Clair de Lune (Hardcover)

by Cassandra Golds (Author), Sophie Blackall (Illustrator)

Editorial Reviews

From School Library Journal
Grade 4-6–Clair-de-Lune's mother died when she was a baby, and the girl has never been able to speak. She is treated meanly by the other students at her ballet school because of her talent and her inability to communicate. She lives with her grandmother who is determined that her granddaughter will never experience love because her mother died on stage from what the elderly woman believes was a broken heart. Surprisingly, Clair-de-Lune is now going to perform this same ballet in spite of misgivings by almost everyone, including the child herself. The young ballerina's only friend is a mouse named Bonaventure. He is definitely the warmest and most interesting character in the story. He has fallen in love with classical dance and is determined to create a mouse ballet. Before he can realize his dream, however, he is killed by a cat, and the other mice perform it in his honor. Through Bonaventure's friendship, Clair-de-Lune finds her father and her voice and perhaps a happy future. This is a curious, melancholy story with a young heroine who is malnourished both physically and spiritually. It is hard to determine the audience for this book. Although Bonaventure might add spark, it is not enough to attract many readers.–Carol Schene, formerly at Taunton Public Schools, MA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Gr. 3-5. Set in an unnamed European city in a time "years before Anna Pavlova conquered the world with The Dying Swan," this charismatic, ballet-themed first novel nods to Dickens, Noel Streatfield, and the magical atmosphere of Kate DiCamillo's The Tale of Despereaux (2003). Twelve-year-old Clair-de-Lune, the mute daughter of a great ballerina who perished onstage, has dancing talent of her own--but "as each day passed the weight of things unsaid grew heavier and heavier on her heart." Her uncompromising, ballet-obsessed grandmother seems not to notice, but a sympathetic talking mouse and a wise monk help to reconnect Clair-de-Lune with her identity and her voice. It may be difficult for some readers to find their footing within this gossamer parable, which enfolds an enchanted monastery, the world's first all-mouse ballet company, and forces of destiny hidden in the folds of heirloom tutus. But the timeless cadences of Golds' storytelling will coax many--especially young balletomanes--into an engagement with the novel's deeper and occasionally darker themes, among them, the shock of unexpected grief. Jennifer Mattson
Copyright © American Library Association. All rights reserved

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Product Details

• Reading level: Ages 9-12
  
• Hardcover: 208 pages
• Publisher: Knopf Books for Young Readers (February 14, 2006)
• Language: English
• ISBN-10: 0375833951
• ISBN-13: 978-0375833953
• Product Dimensions: 8.3 x 5.8 x 0.9 inches
• Shipping Weight: 12 ounces (View shipping rates and policies)
• Average Customer Review: 4.0 out of 5 stars See all reviews (3 customer reviews)
• Amazon.com Sales Rank: #1,911,295 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

2 of 2 people found the following review helpful:

4.0 out of 5 stars A Lovely Tale, July 20, 2006

By	Amanda Fetters - See all my reviews (REAL NAME)

Despite its (minor) flaws, Golds' story is a pleasure to read. It is the story of a girl who discovers life's greatest gift - the gift of love - and the ability she has inside herself to embrace that gift as she overcomes fear. It is sweet and delicate in the best of ways - written for girls and women (okayokay, men, too) who love beauty & dancing & appreciate the difficulties of shyness (or should). Golds does use the expression "Ah!" way too much, and is in many ways suspiciously reminiscent of DiCamillo's "The Tale of Despereaux." I agree with the above review about the recent wave of sentimentality in children's literature, but I don't think it's necessarily a bad thing. This book is ultimately absorbing, lovely, and deeply touching.

2 of 2 people found the following review helpful:

5.0 out of 5 stars A wonderful blend of fictitious reality with fantasy, March 25, 2006

By	Kidsreads.com (New York, NY) - See all my reviews

Clair-de Lune is a young ballet student living in an old city many years past. Her mother and grandmother were ballet dancers. In fact, Clair-de-Lune's mother, La Lune (which means "the moon") was a famous, much loved ballerina who died at a very young age while dancing on the stage. She left her baby daughter to be raised by a strict grandmother in the attic of an old and mystical apartment building just behind the theatre. Ever since the night of La Lune's death, Clair-de-Lune has never spoken a word. Everyone believes it is because of the tragic loss of her young mother that the child's lips and voice do not utter any sounds.

However, Clair-de-Lune speaks a special language. "When she was dancing, her arms and legs spoke, and her hands and feet spoke, and her body and the carriage of her head spoke, too. And she felt that just a little of the weight of her heart, the weight of things unsaid, would be lifted." And so Clair-de-Lune loves everything about the dance because it offers her the chance to discover her own story, the story of how she came to be a young dancer raised by her grandmother in a rickety apartment building six stories high.

The days of Clair-de-Lune are strictly spent taking ballet class from Monsieur Dupoint (whose studio happens to be on the third floor of the apartment building), studying practical school subjects at home with her grandmother, and running brief errands to the market. It is the regimented life of a ballerina-in-training overseen with great care and consternation by her grandmother, until the little girl who cannot speak encounters a little mouse who can speak very well! Bonaventure is a brave talking, dancing mouse who leads Clair-de-Lune on an adventure where she meets a fanciful array of characters who help her learn about true love and how love is the reason for life, especially her own.

Cassandra Golds masters the difficult literary feat of mixing fictitious reality with fantasy. Some readers may be put off by the blurry lines between the factual and the fantastic, but Golds has truly captured in writing the whimsy that every ballet production relies on: genuine people dancing magical stories and making the fanciful appear truly alive.

--- Reviewed by Joy Held

1 of 4 people found the following review helpful:

3.0 out of 5 stars Twee, April 29, 2006

By	E. R. Bird "Ramseelbird" (Manhattan, NY) - See all my reviews (TOP 50 REVIEWER)    (REAL NAME)

There is a very quick test you can do to determine whether or not you will enjoy the children's book, "Clair-de-Lune". I will now read you a passage from the novel. Ahem. "For when a child sleeps, a little magic bird flies out of the child's heart and roosts nearby, sometimes on the bedpost, sometimes on the windowsill, sometimes - who knows where? - breathing in and out swiftly and murmuring to itself. When the child wakes, the bird returns, flying into her heart the very moment before she opens her eyes". This is from page 22 of, "Clair-de-Lune". Did you like it? Yes? No? I was in the "no" camp myself. By and large when I review first time authors or authors who haven't written in a very long time I avoid reviewing them altogether if I don't like their work. It's hard enough getting your book published by a big-time publishing house. Think how awful you'd feel if some two-bit hack of an Amazon.com reviewer set about tearing your baby, the book you've worked and slaved over for who knows how long, into little itty bitty shreds. You'd be devastated. So if you are reading this Ms. Golds, please stop right now. I am entirely certain that you are charming and that if I were to sit down and have a nice cup of tea with you we could have a lovely conversation about the state of modern publishing. Unfortunately, I was not wholly taken with your book. It is very popular and many people who are not myself enjoy it quite a lot, so my criticism will be just the tiniest of drops in the wide ocean of children's literary reviews. I don't like hurting the feelings of authors and you seem like you have loads of talent.

The plot. As the first sentence states, "Once upon a time - one hundred years ago, and half as many years again - there lived a girl called Clair-de-Lune, who could not speak". And we're off! The girl lives with her stern grandmother in the attic of a large and impressive boarding house. On one floor is a dance studio where Clair-de-Lune takes ballet lessons like her mother and her mother's mother. When the child was just a baby her mother was the most talented dancer of them all. Then one night she died after performing an impressive dance and her little daughter was mute thereafter. Now Clair-de-Lune is attempting to speak but finds that she cannot. Just the same, she makes the acquaintance of a little mouse by the name of Bonaventure who has a dream of his own. He is quite the dancer himself, and he dreams of someday building a mouse repertory company of his very own. He has been watching the dance class on the floor below and he is impressed with Clair-de-Lune's abilities. Making it his goal to help her become happy he introduces her to the kind monk Brother Inchmahome who will help her to speak. In learning, however, Clair-de-Lune must face up to her fears and confront those parts of herself she's eluded and avoided until now.

You know what's big right now? Nostalgia. It's sweeping the children's publishing world like a retro-Victorian plague. What won the 2005 National Book Award for young person's literature? The Elizabeth Enrightish, "The Penderwicks", by Jeanette Birdsall. What title from the pen of Kate DiCamillo is working shamelessly at luring innocent adults with its old-timey feel and pictures? "The Miraculous Journey of Edward Tulane". With that in mind, "Clair-de-Lune" is just the latest example of a very successful trend. Author Cassandra Golds herself seems at times to be channeling Barrie's, "Peter Pan" with mixed results. Remember that point in Peter Pan that talks about Mrs. Darling's kiss? There's a lot of that feeling in "Clair-de-Lune". There's even a moment that seems like it's a direct reference to Oscar Wilde's, "The Happy Prince". I was impressed by the reference and if you like Wilde's story, that may say quite a lot about how much you'll like this one.

By and large Golds's ideas are good. It's just her writing that needs some work. There was one passage, actually, that was very well-written. Throughout the story, Brother Inchmahome is having Clair-de-Lune think up reasons why she does not speak. At one point she comes up with, "If I do not speak, no one will ever really be able to dislike me, because no on will ever really know me. If I do speak, then it will be possible for people to dislike not just the person they think I am, but the person I am". There are some interesting thoughts at work here, but they are buried under just as many problems. For example, there is the fact that Brother Inchmahome has the ability to listen so well that he can hear what essentially comes down to Clair-de-Lune's thoughts. But this book is all about the magical realism, so this kind of objection comes across as petty. Far more disturbing is what this book is saying about mute people. Apparently if you cannot talk, no one can ever really, "know you". Writing stuff down? Not the same thing at all. You're only ever "known" to someone if you can speak the same language as them. A rather disturbing message to be sending to the young `uns, no? You can often see what Golds is trying to say. It's just the saying itself that can get tangled. There is the occasional non-sequitor as well. The fact that mice have the ability to figure out when one of their number has died and where to find the body psychically is a bit peculiar.

And now we come back to the writing. The passage I began with, the one about the bird that flies out of the chests of children every night, is one such example. There are thousands more. We keep returning, for example, to a mouse from the country that is struggling to make it to the big city to dance with Bonaventure. "This mouse had fur like black silk and a soul so beautiful, so vulnerable, and so sweet that he was loved by all who knew him". A mention of this beautiful soul appears no less than four times. So what you need to ask yourself is whether or not you would like to read this book to a child full of this type of language. Your child may love anything and everything to do with ballet and not care a jot for insistent somewhat saccharine repetition. If so, all power to you. Nothing I say here is going to change your mind. If, on the other hand, you would prefer to avoid books that wade knee-deep in sugar, perhaps this is not the book you should go about purchasing.

But enough of this adult critical mumbo jumbo. What will kids think of this book? I did ballet for seven some years when I was a little girl. Would I have liked this book? Heavens, yes! Yes, indeed. I would have adored it. Beautiful speechless young girl who dances more beautifully than anyone else and has talking mouse friends? Gorgeous flying magical birds, gypsy fortune-tellers, and a handsome monk with a secret? What's NOT to like? You would've pried this book from my tiny desperate hands only with the greatest of effort. Dreamy-eyed children will probably hold this story close to their hearts and love it desperately for years to come. There are those kids out there, however, who will find the premise icky. And there will be adults like myself who'll secretly slip books like, "Because of Winn-Dixie" and "The Princess Academy" into the hands of their child patrons with the hope of distracting them from, what will someday be known as, the-dancing-mouse-book. For all its charms, "Clair-de-Lune" has more flaws than fine qualities. Ms. Golds is bound to do great things. Just give her time.