The Drunken Driver Has the Right of Way: Poems by Ethan Coen  (2)
|
The Coen Brothers: Interviews (Conversations With Filmmakers Series) by Joel Coen
$14.96
|
Ethan Coen and Joel Coen: Collected Screenplays 1: Blood Simple, Raising Arizona, Miller's Crossing, Barton Fink by Ethan Coen (1)
$13.60
|
The Big Lebowski: The Making of a Coen Brothers Film by William Preston Robertson  (7)
$11.56
|
Miller's Crossing DVD ~ Gabriel Byrne  (224)
$6.99
|
This item is not eligible for Amazon Prime, but millions of other items are. Join Amazon Prime today. Already a member? Sign in.
|
|||||||||||||
Customers Who Bought This Item Also Bought
Editorial Reviews
Amazon.com
Even if it didn't contain a chomped ear and a decapitated head, Ethan Coen's debut fiction collection would resemble the horrifically giggly crime films of the Coen brothers (Fargo, etc.). You've got the bleakly realistic Midwest settings: a frazzled dad driven crazy driving his kids on a camping trip in "The Boys." You've got the minutia of the middle-class life captured down to the last speck of "abstractly speckled linoleum" ("The Old Country"). You've got comically incompetent thugs (Mafiosi spectacularly failing to bring Mob rule to Minneapolis in "Cosa Minapolidan," a college-boy boxer turned private dick in "Destiny"). You've got ghastly, amusing caricatures of showbiz moguls: the record-company guy soliloquizing in "Have You Ever Been to Electric Ladyland" could be as real as his allusions to the personal foibles of Cat Stevens and Danny Thomas. Above all, you've got a mockingly self-conscious yet vibrantly original style of pulp-culture homage and spoofy, sharp, vulgar dialogue like nobody else on earth can write, except Joel Coen (who cowrites movies with brother Ethan).
Even if it didn't contain a chomped ear and a decapitated head, Ethan Coen's debut fiction collection would resemble the horrifically giggly crime films of the Coen brothers (Fargo, etc.). You've got the bleakly realistic Midwest settings: a frazzled dad driven crazy driving his kids on a camping trip in "The Boys." You've got the minutia of the middle-class life captured down to the last speck of "abstractly speckled linoleum" ("The Old Country"). You've got comically incompetent thugs (Mafiosi spectacularly failing to bring Mob rule to Minneapolis in "Cosa Minapolidan," a college-boy boxer turned private dick in "Destiny"). You've got ghastly, amusing caricatures of showbiz moguls: the record-company guy soliloquizing in "Have You Ever Been to Electric Ladyland" could be as real as his allusions to the personal foibles of Cat Stevens and Danny Thomas. Above all, you've got a mockingly self-conscious yet vibrantly original style of pulp-culture homage and spoofy, sharp, vulgar dialogue like nobody else on earth can write, except Joel Coen (who cowrites movies with brother Ethan).
In print, Coen can show off a descriptive gift that can't fit into screenplays. His fiction is bright and never boring, but not ambitious--it lacks the obbligato of grim mystery and lyricism that throbs in some of his films. It's on the light side--more like Raising Arizona than Miller's Crossing. It's also the most penetrating glimpse into a Coen brother's mystery-crammed skull since the revealing The Big Lebowski: The Making of a Coen Brothers Film. --Tim Appelo
--This text refers to an out of print or unavailable edition of this title.
Amazon.com Audiobook Review
Small-time mobsters, private investigators, adulterers, and Hebrew-school students populate these stories written by Ethan Coen, the Oscar-winning cowriter of the Fargo screenplay. Read mostly by actors who have appeared in his films--including regulars Steve Buscemi, John Goodman, and John Turturro--these vignettes are set primarily in Minneapolis. There is a lot of fighting, farting, and the other f word in these tapes, disqualifying this audiobook for the fainthearted, but the listener is well rewarded with some smart, if brutal, writing. Standouts include the Matt Dillon-read "Destiny," a Mafioso story about a college graduate-cum-failed boxer whose poverty sucks him into an underworld rivalry, and William H. Macy's reading of the title story, a tongue-in-cheek noir featuring a Californian who is temporarily distracted from his work by a geisha goddess. (Running time: 5.5 hours, 4 cassettes) --Kimberly Heinrichs
--This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
Product Details
Would you like to update product info or give feedback on images?
|
|
Inside This Book Citations: 4 books that cite this book Explore: Citations | Concordance | Text Stats Key Phrases - SIPs: inna head, redheaded man, rump roast Key Phrases - CAPs: Lou Argo, Miss Ohara, Uncle Morty, Marcia Ziegler, Joe de Louie (more) Browse Sample Pages: Front Cover | Copyright | Table of Contents | |