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Amazon.com Review
Surpassing its popular prequel Eragon, this second volume in the Inheritance trilogy shows growing maturity and skill on the part of its very young author, who was only seventeen when the first volume was published in 2003. The story is solidly in the tradition (some might say derivative) of the classic heroic quest fantasy, with the predictable cast of dwarves, elves, and dragons--but also including some imaginatively creepy creatures of evil.
The land of Alagaesia is suffering under the Empire of the wicked Galbatorix, and Eragon and his dragon Saphira, last of the Riders, are the only hope. But Eragon is young and has much to learn, and so he is sent off to the elven forest city of Ellesmera, where he and Saphira are tutored in magic, battle skills, and the ancient language by the wise former Rider Oromis and his elderly dragon Glaedr. Meanwhile, back at Carvahall, Eragon's home, his cousin Roran is the target of a siege by the hideous Ra'zac, and he must lead the villagers on a desperate escape over the mountains. The two narratives move toward a massive battle with the forces of Galbatorix, where Eragon learns a shocking secret about his parentage and commits himself to saving his people.
The sheer size of the novel, as well as its many characters, places with difficult names, and its use of imaginary languages make this a challenging read, even for experienced fantasy readers. It is essential to have the plot threads of the first volume well in mind before beginning--the publisher has provided not only a map, but a helpful synopsis of the first book and a much-needed Language Guide. But no obstacles will deter the many fans of Eragon from diving headfirst into this highly-awaited fantasy. (Ages 12 and up) --Patty Campbell
Meet Author Christopher Paolini Christopher Paolini’s abiding love of fantasy and science fiction inspired him to begin writing his debut novel, Eragon, when he graduated from high school at age 15.
"Writing is the heart and soul of my being. It is the means through which I bring my stories to life. There is nothing like putting words on a page and knowing that they will summon certain emotions and reactions from the reader. In my writing, I strive for a lyrical beauty somewhere between Tolkien at his best and Seamus Heaney’s translation of Beowulf." --Christopher Paolini
Want to learn more about the series? Check out our review of Eragon: Here's a great big fantasy that you can pull over your head like a comfy old sweater and disappear into for a whole weekend. Christopher Paolini began Eragon when he was just 15, and the book shows the influence of Tolkien, of course, but also Terry Brooks, Anne McCaffrey, and perhaps even Wagner in its traditional quest structure and the generally agreed-upon nature of dwarves, elves, dragons, and heroic warfare with magic swords. Read more
21 of 22 people found the following review helpful:
2.0 out of 5 starsSolid, but easily forgettable..., September 25, 2005
A Kid's Review
This "Inheritance" trilogy has inspired more animosity then I have seen in a very long time. Their is litterally a great divide here, with many hailing Paolini as the next Tolkien, while others say that he will be the downfall of fantasy literature. Personally, I think BOTH sides are giving him way to much credit.
Let's start off with the pro-Paolini crew. I honestly have to wonder if you have actually read any other fantasy novels out there. If you have, you will notice that Eldest is saturated with cliches which Paolini attempts to hide by calling his work 'archetypal.' The attempt at portraying true love is laughable at best with the protagonist litterally calling a girl "as beautiful as a flower." That type of stuff makes me cringe. It seems to me that Paolini doesn't get his writing from real life experience, but instead from the many different authors that he has read before. Without experience, the emotions of Eldest come out as regurgetated garbage. I do not need to delve to deeply into the storyline itself for that has been mentioned numerous times before. I will say though that Paolini has got away with plagiarism. He copied names of places and towns, people, and plots by tweaking them only slightly so as to get away with it. For an avid reader, he fails at sneaking that theivery by us. It stuck out with each new page that I read. I must also say that I am dissapointed that Paolini failed to add anything original to the fantasy genre. Everything he wrote about HAS been used before; everything. That takes the excitement from the book.
Another problem I have is Paolini's arrogance. In reviewing himself, he said "I strive for a lyrical beauty somewhere between Tolkien at his best, and Seamus Henney's translation of Beowulf." That is ridiculous. Plagiraism doesn't put you on the same plane as the one you stole it from. HIs arrognace can also be seen with the agenda's that he peppers into the book, such as the assertion that eating meat is barbaric and that the human race is a collection of bumbling idiots. To top it all off, he feels the need to use obscure words to make himself feel smarter then he really is. I have no problem with a big vocabulary, IF the words fit in the context they are used and if they help get a certain point across. HIs words just feel awkward and take away from the flow of the reading. In conclusion, I find Paolini to be a literary thief who hides and sells his book with his age, rather then any particular merits.
At the same time, I think the anti-Paolini groups are taking thier opinions way overboard. Sure the story is horrible and contrived and rittled with cliches, but you are all giving him way to much credit. I have read some reviews that say he will be the ruin of children's literature. To me, that's a bit extreme. I see the Inheritance trilogy as a fad fueled by the vaccum created by the last Harry Potter book. When this seriies is over with, it will be forgotten and a new writer will emerge. For all of you vehement anti-Paolini people, you are feeding right into Pailoni's niche and are, by some degree, the reason why his book is so popular. Debate and conflict is one of the greatest marketing tools available. I also want to add that some of these negative reviews are a bit exxagerated. It's a mediocre book, (at best), but you must take it as it is. Although I am discusted at how much Paolini stole, I must reluctantly commend him for getting som many young kids to read. He succeeded in that regard and I can only hope that it will inspire people to read books of a higher quality.
I must say that all this attention is a bit baffling. It doesn't seem like it warrants it in any way, from any viewpoint. I will read the last installment of the trilogy for the sole purpose of a closure to what has been a strange ride. As a positve, I will say that Paolini has imroved since Eragon, although his style needs a lot of fine tuning and work. The Inheritance Trilogy is a rebound for Harry Potter. If you are going to buy it, know what it is you are reading and take it as it is. Don't expect any powerful revelations or philosophical intrigue, but maybe that was intended. Until the next book, I sign off. Thank you for reading my review.
I read _Eragon_, and I liked it a lot. Sure, and especially in hindsight, I could see that there were parallels to other works, but...then I read _Eldest_.
Literally 20 seconds after I closed the book, my brain came to the frustrated, angry, irritated, and most of all DISAPPOINTED conclusion: "This is Star Wars!" Among other things.
Let's review this: Orphan boy. Raised by uncle in rural setting. Discovers terribly secret and powerful item that the Empire MUST HAVE. Doesn't realize it. Empire's henchmen destroy uncle's home, killing uncle. Boy, upset and confused, leaves home with old, gruff wise man, who (later) turns out to be the last of the ancient race of warrior-police. Travels around with old man, witnessing the horrors of the Empire. Picks up roguish male companion (no gorilla; that would be a bit much). At about the same time, old man dies, in sacrifice. Hero and companion seek asylum with rebels. There's a huge battle, which the rebels eventually win, with some very precise, tricky, dangerous maneuvers.
That was book one.
In book two, the Empire Strikes Back *cough* and boy leaves the rebels as they seek a new place to call their base/home. He goes to a secluded wood, where he receives training from SURPRISE! the guy who's actually the last last of the warrior-police; just ancient. Not green, though. Hero spends time training while rebel heroes run into some trouble. Nothing they can't handle, though. At the end, there's a huge battle which the rebels (in this case) just barely win, and in which the protagonist finds that he is...the son of the Emperor's number-one evil warrior-policeman! And brother to the Emperor's NEW number-one evil warrior-policeman (the old guy being unfortunately dead)!! *Organ music plays* And that's basically where we leave our hero.
The parallels should, by now, be fairly obvious.
Mr. Paolini, you are, I think, a great writer, style-wise at least. But what, for the love of God, happened to your plot? I'll grant you Roran's story was original, or fairly so...but it's OVERSHADOWED by Eragon's.
What a waste of good writing!
I liked Eragon well enough and I was looking forward to this book coming out. As it turns out, it's a good thing I waited for the library copy and didn't buy it, because owning it would have been pointless. The prose is really rather tedious and immature, not to mention how unnecessarily LONG it is. I won't summarize; just know that the "influence" of other writers is starkly visible. There's little originality in the writing, and the text is ridden with mistakes that a good editor should have eliminated (e.g., the incorrect and completely arbitrary substitution of words like "mine" and "thy/thine" for "my" and "yours"). Overall, the dialogue is probably the most awkard part, with the next most irksome thing being the superfluous scenes. Side note: anyone interested in joining a rescue mission to free the author's thesaurus? The preachiness really got to me, too; the author seems to dream of a society full of vegetarian atheists who practice elf yoga daily and takes "mates" whenever they want to without any commitment. And yes, "aye" is used with obscene frequency.
However -
I did read the whole book, and I wanted to find out what happened to Eragon even after the stupid training period in Ellesmera that was probably supposed to be formative (actually it just ends with us having to accept that Eragon is amazingly powerful and talented). So, I must say -- with reluctance? -- that this book wasn't a total waste of time. No, it is not good, but I wanted to know what happened.
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by Christopher Paolini
by Christopher Paolini
by Cornelia Caroline Funke
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by Cornelia Funke
Christopher Paolini’s abiding love of fantasy and science fiction inspired him to begin writing his debut novel, Eragon, when he graduated from high school at age 15. 
Our quickie pronunciation guide will help you get to know some of the names and places in the Inheritance series.
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