Zuleika Dobson (Modern Library Paperbacks) (Paperback)

by Max Beerbohm (Author) "That old bell, presage of a train, had just sounded through Oxford station; and the undergraduates who were waiting there, gay figures in tweed or..." (more)
Key Phrases: fairest witch, magic canister, black owls, Miss Dobson, Nellie O'Mora, Duke of Dorset (more...)

Editorial Reviews

Product Description


Zuleika Dobson is a highly accomplished and superbly written book whose spirit is farcical," said E. M. Forster. "It is a great work--the most consistent achievement of fantasy in our time . . .
so funny and charming, so iridescent yet so profound."
Originally published in 1911, Max Beerbohm's sparklingly wicked satire concerns the unlikely events that occur when a femme fatale briefly enters the supremely privileged, all-male domain of Judas Col-
lege, Oxford. A conjurer by profession, Zuleika Dobson can only love a man who is impervious to her considerable charms: a circumstance that proves fatal, as any number of love-smitten suitors are driven to suicide by the damsel's rejection. Laced with memorable one-liners ("Death cancels all engagements," utters the first casualty) and inspired throughout by Beerbohm's rococo imagination, this lyrical evocation of Edwardian undergraduate life at Oxford has, according to Forster, "a beauty unattainable by serious literature."
"I read Zuleika Dobson with pleasure," recalled Bertrand Russell. "It represents the Oxford that the two World Wars have destroyed with a charm that is not likely to be reproduced anywhere in the world for the next thousand years."



About the Author
MAX BEERBOHM (1872-1956), dubbed "the incomparable Max by George Bernard Shaw, was an essayist, caricaturist, critic, and short-story writer who endures as one of Edwardian England's leading satirists. Zuleika Dobson is his only novel.

Product Details

• Paperback: 236 pages
• Publisher: Modern Library (September 14, 1998)
• Language: English
• ISBN-10: 037575248X
• ISBN-13: 978-0375752483
• Product Dimensions: 8.4 x 5.6 x 0.6 inches
• Shipping Weight: 13.4 ounces (View shipping rates and policies)
• Average Customer Review: 4.1 out of 5 stars See all reviews (24 customer reviews)
• Amazon.com Sales Rank: #66,532 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

14 of 15 people found the following review helpful:

5.0 out of 5 stars a hoot, November 4, 2001

By	Orrin C. Judd "brothersjudddotcom" (Hanover, NH USA) - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

I have to admit that when the Top 100 list came out, I had never heard of this book or it's author. And yet, by itself, the revelation of this satirical baroque masterpiece justifies all the wretched dreck I've waded through on the List.

Zuleika Dobson is the beautiful young granddaughter of the Warden of Judas College at Oxford. She's been earning a living as a conjurer and is the toast of France and America. But Zuleika has never loved a man. She has determined that a woman of her superior beauty can only love a man who is so superior as to be oblivious to her charms. Thus far, there has been no such man.

Immediately on her arrival on campus, the entire student body falls madly in love with her. However, at dinner her first night the young Duke of Dorset seems indifferent. Could he be the man? Alas, it turns out that he too is smitten and when she discovers this she spurns him. Unused to such a dismissal, the Duke decides that he must kill himself & soon the whole College is ready to follow his example.

The book is a shrieking hoot from start to finish & the whole thing is rendered in an ornate prose that is wholly unique. Take this description of the Duke & his troll like flat mate Noaks:

Sensitive reader, start not at the apparition! Oxford is a plexus of anomalies.
These two youths were (odd as it may seem to you) subject to the same Statutes,
affiliated to the same College, reading for the same School; aye! and though the
one had inherited half a score of noble and castellated roofs, whose mere
repairs cost him annually thousands and thousands of pounds, and the other's
people had but one mean little square of lead, from which the fireworks of the
Crystal Palace were clearly visible every Thursday evening, in Oxford one roof
sheltered both of them. Furthermore, there was even some measure of intimacy
between them It was the Duke's whim to condescend further in the direction of
Noaks than in any other. He saw in Noaks his own foil and antithesis, and made
a point of walking up the High with him at least once in every term. Noaks, for
his part, regarded the Duke with feelings mingled of idolatry and disapproval.
The Duke's First in Mods oppressed him (who, by dint of dogged industry, had
scraped a Second) more than all the other differences between them. But the
dullard's envy of brilliant men is always assuaged by the suspicion that they
will come to a bad end. Noaks may have regarded the Duke as a rather pathetic
figure, on the whole.

Or this passage describing the suicidal yearnings of the student body:

You cannot make a man by standing a sheep on its hindlegs. But by standing a
flock of sheep in that position you can make a crowd of men. If man were not a
gregarious animal, the world might have achieved, by this time, some real
progress towards civilization. Segregate him, and he is no fool. But let him
loose among his fellows, and he is lost--he becomes just a unit in unreason. If
any one of the undergraduates had met Miss Dobson in the desert of Sahara, he
would have fallen in love with her; but not one in a thousand of them would have
wished to die because she did not love him. The Duke's was a peculiar case.
For him to fall in love was itself a violent peripety, bound to produce a
violent upheaval; and such was his pride that for his love to be unrequited
would naturally enamour him of death. these other, these quite ordinary, young
men were the victims less of Zuleika than of the Duke's example, and of one
another. A crowd, proportionately to its size, magnifies all that in its units
pertains to the emotions, and diminishes all that in them pertains to thought.
It was because these undergraduates were a crowd that their passion for Zuleika
was so intense; and it was because they were a crowd that they followed so
blindly the lead given to them. To die for Miss Dobson was 'the thing to do'.
The Duke was going to do it. The Junta was going to do it. It is a hateful
fact, but we must face the fact, that snobbishness was one of the springs to the
tragedy here chronicled.

I can't recommend this one highly enough.

7 of 7 people found the following review helpful:

5.0 out of 5 stars Beautiful and farcical at the same time, January 5, 2001

By A Customer

Beerbohm was a great caricaturist, both in words and illustration, but Zuleika was, sadly, his only novel.

The first time you read it you will weep with laughter at the farcical hilarity of the situations that Beerbohm conjures up and the way that he describes them.

The second time you read it, you will weep be entranced by the beauty of the prose.

The third time you read it, you will realise that you have acquired a true friend in the book, which will live with you forever.

I have purchased countless copies of the book because I keep giving or lending copies to people ... and this is a book that once lent, never returns.

9 of 10 people found the following review helpful:

4.0 out of 5 stars Delicious Satire, Exquisite Prose, July 30, 2003

By	James Clark (Haverhill, MA USA) - See all my reviews (REAL NAME)

The introduction to this version of the novel contains a quote to the effect that "[Beerbohm] only mocked what he loved." How he must have loved Oxford! This novel's outrageous satire doesn't fail to please from one page to the next, as Beerbohm swerves from one affectation to another in satirizing the Edwardian Dandy, the Modern Woman and anyone who comes between them. Structurally, the book consists of various collisions between caricatures of the sort that made Beerbohm famous: from the Duke of Dorset to Mr. Oover to Noaks to the fateful Zuleika herself, each character charms and delights.

Beerbohm's prose is liquid, self-consciously affected and simply hilarious. It's the kind of prose that can't be recreated in today's literary environment, but the kind that ought to be treasured and brought out often at night, like the Duke's bottles of port.

(If I had one complaint, it would be that the book is a bit too long, and the plot's fanciful consummation is postponed for a few too many superfluous chapters. But that's minor, since the book isn't very long in any case.)

The unerring owls have hooted. The Emperors of Oxford smile in approval. This book is for the ages.