Particularly present and attentive?" In classic Shepard style, he also shows in the title story how people can fall apart as quickly and with just as much force as they come together. Like "The Remedy Man" himself, these sketches are simple but deeply intuitive and true.
Copyright 2002 Reed Business Information, Inc.
See all Editorial Reviews
In his second collection of short fiction, Great Dream of Heaven, Pulitzer Prize-winning playwright Sam Shepard offers a resonant examination of interpersonal crisis and revelation in 18 lean tales. At times humorous, tense, and tragic, these stories often focus on the elusive search for connection and understanding, visiting characters at key moments of consciousness or detachment. Seized by compulsion or repression, many in this work disengage from life by assuming familiar roles or patterns. In "The Stout of Heart," a man obsessed with horse breeding locks himself in his room annually to study catalogues, shutting out his family, while in "An Unfair Question," another man's frustration with his role as husband and father surfaces when he engages a party guest in friendly conversation and ends up holding her at gunpoint. These stories achieve an understated impact due in part to Shepard's knack for acute dialogue and descriptions that reveal his dramatist's eye for sparse but evocative detail. In "Living the Sign," a handmade sign in a fast food restaurant inspires a man to self-awareness, though he finds that its teenage creator is only dimly aware of its significance. "The Remedy Man," the collection's first and strongest story, tells of a guarded boy who comes to realize his potential by helping E.V., the road-worn title character (a fixer of bad horses), break a stallion. "Horse is just like a human being," E.V. tells him. "He's just gotta know his limits. Once he finds that out he's a happy camper." Offering many such moments of distilled wisdom, the stories in Great Dream of Heaven are no less brief but memorable encounters. --Ross Doll
From Publishers Weekly
"E.V. made no bones about it; he was not a horse whisperer by any stretch," writes Shepard (Cruising Paradise, etc.) in the first of 18 brief stories that make up his new collection. "He could fix bad horses, and when he fixed them they stayed fixed." This terse, weather-beaten "remedy man" turns out to be so observant that he gives a bullied boy a new sense of the truly vast scale of life and of his own possibilities. Some of the tales explore how characters fail to connect with any greater vision. Ambushed by sex, buried in habit or gripped by a desperation they didn't know they possessed, they become like blind forces of nature, some of them terrifying and heartbreaking. At his best, Shepard shows us how in brief, bright moments people wake up from the suck and drag of the distractions that cloud their lives. In "Living the Sign" a young fast-food worker commemorates his moment of lucidity by posting a sign that reads, "`Life is what's happening to you while you're making plans for something else.'" Shepard shows that consciousness calls out to us: eager to track down the employee who made the sign, a patron asks if anyone there seems "particularly auspicious? Particularly present and attentive?" In classic Shepard style, he also shows in the title story how people can fall apart as quickly and with just as much force as they come together. Like "The Remedy Man" himself, these sketches are simple but deeply intuitive and true.
Copyright 2002 Reed Business Information, Inc.
See all Editorial Reviews
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