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Tropical Truth: A Story of Music and Revolution in Brazil
 
 
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Tropical Truth: A Story of Music and Revolution in Brazil (Hardcover)

~ (Author) "I used to say that if it were up to me, Elvis Presley and Marilyn Monroe would never have become stars..." (more)
Key Phrases: jovem guarda, brazilian rock, concrete poets, Santo Amaro, Sao Paulo, Jodo Gilberto (more...)
4.0 out of 5 stars  See all reviews (12 customer reviews)


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Editorial Reviews

From Publishers Weekly

The Brazilian singer/songwriter most highly regarded by the First World intelligentsia, Veloso makes his U.S. publishing debut with a rambling, extremely erudite memoir focusing on his role in the late-1960s musical happening known as Tropic lia. While on the surface, Tropic lia and Veloso (often compared to Bob Dylan) paralleled the U.S. counterculture of the 1960s, the author explains the multilayered context of Brazilian politics and art that made the movement unique. From the innocence of his middle-class youth in the northern state of Bahia, to his stays in Sao Paulo and Rio de Janeiro, Veloso vividly re-creates his formative years, which were immersed in French new wave cinema, progressive English rock and Brazilian letters, particularly concrete poetry. "What we wanted to do would be... closer to Godard's films," he muses. "Masculin-feminin [sic], with... its adolescent sexuality-I saw it as one more moment in our daily lives in Sao Paulo." That Veloso is well-read is not in question-he cites everyone from Wittgenstein and Proust to Deleuze and Andrew Sullivan, while at the same time introducing non-Brazilian readers to an unknown canon of authors such as poet Augusto de Campos and essayist Oswald de Andrade. If there is any complaint with the book, it is that Veloso can get caught up in a maze of sometimes unconnected ideas that obscure his lucid descriptions of the intricacies of Brazilian music and its often equally literate stars. However, this is a must for Brazilian music fans, as well as anyone interested in how the modernist age played out in South America.
Copyright 2002 Reed Business Information, Inc.


From Library Journal

Singer/songwriter Veloso has virtually defined Brazilian music for the past 35 years. In his autobiography, first published in his native country, he exhibits a rare, vibrant erudition while tracing how in the 1960s he and his friends developed a post-bossa nova music and movement called tropicalismo (Tropic…lia in English). Inspired by an impressive range of Brazilian political and cultural figures, as well as Ezra Pound, John Cage, Anton Webern, and e.e. cummings, Veloso aimed to blend his country's traditions with the best foreign influences (including Anglo-American pop) to produce a whole new sound. Paralleling this aesthetic was his opposition to political oppression from the Left or Right, and Veloso's railing against the junta led to imprisonment and a brief exile. Although the book truly fascinates, especially in its thoughtful explanation of his music in relation to Brazilian culture and politics, the English edition curiously excludes much of Veloso's activity since the mid-1970s. While this is probably because his work over the past 25 years is best known to Brazilians, American readers would have benefited from the information. That shortcoming aside, Tropical Truth is highly recommended, though Veloso's relative obscurity here probably dictates that larger academic and public libraries will find it most useful. Christopher Dunn's recent Brutality Garden: Tropic…lia and the Emergence of a Brazilian Counterculture covers much the same material, albeit in a more scholarly voice. [This book's publication coincides with the release of Veloso's new studio album, Livro, and a two-CD collection, Live in Bahia.-Ed.]-James E. Perone, Mount Union Coll., Alliance, O.
--James E. Perone, Mount Union Coll., Alliance, OH
Copyright 2002 Reed Business Information, Inc.

Product Details

  • Hardcover: 368 pages
  • Publisher: Knopf (September 24, 2002)
  • Language: English
  • ISBN-10: 037540788X
  • ISBN-13: 978-0375407888
  • Product Dimensions: 9.5 x 6.5 x 1.2 inches
  • Shipping Weight: 1.5 pounds
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (12 customer reviews)
  • Amazon.com Sales Rank: #1,007,459 in Books (See Bestsellers in Books)

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Customer Reviews

12 Reviews
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Average Customer Review
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19 of 21 people found the following review helpful:
5.0 out of 5 stars Crucial history of Brazilian popular music, November 6, 2002
Songwriter Caetano Veloso is one of Brazil's most iconic artistic figures; along with Gilberto Gil, Gal Costa and others, he created the "tropicalia" movement, which reconciled the magic of bossa nova with the psychedelic splendor of '60s rock. This is an English translation of his autobiography, a densely-written, super-intellectual, but also quite charming and down-to-earth account of the "heroic years" of the tropicalia movement. Veloso gives an intimate, immensely informative account of Brazilian music, from the pre-bossa "radio singers" he grew up with to the intense ideological rivalries between the hippie-ish tropicalia artists and the left-wing party-liners of the bossa nova crowd. The book is also a memoir of life under the Brazilian military dictatorship which took power in 1964, eventually sending Veloso and Gil (and countless other artists) into political exile, while attempting to censor their work and silence their voices. The role of the artist in all aspects of life -- social, spiritual and aesthetic -- resonates throughout this book, as Veloso gives an invaluable insider's view of an artistic movement that changed the course of Brazilian culture. This book basically ends in the early 1970s... it would be great if he could follow up with a second volume exploring the growth (although some might call it decline) of Brazilian music in the decades that followed. (PS - this is the perfect companion to Ruy Guerra's similarly wonderful book, "Bossa Nova, The Sound That Seduced The World.")
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7 of 7 people found the following review helpful:
5.0 out of 5 stars best if you know brazil well , November 18, 2005
I read this book in portuguese, when it first came out in Brazil, and i absolutely loved it. This book is not only about Caetano Veloso and his music. Caetano Veloso has a very unique way to see people and to write about them, and in his life he had the privilege to meet some of the most important people in Brazil's cultural scene. In his book he tells us many precious stories about Chico Buarque de Hollanda, Gilberto Gil, Nara Leao, Paulinho da Viola and so many others. Some important moments of his life and also of Brazilian history are also told from a very personal point of view: stories of Caetano and Gil's prison and exile during brazilian dictatorship were specially moving to me. And then there are some fabulous stories about the beginnings of Caetano's carreer, how it all started. Caetano has such an insteresting point of view about everything, it's awesome to be able to get inside his mind, and that's how i felt reading his book. I actually ended up reading it twice. I think though, that this book can be better appreciated by people who really know brazilian music and culture well. Another reviewer mentioned that Caetano talks about lots of "obscure artists", but i don't think this is a true statement. He talks about very important people in brazilian culture, including writers, film directors and musicians. The people he mentions are very known in Brazil,and he also talks about important european and american artists. The people he mentions in his book are not obscure at all. Probably, if you know who he is talking about it makes for a much better reading experience. So, if you have a curious mind and are interested in art, music, and Brazil, this is certainly a wonderful book to read. And, like me, you may want to read it more than once...
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11 of 13 people found the following review helpful:
5.0 out of 5 stars Great book!, January 6, 2003
By "cogito55" (Berkeley, CA USA) - See all my reviews
This is an exciting and unusual book -- it's a memoir of the life of one of the century's greatest songwriters (according to Rolling Stone), who is probably fairly unknown in the US because he sings in Portuguese. It's also a history of the 60's and 70's in Brazil, a time that included rule by military dictatorships (who imprisoned and exiled Veloso). It's also a passionate history of Brazilian music, through the lens of the tropicalia movement created by Veloso, Gilberto Gil (also imprisoned with Veloso, and recently named Minister of Culture by newly elected President Lula!), Gal Costa, Tom Ze and others. It's personal, scholarly, revealing, and will offer a glimpse into the mind and soul of a fascinating musical genius.
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Most Recent Customer Reviews

3.0 out of 5 stars Not sure what to say
This book is so painful to read. The sentences are so long and complex. It was like reading a philosophy book. Read more
Published 21 months ago by Thomas Stearns

4.0 out of 5 stars Difficult to read in English
The problem is the translation. Not knowing Portuguese though, I can only assume that Caetano writes eloquently in his native language. Read more
Published on June 29, 2006 by B. Johnson

3.0 out of 5 stars The wrong writer gives us a much needed book
This is a book that needed to be written. I am disappointed both in Caetano Veloso and in the English translation, however. Read more
Published on May 3, 2006 by Salty Saltillo

5.0 out of 5 stars An entirely Excellent Book
Despite another reviewer's shallow "Gas Attacks" about this work, this is an excellent book that depicts the realities of the revolution intertwined with the cosmos of Brazilian... Read more
Published on May 10, 2005 by az kayhan

4.0 out of 5 stars An unusual and fascinating memoir.
If one were to compare "Tropical Truth" with critical writings on Tropicália, it would seem unusual that Caetano Veloso writes more as an observer rather than a central figure in... Read more
Published on March 27, 2005 by annoyed grunt.

5.0 out of 5 stars Like it or leave it


This is a very complex, very interesting account by an amateur writer. Caetano is not “dying to be an intellectual” (as one reviewer remarked) – he... Read more
Published on January 4, 2005 by Michael Gerlinger

2.0 out of 5 stars Dying to Be an Intellectual
A great musician but a man desperate for intellectual respect. The book is virtually 400+ pages of an application for membership into some haughty Paris salon. Read more
Published on December 24, 2004 by Cheio de Gases

5.0 out of 5 stars Not your average pop star
I can't think of any other pop musician in the world besides Caetano Veloso who could pull off writing a book that gives so much insight into the personal relationships, political... Read more
Published on January 11, 2004 by Glenn Cristobal

2.0 out of 5 stars first the music
I believe good musicians should do music first and last. I own all of caetano's cds and I really appreciate his music, but I found this book a bit too apologetic and pretentious... Read more
Published on September 17, 2003 by silvia ciuchi

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