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The Poe Shadow: A Novel by Matthew Pearl  (84)
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The Rule of Four by Ian Caldwell  (1,145)
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Inferno: The Longfellow Translation by Dante  (4)
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Editorial Reviews
From Publishers Weekly
Talk about high concept: in Pearl's debut novel, Henry Wadsworth Longfellow, Oliver Wendell Holmes and James Russell Lowell team up with 19th-century publisher J.T. Fields to catch a serial killer in post-Civil War Boston. It's the fall of 1865, and Harvard University, the cradle of Bostonian intellectual life, is overrun by sanctimonious scholars who turn up their noses at European literature, confining their study to Greek and Latin. Longfellow and his iconoclastic crew decide to produce the first major American translation of Dante Alighieri's Divine Comedy. Their ambitious plans are put on hold when they realize that a murderer terrorizing Boston is recreating some of the most vivid scenes of chthonic torment in Dante's Inferno. Since knowledge of the epic is limited to rarefied circles in 19th-century America, the "Dante Club" decides the best way to clear their own names is to match wits with the killer. The resulting chase takes them through the corridors of Harvard, the grimy docks of Boston Harbor and the subterranean labyrinths of the metropolis. It also gives Pearl an excellent opportunity to demonstrate that he's done his history homework. The detective story is well plotted, and Pearl's recreation of the contentious world of mid-19th-century academia is engrossing, even though some of its more ambitious elements like an examination of intellectual hypocrisy and insularity in the Ivy League are somewhat clunky. There are, as well, some awkward attempts to replicate 19th-century prose ("But for Holmes the triumph of the club was its union of interests of that group of friends whom he felt most fortunate to have"). Still, this is an ambitious and often entertaining thriller that may remind readers of Caleb Carr.
Copyright 2002 Reed Business Information, Inc.
From Library Journal
Pearl's fiction debut should please fans of well-crafted literary mysteries. The title refers to an actual group of 19th-century Bostonians who gathered to translate Dante's Inferno for an American audience. Among the members of this exclusive "club" were poet Henry Wadsworth Longfellow, physician Oliver Wendell Holmes, and poet James Russell Lowell. While poring over the poem, the men find themselves on the trail of a serial killer who tortures his victims in ways that seem to be taken straight out of the pages of Inferno. The police are at a loss and must rely on the club members' unique knowledge of Dante's work to help catch the killer. Pearl, a recognized Dante scholar, uses his expertise to create an absorbing and dramatic period piece. Using historical figures in a mystery setting is not a new idea (e.g., Sir Isaac Newton plays detective in Philip Kerr's Dark Matter), but Pearl has proven himself a master. Best for medium to large public and academic libraries.
--Laurel Bliss, Yale Arts Lib.
Copyright 2002 Reed Business Information, Inc.
See all Editorial Reviews
Talk about high concept: in Pearl's debut novel, Henry Wadsworth Longfellow, Oliver Wendell Holmes and James Russell Lowell team up with 19th-century publisher J.T. Fields to catch a serial killer in post-Civil War Boston. It's the fall of 1865, and Harvard University, the cradle of Bostonian intellectual life, is overrun by sanctimonious scholars who turn up their noses at European literature, confining their study to Greek and Latin. Longfellow and his iconoclastic crew decide to produce the first major American translation of Dante Alighieri's Divine Comedy. Their ambitious plans are put on hold when they realize that a murderer terrorizing Boston is recreating some of the most vivid scenes of chthonic torment in Dante's Inferno. Since knowledge of the epic is limited to rarefied circles in 19th-century America, the "Dante Club" decides the best way to clear their own names is to match wits with the killer. The resulting chase takes them through the corridors of Harvard, the grimy docks of Boston Harbor and the subterranean labyrinths of the metropolis. It also gives Pearl an excellent opportunity to demonstrate that he's done his history homework. The detective story is well plotted, and Pearl's recreation of the contentious world of mid-19th-century academia is engrossing, even though some of its more ambitious elements like an examination of intellectual hypocrisy and insularity in the Ivy League are somewhat clunky. There are, as well, some awkward attempts to replicate 19th-century prose ("But for Holmes the triumph of the club was its union of interests of that group of friends whom he felt most fortunate to have"). Still, this is an ambitious and often entertaining thriller that may remind readers of Caleb Carr.
Copyright 2002 Reed Business Information, Inc.
From Library Journal
Pearl's fiction debut should please fans of well-crafted literary mysteries. The title refers to an actual group of 19th-century Bostonians who gathered to translate Dante's Inferno for an American audience. Among the members of this exclusive "club" were poet Henry Wadsworth Longfellow, physician Oliver Wendell Holmes, and poet James Russell Lowell. While poring over the poem, the men find themselves on the trail of a serial killer who tortures his victims in ways that seem to be taken straight out of the pages of Inferno. The police are at a loss and must rely on the club members' unique knowledge of Dante's work to help catch the killer. Pearl, a recognized Dante scholar, uses his expertise to create an absorbing and dramatic period piece. Using historical figures in a mystery setting is not a new idea (e.g., Sir Isaac Newton plays detective in Philip Kerr's Dark Matter), but Pearl has proven himself a master. Best for medium to large public and academic libraries.
--Laurel Bliss, Yale Arts Lib.
Copyright 2002 Reed Business Information, Inc.
See all Editorial Reviews
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