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Athena by John Banville  (7)
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The Book of Evidence by John Banville (30)
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Shroud by John Banville  (20)
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The Untouchable by John Banville (36)
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Ghosts by John Banville (10)
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Eclipse: A Novel
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Editorial Reviews
From Publishers Weekly
Irish author Banville (The Book of Evidence; The Untouchable) is one of the most seductive writers currently at work. His books are so intensely imagined and freshly observed, with a startling image or insight on every page, that story almost ceases to matter. In fact, his tale here is tenuous in the extreme. Alexander Cleave is a successful actor because only in performance can he hide his essential hollowness, his sense of his own intangibility. When his career starts to falter, he retreats to his childhood home in a small town by the sea and tries to learn to live with himself, to discover who he really is. Into this existential anguish intrude memories of his parents, his estranged wife, his emotionally damaged daughterDand the ghosts of people he may not even know, but to whose sadness he is attuned. He begins an uneasy relationship with a slovenly caretaker, Quirke, and Quirke's enigmatic teenage daughter, Lily; he is visited by his wife; he goes to a strangeDand magnificently evokedDcircus with Lily; he receives terrible news about his daughter. There is by no means a surfeit of incident, and the book never falters or creates impatience because every scene, every moment, is so alive, so exquisitely lit, felt and polished, that to read among them is like listening to great music. And when Banville does choose toward the end to raise the emotional temperature, the effect is deeply moving. (Feb. 28) Forecast: Banville will probably never be a hugely popular writer, and The Eclipse, unlike The Untouchable, is not structured along conventional lines. But perceptive reviews and the support of people who love exquisitely turned prose will help to slowly build his readership.
Copyright 2000 Reed Business Information, Inc.
From Library Journal
The Banvillian narrator is often antisocial to the point of alienating his own audience. Armed with perfect diction, he uses language to hole up in an exclusive, hopelessly cool state of mind where the well-adjusted are unwanted. Esteemed stage actor Alexander Cleave is the latest in a line of haunted white males from Banville (The Untouchable). Beleaguered by a premonition of death, he quits the summer tour to live in his dilapidated childhood home, much to his wife's contempt. Although his seemingly irrational fears do have a climax, it will leave readers dumbfounded. This has a lot to do with the misleading "plot"Aa tedious chain of Alexander's memories about his tortured mother and aloof father. Banville's leading man is at his best when he plays a caring father to the housekeeper Quirke's daughter, but this comes too late. Not recommended.
-AHeather McCormack, "Library Journal"
Copyright 2001 Reed Business Information, Inc.
See all Editorial Reviews
Irish author Banville (The Book of Evidence; The Untouchable) is one of the most seductive writers currently at work. His books are so intensely imagined and freshly observed, with a startling image or insight on every page, that story almost ceases to matter. In fact, his tale here is tenuous in the extreme. Alexander Cleave is a successful actor because only in performance can he hide his essential hollowness, his sense of his own intangibility. When his career starts to falter, he retreats to his childhood home in a small town by the sea and tries to learn to live with himself, to discover who he really is. Into this existential anguish intrude memories of his parents, his estranged wife, his emotionally damaged daughterDand the ghosts of people he may not even know, but to whose sadness he is attuned. He begins an uneasy relationship with a slovenly caretaker, Quirke, and Quirke's enigmatic teenage daughter, Lily; he is visited by his wife; he goes to a strangeDand magnificently evokedDcircus with Lily; he receives terrible news about his daughter. There is by no means a surfeit of incident, and the book never falters or creates impatience because every scene, every moment, is so alive, so exquisitely lit, felt and polished, that to read among them is like listening to great music. And when Banville does choose toward the end to raise the emotional temperature, the effect is deeply moving. (Feb. 28) Forecast: Banville will probably never be a hugely popular writer, and The Eclipse, unlike The Untouchable, is not structured along conventional lines. But perceptive reviews and the support of people who love exquisitely turned prose will help to slowly build his readership.
Copyright 2000 Reed Business Information, Inc.
From Library Journal
The Banvillian narrator is often antisocial to the point of alienating his own audience. Armed with perfect diction, he uses language to hole up in an exclusive, hopelessly cool state of mind where the well-adjusted are unwanted. Esteemed stage actor Alexander Cleave is the latest in a line of haunted white males from Banville (The Untouchable). Beleaguered by a premonition of death, he quits the summer tour to live in his dilapidated childhood home, much to his wife's contempt. Although his seemingly irrational fears do have a climax, it will leave readers dumbfounded. This has a lot to do with the misleading "plot"Aa tedious chain of Alexander's memories about his tortured mother and aloof father. Banville's leading man is at his best when he plays a caring father to the housekeeper Quirke's daughter, but this comes too late. Not recommended.
-AHeather McCormack, "Library Journal"
Copyright 2001 Reed Business Information, Inc.
See all Editorial Reviews
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