Breakdowns: Portrait of the Artist as a Young %@&*! (Hardcover)

by Art Spiegelman (Author)

Editorial Reviews

Amazon.com Review
For the last 40 years, comics artist Art Spiegelman has been influential in both pushing the limits of the medium, as well as bringing underground "comix” to the forefront of popular culture. He's perhaps most famous for Maus, the story of his parents' experience in the Holocaust, which earned him a special Pulitzer Prize Letters award in 1992. More recently, his work has appeared in the New Yorker--including the stunning, somber post-9/11 cover--and he was named one of Time's 100 Most Influential People in 2005. We sent him a few questions about Breakdowns, and he was kind enough to respond with this handwritten document. See the full image with more questions and answers. [JPEG, 389K]

From Publishers Weekly
Starred Review. This reprint of Spiegelman's 1978 collection of comics is a must-have for any comics aficionado, art-house dude, hipster or anyone who ever thought to himself, "Hmm, comics are kinda cool." It will also be liked by anyone who ever enjoyed Kafka or anything postmodern enough to be in McSweeney's. There's still enough here for regular people to enjoy, too. The 30-page memoirish introduction, all done in comics (in which we get to see Spiegelman mess up his son's mind the way his was messed up) explains how comics came to be the shining light for so many messed-up adolescent boys: "Mad warped a generation in the bland American 1950s--something that's been done before, but possibly not so well." The early comics are a revelation. Spiegelman gives us the story that led to Maus, and we see how he evolved from an R. Crumb-loving artist with neuroses pertaining to The Dick Van Dyke Show to a tight storyteller of anxious, modern folktales. One of the functions of the artist is to take us to hell and get us out in one piece. Spiegelman's early trips into hallucinatory darkness do this. We come out in one piece; it's not clear he did. (Oct.)
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Product Details

• Hardcover: 72 pages
• Publisher: Pantheon; Reprint edition (October 7, 2008)
• Language: English
• ISBN-10: 0375423958
• ISBN-13: 978-0375423956
• Product Dimensions: 14.1 x 10.2 x 0.6 inches
• Shipping Weight: 2.1 pounds (View shipping rates and policies)
• Average Customer Review: 4.0 out of 5 stars See all reviews (1 customer review)
• Amazon.com Sales Rank: #33,233 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

7 of 9 people found the following review helpful:

4.0 out of 5 stars Breakthrough Book, October 7, 2008

By	Tim Lasiuta "Comic Fan 42" (Red Deer, Alberta) - See all my reviews (TOP 1000 REVIEWER)    (REAL NAME)

The real title of this book is "Portrait of The Artist as A Young...", but I have taken the artistic liberty to rename it, my reasons shall become clear.




Art Spiegelman is an amazing artist. He is also a tortured artist, ravaged by guilt, and yet, through his work (some of which is self therapy), his genius shines through. As is very clear in 'Breakdowns', this book celebrates the major themes and movements in his life. The suicide of his mother in 1968, the Auschwitz stories his father told, his exposure to Robert Crumb and the underground movement can all be found and traced through the art/text. Primarily a book designed to reprint 'Breakdowns', his 1978 poorly received collection, it is the addition of the pre-and post breakdown material that provides more solid glimpses into his psyche.


If you were to sit Mr Spiegelman down and ask him the question, what is art to him, this book would be your answer. If you were to ask him to plot the major influences in his life, the answer is this book. Ask him about his career as artist for Topps, and he just might not say anything, but everyone remembers those marvelous stickers. As him where Maus came from, he would direct you to the section of Breakdown after the Introduction, and then discuss his father and Uncle. If you were to ask him to lend you $50, the answer would probably be no.... However, as a piece of autobiographical illustrato, it is remarkable for its' passion and poignancy.



Considered a failure in 1978, 'Breakdown' led him to Maus. Today, this book is perfectly timed and a good companion piece to his Pulitzer prize winning tome, and should be considered a successful (if not odd), glimpse into the 'art' of Art.




Viewed as a collection of short stories we find delightful touches like 'Auto Destruction', Introduction, Maus, As the Mind Reels, A Little Passion, Prisioner on the Hell Planet (drawn in a woodcut style), and Ace Hole. Sure, they are for Adults Only as the book cover says, and now 'underground' is 'mainstream', and the 'Portrait of the Artist as a Young...' is a success.


Congratulations Mr Spiegelman. You were ahead of your time.


Tim Lasiuta