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21 of 24 people found the following review helpful:
5.0 out of 5 stars
Fascinating and entertaining!, April 4, 2000
Not being much of a history-seeker, I borrowed this after having it recommended by a friend who read it, and was startled by its immediacy and was easily pulled in to the story of Akhenaten. The framework of having the story proceed as the narrator, Meriamum, piece together the history through interviews, brought everything into believability, and somehow contemporary at the same time.Even if you have only a passing interest in Egyptology (and I can hardly claim that... only a few minutes of halting channel-surfing on the Discovery Channel), you will be drawn in to this well-written and engrossing book!
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8 of 8 people found the following review helpful:
4.0 out of 5 stars
Beguiling, November 12, 2000
Okay, I confess: I plagiarized the adjective beguiling from the back cover, but it was the best one word phrase I could come up with to describe this quirky book. In some senses, it reminds me of a detective narrative, a kind of Egyptian Oedipus who is searching for the "truth." The story in this case revolves around this monotheistic pharaoh and his peculiar religious leadership and reign. I'm not an expert at the history of the period -- my above reviewer points out several inaccuracies which if true would be disappointing to me. After reading 15 or so different interviews of those close to Akhenaten, some of the mysteries are resolved. It's a short read and quite a unique narrative that will transplant you to ancient Egypt. It's amazing at times how modern the narrative feels. How much really separates sexual escapades of someone like Clinton from those of the ancients? Not much as we see from our study of history. A bit offbeat, but a good read on an intriguing subject.
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13 of 15 people found the following review helpful:
3.0 out of 5 stars
Akhenaten merits more than this..., January 9, 2003
This book belongs to the first stage of Naguib Mahfuz literary production, a series of 40 novels dedicated to the history of Pharaohnic Egypt. Later on, he was deflected into a new type of novel, one that addressed social/political issues, the raw reality of his native country, and it is within this phase that we have him at his best ("Cairo Trilogy", "Children of the Alley", "Miramar", amongst others). Readers who are familiar with Mahfuz's outstanding novels might be disappointed with this one. Akhenaten (formerly Amenhotep IV) was one of the most enigmatic pharaohs, one over which there is much historical, archeological, and mystical debate. Details about his life were purposely erased from Egyptian history as he was usually referred to as "heretic" or "rebel." Little can be said and affirm about him, and a good deal of supposition is what accounts for his life, deeds, and character. Was he in fact a victim of Marfan's Syndrome, which accounted for his peculiar physique? Was he a product of miscegenation and therefore had Negroid features? Was "Tut" his brother, son, or son-in-law? Over some aspects, historians seem to have reached an agreement: he was a visionary who implemented a monotheistic religion, had a new city built as the main center of his empire (Amarna), changed the traditional structure of the Egyptian society, and reversed Egyptian's foreign policy. In this revolutionary undertaking his main victim was the priesthood upon which power and tradition was based. The result was a general disruption of traditional patterns of religion, resistance from those representing the previous status quo, and the inevitable failure and death of the new system (including the Pharaoh himself). The main character in the book, young Meriamum sets to understand the truth about Akhenaten by means of several interviews with a number of the Pharaoh's contemporaries (friends, his wife Nefertiti, the high priest, soldiers, etc). He is a passive listener, makes no attempt to ellaborate on the information given, and what is being told turns out to be extremely contradictory and quite repetitive. By dealing with a historical character over which there is little factual evidence, Naguib Mahfouz could indulge in the realm of fiction, but by doing so he is further undermining whatever truth might be said about Akhenaten. There is no reference to the social/political/religious reality of Ancient Egypt. As a work of fiction it needs more structure, as a historical fiction it swims in shallow waters. Leaving the fictional element aside, a much broader, academic and meaningful account of Akhenaten and his time is to be found in "Akhenaten: King of Egypt" by Cyril Aldred.
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