Black Dogs: A Novel (Paperback)

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Editorial Reviews

From Publishers Weekly

In this slim, provocative novel, McEwan ( The Innocent ) examines the conflict between intellect and feeling, as dramatized in one couple's troubled relationship. The narrator is fascinated by his wife's estranged parents, The lives of June and Bernard Tremaine, whose lives epitomize the tug-of-war between political engagement and a private search for ultimate meaning: their ideological and spiritual differences force them apart but never diminish their mutual love. The catalytic event in the Tremaines' lives occurs on their honeymoon in France in 1946. With the characteristic idealism of their generation, both had joined the Communist Party, but June is already becoming disenchanted with its claims. In an encounter with two huge, ferocious dogs--incarnations of the savagely irrational eruptions that recur throughout history--she has an insight that illumines for her the possibility of redemption. Liberally foreshadowed, --the bloodthirsty beasts are used as an overarching metaphor for the presence of evil in the world-- the actual episode with the dogs is not depicted until the book's final section, where its impact requires the reader to take a leap of faith similar to June's. For some this pivotal scene may not be fully convincing. Indeed, McEwan is rather too didactic in the exposition of his theme, so one may expect too much from the novel's dramatic main event. Yet the work is impressive; McEwan's meticulous prose, his shaping of his material to create suspense, and his adept use of specific settings--Poland's Majdanek concentration camp, Berlin during the dismantling of the Wall, a primitive area of the French countryside--produce a haunting fable about the fragility of civilization, always threatened by the cruelty latent in humankind.
Copyright 1992 Reed Business Information, Inc. --This text refers to the Hardcover edition.

From Library Journal

Having lost his parents in an auto accident when he was eight years old, the narrator of McEwan's splendid new novel is fascinated with other people's parents--particularly his remarkable in-laws, indissolubly linked yet estranged and combative almost since their wedding. A man of reason who was once a Communist, Bernard Tremaine cannot understand why his wife, June, rejected political activism for spiritual quest after "an encounter with evil" in the form of two fierce black dogs. McEwan does not so much tell their story as the story of the son-in-law's efforts to understand them better by writing about them. Though Bernard and June represent diametrically opposed ways of looking at the world--two views beautifully and succinctly captured by McEwan--they are not mere vessels of thought but lively, distinctive characters in their own right. As the narrator returns to the French countryside where June fatefully encountered the dogs, the deceptively simple buildup makes her brush with violence all the more shocking. A novel of ideas with the hard edge of a thriller; highly recommended.
-Barbara Hoffert, "Library Journal"
Copyright 1992 Reed Business Information, Inc. --This text refers to the Hardcover edition.

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Product Details

• Paperback: 176 pages
• Publisher: Anchor (December 29, 1998)
• Language: English
• ISBN-10: 0385494327
• ISBN-13: 978-0385494328
• Product Dimensions: 7.8 x 5.2 x 0.5 inches
• Shipping Weight: 4.8 ounces (View shipping rates and policies)
• Average Customer Review: 4.5 out of 5 stars  See all reviews (36 customer reviews)
• Amazon.com Sales Rank: #338,738 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

28 of 29 people found the following review helpful:

4.0 out of 5 stars Sublime, May 22, 2000

By	Lisa Schweitzer (Los Angeles, CA) - See all my reviews

I loved this story: it stayed with me for days. The writing is enviably beautiful and rich; the theme is intelligent and challenging. Ostensibly, the debate between mysticism versus rationalism sunders Bernard and June. But each of the combatants possesses the worst traits of the other's ideology. Bernard has a slavish faith in the scientific method, while June feels the necessity to shore up her spirituality with flawless rhetoric and argumentation. They must both explain: and the irony is that their marriage ends, even though they are both talking about the same thing: the truth as they perceive it.

While this certainly isn't a new theme (postmodernism and its subsequent backlash has provided us with a lot of reading lately), McEwan handles it creatively and respectfully. He gives us no answers and never insults our intelligence.

Finally, McEwan brings up the question of evil and how we respond to it. In one situation, our narrator would turn away from it given his choice(when Bernard faces the mob, and the narrator doesn't); in another situation, the narrator confronts evil in another, bigger man and in himself.

It is a short, worthwhile, well-crafted read.

22 of 24 people found the following review helpful:

5.0 out of 5 stars brillaint observation of social decay, March 29, 2001

By	ensiform (Dallas, TX USA) - See all my reviews

The story of a young couple whose estrangement begins almost the day they're married, as told by the fascinated son-in-law, an orphan himself. An amazing novel, as universal as the fall of Communism and the memory of genocide and as introspective as one young woman's discovery of the mystical, of God, inside herself when she encounters some vicious dogs. As cosmic as the problem of pure evil and as ordinary as a bickering couple. Beautifully written, masterfully paced, and told with just the right amount of tension mixed with a soothing degree of acceptance. Each character is fully realized, and the dialogue perfect in its realism as well as its restraint. McEwan lets the characters reveal themselves, though their actions as well as actual descriptions of each other, and the subtleties, and potential misunderstandings, are complex and brilliant.

14 of 14 people found the following review helpful:

5.0 out of 5 stars Bull's eye, January 7, 2006

By	RBradbury451 - See all my reviews

Set in post second world war Europe (mostly France) and extending to the late eighties, Ian McEwan's Black Dogs is the memoir of protagonist Jeremy, who diligently sets about to chronicle the lives of his in-laws, Bernard and June Tremaine. Jeremy was an orphan with a proclivity for insinuating himself into the families of his friends and, lately, his wife.

As we see in McEwan's Atonement, Black Dogs is also about the writing of a novel. Jeremy attempts to set the record straight about his in-laws, intellectuals on opposing surfaces of the same coin. June is a romantic, a mystic, who sees life as a journey through the inner space of reflective meditation and personal awareness. Her husband is an organizer, a thinker who feels the world can be set right only through the right application of right ideas. Since both June and Bernard would rather be right than happy, and since neither could see the conceit and limitations of their own viewpoints, they wasted a lifetime of love in separate but parallel existences.

The black dogs, the central allegorical feature of the novel, are either a fact, a historical event that evolved out of the depravity of humankind (dogs tend to be rather like their handlers), or they are more symbolic features, a mythological construction representing evil, manifest as personal depression and cultural depravity. Could they be both?

Could Bernard, the arcane intellectual who would rather spend hours talking about the plight of the poor than a half our in their company, could he be a courageous, understanding man after all? Where does love go, after it has filtered through a thousand grand but irrelevant arguments? How do we stumble upon who we are and how we got here?

McEwan is a delight to read. He has exceptional insight into human frailty and how it plays out in personal and national tragedy. His prose is razor sharp and his palette is rich and warm. The voices he gives his characters will remain with us.