Act One: An Autobiography by Moss Hart (Hardcover)

by Moss Hart (Author) "he was in a rage or fit of depression he would punish my grandmother by not reading for days and sometimes weeks at a time..." (more)
Key Phrases: social directing, social staff, theatrical office, Sam Harris, New York, Max Siegel (more...)

Editorial Reviews

Amazon.com Review
Moss Hart was in the thick of American theater when everyone wore black tie on opening night and the world's most witty people entertained each other around a grand piano at late-night supper parties. It's an era of glamour that will never come again, but we have Hart's words on paper, and that is no small thing. A renowned director and theatrical collaborator, the brilliant Hart died too soon after the curtain went up on Act Two. If you want to know what it was like to be on the inside track in NYC in the '30s, '40s and '50s, here's a good place to find out. --This text refers to the Paperback edition.

Review

"This is the best book on 'show business' as practiced in this century in our time..." --The New York Times Book Review

"One of the best memoirs of this or any other theatrical generation." --Time

"Thoroughly absorbing and genuinely entertaining... Moss Hart knows how to hold an audience spellbound." --Christian Science Monitor

--This text refers to the Paperback edition.

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Product Details

• Hardcover: 456 pages
• Publisher: Random House (September 10, 2002)
• Language: English
• ISBN-10: 0375508600
• ISBN-13: 978-0375508608
• Product Dimensions: 9.4 x 6.4 x 1.4 inches
• Shipping Weight: 1.5 pounds
• Average Customer Review: 4.9 out of 5 stars See all reviews (17 customer reviews)
• Amazon.com Sales Rank: #915,767 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

10 of 11 people found the following review helpful:

5.0 out of 5 stars THE BEST, July 20, 2002

By	MOVIE MAVEN (New York, NY USA) - See all my reviews (TOP 1000 REVIEWER)

This review is from: Act One: An Autobiography (Paperback)

Whenever I teach a class for actors, I recommend Moss Hart's autobiography, ACT ONE. It is simply the finest book I know about the theatre and what it was like to work on Broadway in the 1920's thru the 1950's. It was a true tragedy that Hart died so young, robbing not only his family of husband and father, but the world of a great playwright and director and chronicler of his times.

This is a funny, perceptive, first-hand account of life in the fast lane of one of the best playwrights Broadway has ever produced. An obsessive worker (it was the stress of his constant work that ultimately killed him), a perfectionist, a brilliant upstart, Hart teamed with George S. Kaufman to write some of the best and funniest plays of the first half of the 20th century...and even today. Is there really a better play about a family coping through love during the Depression than "You Can't Take It With You?" (That was a rhetorical question). And as Nathan Lane proved only two years ago, "The Man Who Came To Dinner" is very much worth reviving in a first class production even if you have already seen it in your local community or dinner theatre. The autobiography doesn't so much end as it stops and it is obvious that Hart meant to write a second and, perhaps, a third volume that would include his other writing partners, his Hollywood career, his directing, etc.

Steven Bach has written a biography of Hart's entire life called DAZZLER, THE LIFE AND TIMES OF MOSS HART that is a fine companion to Hart's own, unbeatable ACT ONE. HIGHLY RECOMMENDED.

5 of 5 people found the following review helpful:

5.0 out of 5 stars "Act One" : Required Reading for All Artists with a Goal, April 28, 1998

By	A. R. Karpe "ARKendall" (New York, NY) - See all my reviews (REAL NAME)

This review is from: Act One: An Autobiography (Paperback)

"Act One," Moss Hart's timeless autobiography, is not only the story of a man's life and dreams, but of an era that feels as legendary and distant to us as Camelot. All of the theatrical giants are there, peppered in among a cast of characters that include Hart's painfully dysfunctional family as well as his colorful array of employers and cohorts as he scratches out a living in pursuit of a seemingly impossible goal: life in the legitimate theatre. More than anything, it is an inspirational tale of taking charge, of setting out to rise above oppresive beginnings and follow the soul's destiny, no matter how foolhardy that may seem. We know the outcome, but Hart's ability to spin the tale and build the tension is impeccable! Will he really make it? Of course he will, or we wouldn't be reading this wonderful book, but so involving is Hart's journey, that one can't help but get pulled along for the ride. Like the last drops of water in a scorching desert, I wanted to stretch this book out, greedily reading only a few paragraphs at a time so that tomorrow I'd have some left over. If you love the art of live theatre, or if you're an artist in need of a creative jump-start, "Act One" will provide the juice.

4 of 4 people found the following review helpful:

5.0 out of 5 stars "Act One" by the amazing Moss Hart, June 29, 2002

By	Mary Jane Post (Johnson City, TN, United States) - See all my reviews (REAL NAME)

This review is from: Act One: An Autobiography (Paperback)

A few years ago when I was doing a lot of theatrical reading I heard about Moss Hart's "Act One" and at the time it was out-of-print. I did not have a computer then, but a local bookseller was able to locate a used copy for me and it is a treasure. Moss Hart was truly an amazing man. He started out in a time when there was not much around in the way of financial security...to put it mildly, but he never gave up. It seems that he was always there to fix whatever problems came up in the Broadway theatre. He wrote this book because his wife, Kitty Carlyle Hart, asked him to and it is a little gem.
I am so happy to see that it is now available again and I am going to give it as birthday gifts to two dear friends who share my love of the theatre. They will love it as much as I do.