From Publishers Weekly
Assistant District Attorney Andrew Giobberti makes a return appearance in this second novel by Reuland (
Hollowpoint), in which a ghetto murder is spun into a complex, shadowy courtroom showdown. As the novel begins, Giobberti is living out a deadeningly quiet bureaucratic exile in the sleepy appeals office of the Brooklyn DA. His career hit a brick wall after the events of the earlier novel: the death of his daughter, his subsequent estrangement from his wife and the personal collapse that led to a botched homicide prosecution. So Gio is confused, suspicious and guardedly grateful when a former underling appears in his office and makes him an offer he can't refuse: Giobberti can return to the Homicide office if he'll prosecute the accused murderer of a Brooklyn bodega owner. After that, moral and narrative ambiguity take over as Giobberti tries to sort out why the DA wants him on this case. He knows something's wrong, but no one's revealing anything, not even Laurel Ashfield, the straitlaced, by-the-book junior DA who had the case before it was dropped in Giobberti's lap. Reuland avoids by-the-numbers storytelling and die-cut morality, tracing a tortuous path through the Brooklyn underworld and tossing off impolitic remarks with a studied carelessness ("Brooklyn killers do not deserve long stories. Brooklyn killers have no imagination. Brooklyn killers are the dumbest killers in the world"). There's a redemption story thinly camouflaged under the procedural tangle, giving this noirish legal thriller grace and gravitas.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From AudioFile
Still wrestling with personal demons over the accident that caused his daughter's death, Brooklyn ADA Andy Giobberti is called in to prosecute a seemingly straightforward convenience store heist and murder. However, Giobberti's highly developed sense of morality bathes what seems like a black-and-white case in shades of gray. Author Robert Reuland continues his ambivalent love affair with Brooklyn in this follow-up to HOLLOWPOINT. Narrator Jason Collins makes the most of Reuland's edgy writing, handling Giobberti's philosophical angst sometimes with jumpy bravado, sometimes with snarling certainty. While he succinctly reproduces the borough's mean streets, his voicing of secondary crooks and politicos is somewhat less convincing. Nonetheless, Reuland's style and intricate plotting, combined with Collins's intelligent performance, offer hours of excellent listening. S.J.H. © AudioFile 2004, Portland, Maine--
Copyright © AudioFile, Portland, Maine
--This text refers to the
Audio CD
edition.
See all Editorial Reviews