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Editorial Reviews
From School Library Journal
Gr 5 Up-This compelling book begins with van Gogh's boyhood and traces the various career paths (art dealer, missionary) he pursued before dedicating himself to painting. The authors draw on the artist's voluminous correspondence with his brother Theo to elicit his thoughts and feelings, providing glimpses inside the head of this most unusual person. The use of his own phrases enlivens the text: "The more I am spent, ill, a broken pitcher, the more I become an artist, creator-." His passionate dedication to his work-living on nothing but coffee and bread for days, sacrificing his physical and mental health for the sake of art-was extraordinary. Largely unappreciated in his own lifetime, he was certain of the value and importance of his work, yet still a bit apprehensive of even the slight bit of success that came near the end of his life. The infamous incident with the ear is included as part of an overall portrait, and varying theories as to his so-called madness (a rare form of epilepsy, psychological traumas from childhood) are presented. In addition to a few black-and-white family photographs, the volume has an eight-page insert of fine-quality, full-color reproductions of the artist's works. This outstanding, well-researched biography is fascinating reading.
From Booklist
*Starred Review* Gr. 7-12. Greenberg and Jordan, authors of titles such as Chuck Close Up Close (1998) and Frank O'Gehry: Outside In (2000), offer yet another outstanding artist's biography. In elegant, captivating language, they debunk myths about Van Gogh as lunatic and loner. Following his life story from birth to death, they describe the artist as an irascible, stubborn, and erratic member of a family that supported him through aborted attempts to become an art dealer and a preacher, before he finally settled on painting, a career fully supported by his brother Theo, with whom he lived in Paris. Also detailed are Van Gogh's years of drinking and schmoozing among the greats of the Montmartre art scene, organizing exhibitions, enjoying great friendships with other artists, and finally moving to the south of France, where he hoped to start an artist's collective. The authors do a remarkable job of presenting Van Gogh's complex personality (described by his brother as "gifted, delicate, and tender" and "cruel and hard-hearted"); his periods of manic energy; and the ear incident, in a straightforward, even understated way, showing that he was not "crazy," but rather suffered from epilepsy. They also help readers look at the painter's work, and at art in general, discuss the artist's motivations and techniques, and bring readers up-close with immediate, moving scenes of Van Gogh at work in the fields as he strove to paint his "high yellow note." An exceptional biography that reveals the humanity behind the myth. Reproductions, a glossary, and other appended material will help this find cross-curricular support. Gillian Engberg
Copyright © American Library Association. All rights reserved
See all Editorial Reviews
Gr 5 Up-This compelling book begins with van Gogh's boyhood and traces the various career paths (art dealer, missionary) he pursued before dedicating himself to painting. The authors draw on the artist's voluminous correspondence with his brother Theo to elicit his thoughts and feelings, providing glimpses inside the head of this most unusual person. The use of his own phrases enlivens the text: "The more I am spent, ill, a broken pitcher, the more I become an artist, creator-." His passionate dedication to his work-living on nothing but coffee and bread for days, sacrificing his physical and mental health for the sake of art-was extraordinary. Largely unappreciated in his own lifetime, he was certain of the value and importance of his work, yet still a bit apprehensive of even the slight bit of success that came near the end of his life. The infamous incident with the ear is included as part of an overall portrait, and varying theories as to his so-called madness (a rare form of epilepsy, psychological traumas from childhood) are presented. In addition to a few black-and-white family photographs, the volume has an eight-page insert of fine-quality, full-color reproductions of the artist's works. This outstanding, well-researched biography is fascinating reading.
Robin L. Gibson, Perry County District Library, New Lexington, OH
Copyright 2001 Cahners Business Information, Inc.
From Booklist
*Starred Review* Gr. 7-12. Greenberg and Jordan, authors of titles such as Chuck Close Up Close (1998) and Frank O'Gehry: Outside In (2000), offer yet another outstanding artist's biography. In elegant, captivating language, they debunk myths about Van Gogh as lunatic and loner. Following his life story from birth to death, they describe the artist as an irascible, stubborn, and erratic member of a family that supported him through aborted attempts to become an art dealer and a preacher, before he finally settled on painting, a career fully supported by his brother Theo, with whom he lived in Paris. Also detailed are Van Gogh's years of drinking and schmoozing among the greats of the Montmartre art scene, organizing exhibitions, enjoying great friendships with other artists, and finally moving to the south of France, where he hoped to start an artist's collective. The authors do a remarkable job of presenting Van Gogh's complex personality (described by his brother as "gifted, delicate, and tender" and "cruel and hard-hearted"); his periods of manic energy; and the ear incident, in a straightforward, even understated way, showing that he was not "crazy," but rather suffered from epilepsy. They also help readers look at the painter's work, and at art in general, discuss the artist's motivations and techniques, and bring readers up-close with immediate, moving scenes of Van Gogh at work in the fields as he strove to paint his "high yellow note." An exceptional biography that reveals the humanity behind the myth. Reproductions, a glossary, and other appended material will help this find cross-curricular support. Gillian Engberg
Copyright © American Library Association. All rights reserved
See all Editorial Reviews
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