|
|
3 of 3 people found the following review helpful:
4.0 out of 5 stars
Provocative exploration of slavery and gender issues, September 5, 2000
Halfway Human is pretty darn good. It's set in a rather well worked out variation of a common idea: sometime long in the past (story past, our future), Earth humans have colonized and terraformed many alien planets. After a period in which the planets fell out of contact, a subset of them have rediscovered each other, and have apparently formed a very loose confederation, including Capella Two, the planet (or actually a moon) on which the nominal viewpoint character, Valerie Endrada, lives. Travel is by matter transmitters, and is (logically) light speed. (The fairly rigorous insistence on light speed travel and the corresponding simultaneity problems is a good decision, and is used well in the story.) The tech behind all this is very much backgrounded (quite appropriately). At the time of the action, none of the unmanned probes which are trying to rediscover the colony planets have reported back in some time, except for the one at Gammadis (Gamma Disciplins), which is 51 ly away from Capella Two, and which harbors an odd variety of humans. The original mission to Gammadis ended 63 years previously in disgrace, with the ambassadors thrown off the planet (and arriving back on Cappella 12 years prior to the main action).That's the setup, but what about the good part, the reason to read this novel? Well, the strange thing about Gammadis humans is that they are born neuter. At puberty, about 1/3 (very roughly, and the ambiguity about the actual numbers is a point of the novel) stay neuter, and the others turn half into males and half into females. There is no way to tell whether a given child will be male, female, or neuter. The kicker is that the neuters, also called blands, are condemned to life in "grayspace", literally underneath and "behind" the "human" world, and they live lives of slavery, performing the menial tasks of their society, leaving the "humans" free for the more intellectual and artistic pursuits. This is regarded on Gammadis as natural: neuters are supposed to be stupider, and less energetic, and literally to have no souls. The whole setup is monstrous, and at the same time quite clearly analogous in many ways to slavery in the US, and in many other cultures. In fact, though the novel seems to be promoted as a novel about gender roles, it really isn't. Certainly Gilman makes some such points, and it's not without value for its exploration of gender, but the central issue is definitely slavery and not gender. And it seems to me that many opportunities for a more probing (no pun intended, God help me) exploration of gender issues are missed: but I should emphasize that that's not a weakness, just a different focus than one might have expected. The book works because of the believable but horrifying society revealed on Gammadis, with its uncomfortable parallels with our history and even to an extent our present. There are many disturbing scenes, and many moving scenes. The portrayal of the bland society, and the secret behind the Gammadian characteristics, is very well done, and at times has a "Ones who Walk Away From Omelas" sort of message to it: they have created a near-Utopia, at one level, and they try so hard to ignore the "screaming child in the back room": except it's not one child but 1/3 of their population. Much of the characteristics of the Gammadian society are very nicely shown, instead of told, and some important details are very subtly planted in the background. Details which seem trivial take on powerful new meaning later in the novel, after we understand the society better. I had a few reservations with this book plotwise, but all in all it's a first-rate read, and very provocative. In many ways, this is a pure SF novel, in that its value derives mostly from the ideas it explores, rather than a particularly exciting plot (though the story moves nicely), or any outstanding "literary" values (though it's certainly well-written, and decently characterized.)
|
