The Love of a Good Woman : Stories (Paperback)

by Alice Munro (Author)

Editorial Reviews

Amazon.com Review
In the world of Alice Munro, the best route is not necessarily the shortest distance between two points. In her ninth superlative collection of short fiction, The Love of a Good Woman, the setting is once again western Canada, and the subject matter is classic Munro: secrets, love, betrayal, and the stuff of ordinary lives. But as is usual for this master of the short form, the path she takes is anything but ordinary. The stunning title story is a case in point. A narrative in four parts, it begins with the drowning of a small-town optometrist and ripples outward, touching first the boys who find the body, then a spiteful dying woman and her young practical nurse. Whose tale is this, anyway? Not the optometrist's, surely, though his death holds it together. The effect is not exactly Rashomon-like either, though each of the sections views him through a different eye. Instead, "The Love of a Good Woman" is as thorough and inclusive a portrait of small-town life as can be imagined--its tensions and its deceit, its involuntary bonds. Within its 75 pages it encompasses a world more capacious than that of most novels.

As always, Munro's prose is both simple and moving, as when the letter-writing protagonist of "Before the Change" sends her love to an ex-fiancé:

What if people really did that--sent their love through the mail to get rid of it? What would it be that they sent? A box of chocolates with centers like the yolks of turkey's eggs. A mud doll with hollow eye sockets. A heap of roses slightly more fragrant than rotten. A package wrapped in bloody newspaper that nobody would want to open.

The fictions in this volume burn with a kind of dry-eyed anti-romanticism--even the ones whose plots verge on domestic melodrama (a baby's near-death in "My Mother's Dream"; an adulterous wife in "The Children Stay"). Densely populated, elliptical in construction, each story circles around its principal events and relationships like planets around a sun. The result is layered and complex, its patterns not always apparent on first reading: in other words, something like life. --Mary Park --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly
Again mining the silences and dark discretions of provincial Canadian life, Munro shines in her ninth collection, peopled with characters whose sin is the original one: to have eaten of the tree of the knowledge of good and evil. The good woman of the title story?a practical nurse who has already sacrificed her happiness to keep a deathbed promise?must choose whether to believe another moribund patient's confession or to ignore it and seize a second chance at the life she has missed. The drama of deathbed revelation is acted out, again, between a dying man and the woman at his bedside in "Cortes Island," when a stroke victim exposes his deepest secret to his part-time caretaker, in what may be the last act of intimacy left to him, and in the process puts his finger on the fault lines in her marriage. In the extraordinary "Before the Change," a young woman confronts her father with the open secret of his life and reveals the hidden facts of hers; she is unprepared, however, for the final irony of his legacy. The powerful closing story, "My Mother's Dream," is about a secret in the making, showing how a young mother almost kills her baby and how that near fatality, revealed at last to the daughter when she is 50, binds mother and daughter. Compressing the arc of a novella, Munro's long, spare stories?there are eight here? span decades and lay bare not only the strata of the solitary life but also the seamless connections and shared guilt that bind together even the loneliest of individuals. First serial to the New Yorker. (Nov.) FYI: Four of Munro's previous collections are available in Vintage paperback.
Copyright 1998 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Paperback: 352 pages
• Publisher: Vintage (October 26, 1999)
• Language: English
• ISBN-10: 0375703632
• ISBN-13: 978-0375703638
• Product Dimensions: 8 x 5.1 x 0.9 inches
• Shipping Weight: 10.6 ounces (View shipping rates and policies)
• Average Customer Review: 4.2 out of 5 stars See all reviews (26 customer reviews)
• Amazon.com Sales Rank: #339,912 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

15 of 15 people found the following review helpful:

5.0 out of 5 stars The Love of a Good Woman, February 3, 2000

By	justine (Madison, Wisonsin) - See all my reviews

Alice Munro is able to convey in twenty pages more character and depth than many people understand about themselves or their loved ones in a lifetime. She allows us to embrace our flaws and accept them with grace and understanding. She is an amazing writer and a voice of humanity to be admired.

14 of 14 people found the following review helpful:

5.0 out of 5 stars Authenticity and Freedom, June 10, 2001

By	Manuel Haas (near Munich, Germany) - See all my reviews

This review is from: The Love of a Good Woman: Stories (Hardcover)

We all know that there are quite a lot of people who believe that Alice Munro is one of the greatest short story writers alive, and I could not agree with them more. But let me say what I particularly like about Alice Munro, what distinguishes her from other great writers.

First of all, there is a unique impression of authenticity. There are certain conventions in fiction about what is regarded as important or interesting; Alice Munro ignores them. She knows that tiny incidents can be the defining ones. She knows that spending a weekend with one's own daughter can be an unbearable challange which almost drives you mad. These stories do not gloss over the mundane aspects of life we have to struggle with most.

Second, Alice Munro's stories believe in human dignity and choice. Hers is a moral universe. It's not just the title story which shows us a person making a choice. We tend to just let things happen to us and pretend we cannot do anything about them; these stories show that sometimes we can (but they do not deny that very often we cannot). There is also a great story, "Jakarta", which implies that such choices are not valid forever; it's not enough to decide against betraying your husband today. The decision may feel momentous, but if you decide otherwise tomorrow it doesn't matter all that much. The problem is, however, and the story shows that too, that when you take those decisions you are very often incapable of feeling their impact.

Read these stories! This is a book for grown-ups. It will help you understand the world.

21 of 23 people found the following review helpful:

5.0 out of 5 stars genius, December 7, 1999

By	Nathan Oates (Columbia, MO) - See all my reviews (REAL NAME)

I have been reading Munro's stories for years and even the profound admiration I had for her work could not prepare me for the force of this collection. It is literally impossible to find a better book. Each one of Munro's stories is worth hundreds of lesser works. The prose is gorgeous, the vision expansive yet percise and humane. Read, "Save the Reaper" last. It is a reworking of American fable and Flannery O'Connor that shows Munro has surpassed even that great American writer.