Mazer ( Snow Bound ) offers a Sommersby of sorts for YA readers, a darker version of Caroline Cooney's The Face on the Milk Carton . A teenage boy shows up on the Diaz family's doorstep holding a Missing Child poster and claiming to be their lost son, Jason, the boy in the poster. The Diazes--Connie, Bruce and daughter Miller--are immediately suspicious of this newcomer's motives. But after he sprains an ankle and can't walk, they let him stay temporarily, though they don't know whether to call him Jason or Eddie, the name given to him by the recently deceased woman who raised him and who may or may not have been his grandmother. After Jason/Eddie gets into serious trouble and well after Mazer establishes that the family never quite trusts him, Bruce locates the boy's birth certificate, proving he is not Jason Diaz after all. Mazer does a better job with internal monologue than with dialogue, and there are a few too many scenes in which Jason/Eddie repeats "I'm Jason. Jason Diaz," to the family's skeptical reactions. But the character does work, at least partially, as a metaphor for the alienation that many teenagers feel. Readers may also appreciate the unsentimental treatment of the main character, who is far from perfect and far from innocent. Ages 12-up.
Copyright 1993 Reed Business Information, Inc.
From School Library Journal
Grade 7-9-Eddie Leonard thinks he recognizes himself in a picture of a missing child, Jason Diaz, and, after the abusive grandmother who raised him dies, he decides to reclaim his "family." He finds the Diazes easily but, after hoping for their son's return for 12 years, they (now divorced) are understandably suspicious. Miller, Jason's younger sister, is both attracted to and repelled by him. The story is somewhat unconvincing in its focus on the search for psychological rather than physical evidence about the boy's identity. Mrs. Diaz especially believes that she should instinctively know whether or not he is her son. No blood tests are done; no dental records or fingerprints are compared. Jason was only three when he disappeared, so perhaps such information would not be available, but surely the baby's blood type would be on file somewhere. Dr. Diaz has Eddie investigated, but not immediately. In fact, plenty of time is allowed for the family to become attached to him before his real birth certificate is produced, proving that he is not Jason after all. Instead of a compelling plot, Mazer has written a series of strong character studies. The problem is that readers never feel drawn into their world; a certain detachment is always maintained. The premise is reminiscent of Caroline Cooney's The Face on the Milk Carton (Bantam, 1990), but Mazer's writing is much more spare and hard-edged, and much less accessible or entertaining.
Lucinda Snyder Whitehurst, St. Christopher's School, Richmond, VA
Copyright 1993 Reed Business Information, Inc.






