The Illustrated Man (Hardcover)

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Editorial Reviews

Amazon.com Review

That The Illustrated Man has remained in print since being published in 1951 is fair testimony to the universal appeal of Ray Bradbury's work. Only his second collection (the first was Dark Carnival, later reworked into The October Country), it is a marvelous, if mostly dark, quilt of science fiction, fantasy, and horror. In an ingenious framework to open and close the book, Bradbury presents himself as a nameless narrator who meets the Illustrated Man--a wanderer whose entire body is a living canvas of exotic tattoos. What's even more remarkable, and increasingly disturbing, is that the illustrations are themselves magically alive, and each proceeds to unfold its own story, such as "The Veldt," wherein rowdy children take a game of virtual reality way over the edge. Or "Kaleidoscope," a heartbreaking portrait of stranded astronauts about to reenter our atmosphere--without the benefit of a spaceship. Or "Zero Hour," in which invading aliens have discovered a most logical ally--our own children. Even though most were written in the 1940s and 1950s, these 18 classic stories will be just as chillingly effective 50 years from now. --Stanley Wiater --This text refers to the Mass Market Paperback edition.

From School Library Journal

Grade 7 Up-Paul Hecht's calm, assured voice narrates this classic science fiction anthology by Ray Bradbury that brings to life the social and political fears prevalent in post World War II America, when they were first published. The unnamed narrator in the introduction watches the Illustrated Man's tattoos come to life presenting the 19 short stories. Resonant with authority, Hecht's voice presents rocket men in difficult circumstances, and yet he is able to be detached from their impending deaths. This is contrasted with the gentle tones of devotion of religious clerics. His speech presents a full variety of techniques. He changes pitch for the women characters, and modulates volume and speed to depict the full spectrum of emotions. Efficient production so that most stories are completed on a single side of a tape will enable teachers to locate easily a desired story for class presentation. Only a few of the shortest stories are two on a side. The wicked, colorful tattoos make a very eye-catching cover. A must for sci-fi fans!-Claudia Moore, W.T. Woodson High School, Fairfax, VA
Copyright 1999 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Hardcover: 288 pages
• Publisher: William Morrow (June 1, 1997)
• Language: English
• ISBN-10: 0380973847
• ISBN-13: 978-0380973842
• Product Dimensions: 7 x 5.4 x 0.8 inches
• Shipping Weight: 12 ounces (View shipping rates and policies)
• Average Customer Review: 4.1 out of 5 stars  See all reviews (211 customer reviews)
• Amazon.com Sales Rank: #63,830 in Books (See Bestsellers in Books)

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  #10 in	Books > Science Fiction & Fantasy > Authors, A-Z > ( B ) > Bradbury, Ray
  #37 in	Books > Science Fiction & Fantasy > Science Fiction > Anthologies
  #42 in	Books > Science Fiction & Fantasy > Science Fiction > Short Stories

Customer Reviews

Most Helpful Customer Reviews

20 of 21 people found the following review helpful:

5.0 out of 5 stars Illustrating Human Nature, June 8, 2003

By	doomsdayer520 (Pennsylvania) - See all my reviews (TOP 100 REVIEWER)

This review is from: The Illustrated Man (Grand Master Editions) (Mass Market Paperback)

Sometimes it's hard to remember that Ray Bradbury approaches the art of the short story in a very unconventional way. His collections of short stories are often tied together by common sub-themes or settings, although each story could also stand on its own. Such is the case here, though the running theme to the Illustrated Man collection is mostly an abstraction. Apparently the stories here are told by a man's haunted tattoos, but don't worry about that too much. The true theme holding this group of stories together is examinations of human nature and mankind's place in the universe. Bradbury's frequent use of Mars (and occasionally other planets) as a setting, with the obligatory spaceships and technology, is merely his method of creating alternate realities to bring human nature into bold relief.

Bradbury's classic examinations of the dark and melancholy side of humanity are well represented here as always, with his trademark poetic writing style and underlying sense of creeping dread. The classic virtual reality tale "The Veldt" is found here, with the typical misuse-of-technology theme presented in an unexpectedly haunting fashion. More evidence that the stock sci-fi themes are merely a thin backdrop can be seen in "The Other Foot," a chilling examination of race relations; or "The Rocket," which deals with the yearning of regular people to reach beyond the confines of Earth. Other winning stories include "Kaleidoscope" and "The Long Rain" which are haunting tales of how human nature can still undermine the greatest achievements of cold technology. So don't concern yourself with the typical sci-fi backdrop, and get in tune with what Ray Bradbury is really talking about.

24 of 26 people found the following review helpful:

5.0 out of 5 stars Haunting Stories of Depressing Beauty, February 27, 2002

By	buddyhead (Taxachusetts) - See all my reviews

This review is from: The Illustrated Man (Grand Master Editions) (Mass Market Paperback)

Conceptually, The Illustrated Man is brilliant from the get-go, including its novel premise of 18 stories as told through the moving tattoos on a man's body; in addition to weaving intricate webs, the Illustrated Man's body art predicts the future.

And, oh, what stories are told. As a science fiction writer, it is no surprise that the majority of Bradbury's stories have to do with space and the future (heck, all of space was in the future when these stories were written in the early 50s). Additionally, the majority of the tales are pretty bleak, dealing with dark themes of revenge, futile searches for paradise, and Armageddon. However, save for their near-universal excellence, thought-provocation, and prescience, the similarities end there.

Among them: Mars is colonized by black people who have left Earth's prejudices, and await with apprehension the arrival of a white-piloted rocket ship from their former homeland; another planet's soldiers attack Earth and are surprised at the warm welcome they receive, only to learn that they can be conquered by Earth's lousy diet, sedentary ways, and shallow culture as easily as by the planet's military; an assembly of priests travels to Mars to learn about Martian sins, so as to spread God's word and earn converts of the Red plant; an entire city is built with the concept of vengeance in mind, by its citizens who were to perish before being able to exact that revenge themselves; the authors of classic tales of horror, whose works are banned on Earth, are themselves exiled to Mars and only kept alive by the few remaining copies not burned for censorship.

There are a couple of lame ducks herein, but even those are salvaged by the beauty of Bradbury's writing. His metaphors and descriptive devices flow from the pages and grant a macabre beauty to even the most desolate of landscapes.

7 of 7 people found the following review helpful:

5.0 out of 5 stars Classic collection, March 11, 1999

By	Michael Battaglia - See all my reviews (TOP 1000 REVIEWER)    (REAL NAME)

This review is from: The Illustrated Man (Grand Master Editions) (Mass Market Paperback)

This is one of those "must own" books that you always hear about, in a hundred years this and a handful of other Bradbury books will be considering classics of American literature. Basically a collection of about a guy who has all this illustrations on his body that shows the stories to an unnamed observer. Personally I have no idea why he bothered with the Illustrated Man concept, the stories stand on their own just fine, though it does give him the opportunity to give a great sucker punch ending. And the concept is basically ignored after the second story but hey when the stuff is this good who am I to complain? The stories themselves, like I said are all excellent, some more than others but it's mostly the distinction between "real good" and "really really really good". The highlights are the opening "The Veldt" which is classic Bradbury and some story about some guys on Venus who are going crazy from getting rained on and a few others. Most of his stories are science-fictional, often revolving in one way or another around rockets but Bradbury deals less with actual science and more about fantasy and dreams, leading to some real good touching moments, above all his stories are about people, they just happened to be set in the future on Mars. Some are sentimental, some are creepy, some are funny but all are good. And it's quick reading, so you have no excuse. Get it today