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Look at Me: A Novel
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Editorial Reviews
From Publishers Weekly
Equipped with an arresting premise, Egan's hip and haunting second novel (after The Invisible Circus) gets off to a promising start. Thirty-five-year-old Charlotte, a thoroughly unpleasant Manhattan-based model who escaped the middle-class nothingness of her upbringing in Rockford, Ill., then spent her adult life getting by on appearances, literally loses her face in a catastrophic car accident back in Rockford. As Charlotte's rebuilt face heals and she goes unrecognized at the restaurants and nightclubs that were her old haunts, she must grapple with the lives and losses she has tried to outrun a fractured childhood friendship, the fiancé she betrayed and "Z," a suspicious man from an unidentified Middle Eastern country. Anthony Halliday, an attractive, tormented private investigator, interrupts Charlotte's isolation. Hired by a pair of nightclub owners to track down Z because he absconded with a pile of their money, Halliday carries the scent of romance, but he also kicks off a chain of introductions that bizarrely lands Charlotte in the "mirrored room" of great fame. She is reconnected with her past at the same time that she becomes part of a brave new Internet world, where identity itself is a consumable commodity. Oddly, this narrative alternates with that of her old friend Ellen's daughter (also named Charlotte), whose life in Rockford centers around two older men. Though expertly constructed and seductively knowing, Egan's tale is marred by the overblown trendiness at its core. Charlotte (the model, who progresses from horrid to just bearable by the end) and the others come to the same realization: a world ruled by the consumerist values bred by mass production and mass information is "a world constructed from the outside in." The Buddha said it better. National advertising; author tour. (Sept. 18)and Harper's, and The Invisible Circus was recently made into a film featuring Cameron Diaz.
From Library Journal
Charlotte, a successful thirtyish model, miraculously survives a horrific car crash near Rockford, IL, her despised hometown. However, reconstructive facial surgery alters her appearance irrevocably. Within the fashion world, where one's look is one's self, she has become literally unrecognizable. Seeking a new image, Charlotte stumbles into a tantalizing Internet experiment that may both save and damn her. Back in Rockford, another Charlotte, this one a plain, unhappy teenager, wonders who she really is. Her search for self drives her to extremes; she maintains a tortuous sexual liaison with a mysterious high school math teacher and takes on an eerie scholar-disciple role opposite her unbalanced Uncle Moose, who is obsessed by his unorthodox theories about the Industrial Revolution. The intersections of these and the novel's other intriguing characters raise tantalizing questions about identity and reality in contemporary American culture. Egan continues to fulfill the literary promise she showed in her previous fiction, The Invisible Circus and Emerald City. Recommended for most collections.
- Starr E. Smith, Fairfax Cty P.L., VA
Copyright 2001 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
Equipped with an arresting premise, Egan's hip and haunting second novel (after The Invisible Circus) gets off to a promising start. Thirty-five-year-old Charlotte, a thoroughly unpleasant Manhattan-based model who escaped the middle-class nothingness of her upbringing in Rockford, Ill., then spent her adult life getting by on appearances, literally loses her face in a catastrophic car accident back in Rockford. As Charlotte's rebuilt face heals and she goes unrecognized at the restaurants and nightclubs that were her old haunts, she must grapple with the lives and losses she has tried to outrun a fractured childhood friendship, the fiancé she betrayed and "Z," a suspicious man from an unidentified Middle Eastern country. Anthony Halliday, an attractive, tormented private investigator, interrupts Charlotte's isolation. Hired by a pair of nightclub owners to track down Z because he absconded with a pile of their money, Halliday carries the scent of romance, but he also kicks off a chain of introductions that bizarrely lands Charlotte in the "mirrored room" of great fame. She is reconnected with her past at the same time that she becomes part of a brave new Internet world, where identity itself is a consumable commodity. Oddly, this narrative alternates with that of her old friend Ellen's daughter (also named Charlotte), whose life in Rockford centers around two older men. Though expertly constructed and seductively knowing, Egan's tale is marred by the overblown trendiness at its core. Charlotte (the model, who progresses from horrid to just bearable by the end) and the others come to the same realization: a world ruled by the consumerist values bred by mass production and mass information is "a world constructed from the outside in." The Buddha said it better. National advertising; author tour. (Sept. 18)and Harper's, and The Invisible Circus was recently made into a film featuring Cameron Diaz.
Copyright 2001 Cahners Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.From Library Journal
Charlotte, a successful thirtyish model, miraculously survives a horrific car crash near Rockford, IL, her despised hometown. However, reconstructive facial surgery alters her appearance irrevocably. Within the fashion world, where one's look is one's self, she has become literally unrecognizable. Seeking a new image, Charlotte stumbles into a tantalizing Internet experiment that may both save and damn her. Back in Rockford, another Charlotte, this one a plain, unhappy teenager, wonders who she really is. Her search for self drives her to extremes; she maintains a tortuous sexual liaison with a mysterious high school math teacher and takes on an eerie scholar-disciple role opposite her unbalanced Uncle Moose, who is obsessed by his unorthodox theories about the Industrial Revolution. The intersections of these and the novel's other intriguing characters raise tantalizing questions about identity and reality in contemporary American culture. Egan continues to fulfill the literary promise she showed in her previous fiction, The Invisible Circus and Emerald City. Recommended for most collections.
- Starr E. Smith, Fairfax Cty P.L., VA
Copyright 2001 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
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