Autobiography of Red (Paperback)

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Editorial Reviews

Amazon.com Review

Anne Carson's Autobiography of Red is a novel in verse, the author's first. A classicist by profession as well as a poet, Carson has drawn on antiquity for her cast, updating the myth of Geryon and Herakles. In the original version, of course, Herakles killed the red-skinned, winged Geryon. In Carson's very contemporary retelling, he merely inspires, but does not return, the monster's passion. By choosing Geryon as her central character, Carson can bring up the questions of existence as if they hadn't been asked before. After all, the monster's instincts have not been numbed by civilization. Fires twist through him. We feel the pain of learning the most elementary things, and then the volcanic intensity that comes with that more advanced thing, love. Yet Carson doesn't so much tell the story of Geryon's love as mediate his very being through semiological surfaces: cafes, video stores, lipstick, a library where he shelves government documents with a "forlorn austerity, / tall and hushed in their ranges as veterans of a forgotten war." Carson seldom satisfies herself with an image of the world. Instead she atomizes the world, leaving it broken down, refracted, and glinting. At times her verbal pyrotechnics manage to render pure energy:

A little button at the end of each range activated the fluorescent track above it.
A yellowing 5 x 7 index card
Scotch-taped below each button said EXTINGUISH LIGHT WHEN NOT IN USE.
Geryon went flickering
through the ranges like a bit of mercury flipping the switches on and off.
The librarians thought him
a talented boy with a shadow side.

No novelist could have gotten away with that last line. Yet it's very much to the point: Carson's Geryon is, among other things, a camera freak who doesn't understand that an observer must inevitably alter the nature of the thing observed. Here is Heisenberg's uncertainty principle, cheek-by-jowl with the ancients! And indeed, Carson's achievement is to interweave the archaic and the modern so seamlessly that by the time we finish reading Autobiography of Red, the entire landscape looks inside out. --Mark Rudman --This text refers to an out of print or unavailable edition of this title.

From Library Journal

Is it poetry? Is it a novel in verse? A fable? A myth? However you define Carson's distinctive and wildly inventive new work, it is riveting reading. At the center of the narrative is a winged red monster named Geryon; throughout, we see him struggling with his family, falling for the indifferent Herakles, and discovering photography as a means of comfort and escape. Wistful yet whimsical, offhand yet intense, funky yet erudite (Carson, a classics professor at McGill, grounds this work in ancient Greek myth), this is a reading experience like no other.
Copyright 1999 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Paperback: 160 pages
• Publisher: Vintage; First Edition edition (July 27, 1999)
• Language: English
• ISBN-10: 037570129X
• ISBN-13: 978-0375701290
• Product Dimensions: 7.9 x 5.1 x 0.5 inches
• Shipping Weight: 6.4 ounces (View shipping rates and policies)
• Average Customer Review: 4.6 out of 5 stars  See all reviews (30 customer reviews)
• Amazon.com Sales Rank: #36,648 in Books (See Bestsellers in Books)

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  #1 in	Books > Literature & Fiction > Authors, A-Z > ( C ) > Carson, Anne
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  #11 in	Books > Literature & Fiction > World Literature > Mythology > Greek & Roman

Customer Reviews

Most Helpful Customer Reviews

16 of 16 people found the following review helpful:

5.0 out of 5 stars this book has gotten under my fingernails, September 28, 1999

By	Emily Sobel (Columbia University, NYC) - See all my reviews

Anne Carson has created a mindscape. Her choice of style, dialogue (both Internal and Between), and language situate her characters on a mental landscape rather than a physical one. Even the frame of the story grounds the book in time as opposed to space. The book's construction and layout are beautiful. Carson's character Geryon holds such integrity that I now see little red wings on men and women everywhere. Read this book in one or two sittings for a completely overwhelming experience.

22 of 24 people found the following review helpful:

5.0 out of 5 stars Magical, lovely and effective., December 21, 2002

By	Hovig J. Heghinian (Houston, TX USA) - See all my reviews (REAL NAME)

"Autobiography of Red" is the story of Geryon, a young boy with red skin and large wings, who grows into a young man. He is in love with Herakles, a young man who seems to return Geryon's affection, but is actually quite cruel in his fickleness. The two encounter each other on and off over the years, Geryon seeking love, Herakles seeking adventure. Their paths eventually cross in Buenos Aires, of all places, where Herakles is with another young man, Ancash, recording the sounds of various volcanos. The three venture through South America together, the tension between the three of them almost palpable, at least to the more sensitive two of the group, Ancash and Geryon. It is here that the three must decide on the nature of their friendship, and Geryon on the nature of his life.

This book is written in poetic free verse, and Ann Carson's style is nothing less than magical. It might seem difficult for readers accustomed to straightforward prose, but if one lets the words wash over them, their meaning will all be clear soon enough, and their beauty alone will convince the reader of their merit. The story is based on Greek myth, but rather than Herakles killing Geryon the monster literally, he "kills" by breaking his heart. Ultimately, the book's message seems to be that Geryon must learn to love himself first. The book is beautifully written, and cannot be recommended highly enough, to any reader who wants to read a delicate story in a challenging format.

10 of 10 people found the following review helpful:

5.0 out of 5 stars Amazed, March 3, 2003

By	"fattsmorla2" (Albuquerque, NM) - See all my reviews

This is one of the most interesting books I have read in a while. It moves beautifully between a mysterious, mythic presence to a heavy, all-to-human narrative. And this is to say nothing of its form! The economy of the writing is precise and exacting. The Verse was strangely magical, projecting me into the nebulous space beyond what Carson had written. I will certainly have to read this a few more times, because I think there is still much to be revealed even after one pass.