From Library Journal
From the late 19th century to the middle of the 20th century, nearly 100,000 men found shelter each night in places with names like the Dandy, the Niagara, the Palace, and the Grand Windsor Hotel. These lodging houses, located in the infamous skid row known as the Bowery, are almost gone now, but those that remain provide a fascinating view of old New York and a vanishing era. Isay, an award-winning radio documentary producer, and Wang, a professional photographer, have captured this world in Flophouse. To present the story of this neglected population, the authors interviewed a number of residents in each of four remaining "flops." Each short narrative is told in the resident's own words and is accompanied by one or two full-page photographs. These are stories of immigrants, drug addicts, and men who are just down on their luck. There's John, who gets up every night at three in the morning to bleach his floor; Jack, who's been shooting dice for over 50 years; and Ted, the intellectual dishwasher, who set out to be nothing and succeeded. This compelling read is recommended for all libraries.
-DDeborah Bigelow, Leonia P.L., NJ Copyright 2000 Reed Business Information, Inc.
Review
"This book should be required reading in every home across the country. It tells of the lost ones, the forgotten men who have given up on the American dream, and once we enter their crumbling, derelict world, our own world will never look the same to us again. Harvey Wang's photographs are superbly honest and raw. The testimonies gathered by David Isay and Stacy Abramson are little poems of desolation, vast hymns to the paradoxes of the human heart." --Paul Auster
"This book takes you to places you think you don't want to enter, to people you think you don't want to meet, to lives you think you don't want to live. And makes you rethink all your assumptions. It reveals the tremendous strength and humanity of those who are usually ignored. And as you pay attention, your humanity expands."
-- Susan Stamberg, Special Correspondent, National Public Radio --
Review
See all Editorial Reviews