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At first, Jamie isn't too worried about the bad dreams he's been having since coming to his aunt's house. Most people awoken in the middle of the night to find their house burning down would probably have nightmares, too. But instead of fire, he keeps dreaming of a "horrible, scary old woman," relentlessly coming after him for some awful, inexplicable purpose. Even though he's come to Aunt Jane's to recover from the fire's aftermath, he doesn't want to bother her or his cousin Alison with his silly fears. He can see that they are very busy with their village's community service project--cleaning off an age-old carving on the side of hill that overlooks the town. But when the carving turns out to be a peculiar primordial figure instead of the "crown" that the people of Crownshill expected to see, and Jamie uncovers evidence of an ancient witchcraft trial in local history papers, he is swept into a centuries-old mystery to which he unwittingly has the key. Who is the old crone chasing him, and what does she want? Jamie will have to endure an experience worse than fire to find out.
British author Marcus Sedgwick has written another perfectly creepy, perfectly wonderful middle-grade thriller. Like his debut novel, Floodland, Witch Hill is written in just the right tone for those suspense seekers who have graduated from Goosebumps but aren't quite ready for Stephen King. And while most of the popular witchcraft fiction on bookstore shelves targets girls, this engaging mystery with its fiery cover and whodunit plot will draw boys into its puzzling pages as well. (Ages 10 to 14) --Jennifer Hubert
From School Library Journal
Gr 5-9-When Jamie's house is destroyed by fire and he fails to rescue his baby sister, his parents send him to stay with his aunt in Crownhill to recover from the trauma. From the very first night, though, the boy has nightmares of an ugly crone and finds himself caught up in the unleashing of a buried history of witchcraft. When he helps the village clean the chalk markings that have long decorated the Cornwall hill, they discover that instead of a crown, the markings represent a woman, a crone or witch. As his aunt, cousin, and representative from the historical society attempt to piece together Crownhill's history, they discover that the village was the site of a witch burning during England's Civil War. And for some reason, Jamie's presence and his nightmares are bringing back the old terrors. In a parallel plot development, Sedgwick slowly tells what really happened the night of the fire at Jamie's house, finally revealing that Jamie's sister was rescued and that his guilt is unnecessary. The boy's final nightmare puts the ghosts from both the past and present to rest. While basically a readable suspense novel with likable characters, the overlay of the two plots is rather contrived, and Jamie's story is forced and too slowly revealed. The overall lesson-discovering what matters most in life-is much too preachy and obvious. Lois Duncan's Gallows Hill (Delacorte, 1997) is a better choice for those looking for a good witch story that links past and present.
Janet Hilbun, formerly at Sam Houston Middle School, Garland, TX
Copyright 2001 Cahners Business Information, Inc.
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