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Editorial Reviews
Amazon.com
"TJ had never killed anyone before, but then who knew for sure? Sticking a pump shotgun out of a moving car and blasting into a crowd--you could never really tell which bodies fell because of you, whose life you were accountable for..." The cover may be gaudy, but this account of girl gangbangers is down-to-earth and refreshingly free of melodrama. In order to write 8 Ball Chicks journalist Gini Sikes spent a year hanging out with girl gangs in Los Angeles, Milwaukee, and San Antonio. As Salon writes, "Sikes's analysis is sparse and not particularly illuminating ('Without an effective national policy for youth, kids fell through the cracks in droves'), but she's got a good ear and the sense to step back and let her subjects seize the microphone most of the time." --This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Imagine a world in which teenage girls hang obituaries on their bedroom walls instead of posters. Sikes, former Mademoiselle senior writer and producer of the youth-oriented PBS series In the Mix, knows that world, having spent a year "kicking it" with girl gangs in three U.S. cities (Los Angeles, San Antonio and Milwaukee). According to Sykes, 10% of the American teenagers involved in gangs are girls. These young women organize and identify themselves through their own gangs, which are often auxiliaries of male gangs. They deal drugs, steal, fight and retaliate viciously against their rivals. Sikes's relationship to her subjects ranges from anthropologist to big sister, and her portraits are sympathetic and genuine. The reportage hits hardest when she implicates herself in the events she describes. A party she attends in South Central Los Angeles is rousted by the cops and she is forced, along with the Crip set she is studying, to kneel and put her hands up: "The action felt strange, humiliating. I noticed how much it hurt on the concrete." Her writing is brisk and accessible, though short on analysis or conclusions?rather like a Mademoiselle feature. Still, Sikes offers a convincing, unsettling view of a domain that most would as soon avoid.
Copyright 1996 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
"TJ had never killed anyone before, but then who knew for sure? Sticking a pump shotgun out of a moving car and blasting into a crowd--you could never really tell which bodies fell because of you, whose life you were accountable for..." The cover may be gaudy, but this account of girl gangbangers is down-to-earth and refreshingly free of melodrama. In order to write 8 Ball Chicks journalist Gini Sikes spent a year hanging out with girl gangs in Los Angeles, Milwaukee, and San Antonio. As Salon writes, "Sikes's analysis is sparse and not particularly illuminating ('Without an effective national policy for youth, kids fell through the cracks in droves'), but she's got a good ear and the sense to step back and let her subjects seize the microphone most of the time." --This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Imagine a world in which teenage girls hang obituaries on their bedroom walls instead of posters. Sikes, former Mademoiselle senior writer and producer of the youth-oriented PBS series In the Mix, knows that world, having spent a year "kicking it" with girl gangs in three U.S. cities (Los Angeles, San Antonio and Milwaukee). According to Sykes, 10% of the American teenagers involved in gangs are girls. These young women organize and identify themselves through their own gangs, which are often auxiliaries of male gangs. They deal drugs, steal, fight and retaliate viciously against their rivals. Sikes's relationship to her subjects ranges from anthropologist to big sister, and her portraits are sympathetic and genuine. The reportage hits hardest when she implicates herself in the events she describes. A party she attends in South Central Los Angeles is rousted by the cops and she is forced, along with the Crip set she is studying, to kneel and put her hands up: "The action felt strange, humiliating. I noticed how much it hurt on the concrete." Her writing is brisk and accessible, though short on analysis or conclusions?rather like a Mademoiselle feature. Still, Sikes offers a convincing, unsettling view of a domain that most would as soon avoid.
Copyright 1996 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
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