From Publishers Weekly
N
ew Yorker contributor Hofstadter (
The Love Affair as a Work of Art) poignantly writes of the crowded streets of Naples, his love for the city and the local woman who captivates him. The author has long adored Naples's charm and travels to the city as an adult for a translation project. There, he divides his time among his work, exploring the city and meeting some eccentrically charming people. Naturally, he falls for one of them, the passionate and bold Benedetta, with her "unique blend of affection and defiance." Other people Hofstadter encounters become some of his best friends: stuttering, chain-smoking Gigi Attrice, who dreams of being an actor; wedding photographer Donato Bianchi, who knows the albums he creates may become his young clients' most prized possessions; and the brainy Signora Perna, who believes unabashedly in the other world. Alas, Hofstadter's assignment ends, and he's forced to leave his newfound friends to return to America. Several years later he returns, spurred by a peculiar letter from Benedetta. Although it takes him a while to find her—"no one could find her until she wanted to be found"—they eventually reunite. With enticing descriptions and backstories, Hofstadter adroitly captures both the allure and sorrow of Naples and its people.
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A cynic might assume that with Rome and Tuscany overrun with tourists (and memoirs), Naples is the next logical hot spot. But there's nothing logical about Naples, and this highly personal story finds its author on solid (if slightly volcanic) ground. Critics praise the evocation of place, the lively characterizations, and above all, "the exquisite precision of Mr. Hofstadter's prose" (
Wall Street Journal). If he glosses over some of Naples's problems (heavy unemployment, drugs, and the Neapolitan mafia, the camorra), he does so with the myopia of a loverfocusing on the city's beauty at the expense of some of its nagging vices.
Copyright © 2004 Phillips & Nelson Media, Inc.