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17 of 17 people found the following review helpful:
5.0 out of 5 stars
Arctic dreaming in the Arizona desert., June 21, 2001
In the book that first got me hooked on his writing, Barry Lopez writes, "I looked out over the Bering Sea and brought my hands folded to the breast of my parka and bowed from the waist deeply toward the north, that great straight filled with life, the ice and water. I held the bow to the pale sulphur sky at the northern rim of the earth. I held the bow until my back ached, and my mind was emptied of its categories and designs, its plans and speculations. I bowed before the simple evidence of the moment in my life in a tangible place on the earth that was beautiful" (p. 414).In THE POWER OF MYTH (1988), Joseph Campbell says that when we destroy nature and the revelations of nature, we destroy our own nature, too. "What befalls the earth befalls all the sons of the earth. This we know: the earth does not belong to man, man belongs to the earth. All things are connected like the blood that unites us all. Man did not weave the web of life, he is merely a strand in it. Whatever he does to the web, he does to himself." This belief is the heartbeat of ARCTIC DREAMS. In his Preface, Lopez writes that "it is possible to live wisely on the land, and to live well. And in behaving respectfully toward all that the land contains, it is possible to imagine a stifling ignorance falling away from us" (p. xxviii). There are three themes at the center of his narrative: "the influence of the arctic landscape on the human imagination. How a desire to put a landscape to use shapes our evaluation of it. And, confronted by an unknown landscape, what happens to our sense of wealth. What does it mean to grow rich?" (p. 13). Whether he is contemplating "the innocence" (p. 74) of muskoxen, the "intricate life of the polar bear" (p. 411), narwhals, migration, sea ice, or arctic light, Lopez has the ability to bring us to the edges of our senses. "This is an old business," he writes, "walking slowly over the land in anticipation of what lies hidden in it. The eye alights suddenly on something bright in the grass--the chitinous shell of an insect. The nose tugs at a minute blossom for some trace of arctic perfume. The hands turn over an odd bone, extrapolating, until the animal is discovered in the mind and seen to be moving in the land. One finds anomalous stones to puzzle over, and in footprints and broken spiderwebs the traces of irretrievable events" (p. 254). For Lopez, the Arctic region is "rich with metaphor, with adumbration. In a simple bow from the waist before the nest of the horned lark, you are able to stake your life, again, in what you dream" (p. xxix). He finds the "classic lines of a desert landscape" in the Arctic: "spare, balanced, extended, and quiet" (p. xxiii). This land is like poetry, Lopez observes: "it is inexplicably coherent, it is transcendent in its meaning, and it has the power to elevate a consideration of human life" (p. 274). The Arctic region is a microcosm of the large-scale advance of Western culture, oil, gas and mineral industries upon the planet, "a disquieting reminder" that we are "on a course as disastrously short-lived as was that of the whaling industry" (p. 11). Lopez writes, "to contemplate what people are doing out here and ignore the universe of the seal, to consider human quest and plight and not know the land, to not listen to it, seemed fatal. Not perhaps for tomorrow, or next year, but fatal if you looked down the long road of our determined evolution" (p. 13). As this book proves, Barry Lopez is nature writng at its best. G. Merritt
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