Amazon.com Review
L.A. Weekly editor/columnist John Powers surveys the landscape of George W. Bush's America and finds it littered with frothing liberals, sneering conservatives, sluggish reporters, and mindless commentators. From reality TV to the "embedded media," Powers dissects the post-9/11 milieu with something bordering on glee. Brooks can't help but be repulsed by journalists who are as incompetent and slothful as they are ideologically driven. True, our leaders are failing us at our time of greatest need. But, hey, he gets to write about this stuff! With sharp, snappy, self-confident prose, Powers delights in devastating the likes of Ann Coulter (engaging in debate with the strident right-winger "can only make you dumber"), Bill OReilly (pegged as a man who pens "short books with very large print"), and "serial bigot" Michael Savage. Not that the left escapes unscathed. The progressive mag The Nation is "profoundly dreary" and Fox's opposition voice Alan Colmes is dismissed as a "quasiliberal munchkin." Still, it's the incessantly wronged right (despite holding the White House, Congress, Supreme Court) that defines this era of "sore winners"--and for them the sometime NPR commentator reserves his bitterest bon mots. Powers is an adept essayist who, in contrast to, say, David Brooks, is as surefooted writing about culture as he is about politics. His breadth of interests and store of on-target epithets make for provocative reading for those on both sides of the great divide. --Steven Stolder
From Publishers Weekly
From Bush's infamous "how dare you ask Chirac a question in French" press conference to Colin and Condi as tokenism writ large, L.A. Weekly deputy editor Powers marshals a host of sometimes obvious, media-based critiques in portraying Bush & co. as "sore winners," the products of a populist, social Darwinist culture where doing what you want because you can is OK. Episodic chapters veer in too many directions, incorporating pre-cooked chunks of presidential media history, myriad literary and pop culture allusions (everything from Robert Musil and Preston Sturges to Alice Sebold and Courtney Love) and even Powers's decidedly layman's assessment of what he deems (sore winner) Rumsfeld's lack of planning for postwar Iraq. But Powers's deconstructions of Bush-era political coverage, though too predictable when dealing with the right, have marked range and subtlety when discussing the left's attempts at fighting back. He's best, though, on the sore winner–effect writ large, describing a kind of flip side of the late '90s Bobos in Paradise: a mean-spirited, you-deserve-it mentality that Powers finds in everything from American Splendor to American Idol. Powers can be very funny (as when advocating an "irony enema" for commentator Roger Rosenblatt), but scion Bush as sore winner isn't news, and the book is too thick with kitchen-sink ruminations to work as a whole.
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Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.




