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Don't Play in the Sun
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Editorial Reviews
From Publishers Weekly
Golden paints an intimate self-portrait of her life as a dark-complexioned black woman and invites readers to take a behind-the-scenes look at the twisted and emotionally charged path of color-based discrimination that began when she was warned not to play in the sun. She succinctly details how the "light is right, black get back" mentality has permeated the African diaspora, its invasion of black institutions and how it sits just below the radar in Hollywood, athletics, news coverage and music videos. She includes stories from dozens of friends, acquaintances and experts, which as a whole suggest that blacks the world over may have been traumatized as much by colorism as they have by racism and colonialism. And with the grace of being faithful to one's own experience, Golden firmly plants her audience in her controversial dark skin. During a fifth-grade square dance, a popular young white boy rejects her black hand in disgust. At 19, in the wake of the black consciousness movement, Golden checks her face and Afro in the mirror and for the first time, "weeping with appreciation," "loves" what she seesâ€"and goes on to form her own prejudices (since worked-through) against the lighter-skinned. Erudite, self-aware and thorough, Golden makes a knowing guide to thorny psychosocial territory.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Golden, who has authored several fiction and nonfiction books on race and women's issues, offers a deeply personal account of growing up as a dark-skinned black woman. She had to cope with the internal politics of a social hierarchy based on color complexion among blacks that mirrors the hierarchy between blacks and whites in general. Golden recalls her mother's admonition not to play in the sun too long, for fear that she'd darken even more and hurt her prospects in life. Golden also recounts the liberating "black is beautiful" culture of the 1960s and 1970s that elevated black consciousness but ultimately didn't change the hierarchy. Recounting the progression from the paper-bag tests of black sororities through the "mulatto follies" that continue to dominate film images of black beauty, Golden applauds some recent developments, including the popularity of singer India-Arie and her anthems celebrating the beauty of dark brown women. Golden's account of her personal journey to an appreciation of her looks offers a revealing look at a topic that is rarely discussed so openly. Vanessa Bush
Copyright © American Library Association. All rights reserved
See all Editorial Reviews
Golden paints an intimate self-portrait of her life as a dark-complexioned black woman and invites readers to take a behind-the-scenes look at the twisted and emotionally charged path of color-based discrimination that began when she was warned not to play in the sun. She succinctly details how the "light is right, black get back" mentality has permeated the African diaspora, its invasion of black institutions and how it sits just below the radar in Hollywood, athletics, news coverage and music videos. She includes stories from dozens of friends, acquaintances and experts, which as a whole suggest that blacks the world over may have been traumatized as much by colorism as they have by racism and colonialism. And with the grace of being faithful to one's own experience, Golden firmly plants her audience in her controversial dark skin. During a fifth-grade square dance, a popular young white boy rejects her black hand in disgust. At 19, in the wake of the black consciousness movement, Golden checks her face and Afro in the mirror and for the first time, "weeping with appreciation," "loves" what she seesâ€"and goes on to form her own prejudices (since worked-through) against the lighter-skinned. Erudite, self-aware and thorough, Golden makes a knowing guide to thorny psychosocial territory.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Golden, who has authored several fiction and nonfiction books on race and women's issues, offers a deeply personal account of growing up as a dark-skinned black woman. She had to cope with the internal politics of a social hierarchy based on color complexion among blacks that mirrors the hierarchy between blacks and whites in general. Golden recalls her mother's admonition not to play in the sun too long, for fear that she'd darken even more and hurt her prospects in life. Golden also recounts the liberating "black is beautiful" culture of the 1960s and 1970s that elevated black consciousness but ultimately didn't change the hierarchy. Recounting the progression from the paper-bag tests of black sororities through the "mulatto follies" that continue to dominate film images of black beauty, Golden applauds some recent developments, including the popularity of singer India-Arie and her anthems celebrating the beauty of dark brown women. Golden's account of her personal journey to an appreciation of her looks offers a revealing look at a topic that is rarely discussed so openly. Vanessa Bush
Copyright © American Library Association. All rights reserved
See all Editorial Reviews
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