The Physics of Musical Instruments (Hardcover)

by Neville H. Fletcher (Author), Thomas D. Rossing (Author) "Mechanical, acoustical, or electrical vibrations are the sources of sound in musical instruments..." (more)
Key Phrases: New York, Catgut Acoust, Scientific American (more...)

Editorial Reviews

Review
"Essentially everything you have ever wanted to know about the physics of musical instruments" PHYSICS TODAY "a rigor, graphical detail, and verbal description." AUDIO

"Essentially everything you have ever wanted to now about the physics of musical instruments is here, presented on a level that a good college junior can begin to handle, but of which a graduate student, or, for that matter, a professional need not be ashamed...The coverage ranges from excellent introductions to such standard topics as the transient response of an oscillator and bending waves in bars, to clear presentations of the dynamics of an air jet (in the context of flutes), the radiation from guitars and violins, the nonlinear interactions of lip-driven brass instruments and the effects of air loading on the normal frequencies of timpani...if someone asked me what musical acoustics book I would most want to see written and published, it would be exactly this one, and precisely by these authors." -- Physics Today, on the first edition

"No comprehensive quantitative analysis of music-making devices existed until Fletcher and Rossing published The Physics of Musical Instruments in 1990.... Now with the second edition, this impressive volume has been nicely revised and updated." -- Science, June 4, 1999

Product Description
While the history of musical instruments is nearly as old as civilization itself, the science of acoustics is quite recent. By understanding the physical basis of how instruments are used to make music, one hopes ultimately to be able to give physical criteria to distinguish a fine instrument from a mediocre one. At that point science may be able to come to the aid of art in improving the design and performance of musical instruments. As yet, many of the subtleties in musical sounds of which instrument makers and musicians are aware and remain beyond the reach of modern acoustic measurements. Indeed, for many musical instruments it is only within the past few years that musical acoustics has achieved even a reasonable understanding of the basic mechanisms determining the tone quality, and in some cases even major features of the sounding mechanism have only recently been unraveled. This book describes the results of such acoustical investigations--intellectual and practical exercises of great fascination. Addressed to readers with a reasonable grasp of physics who are not put off by a little mathematics, this book discusses most of the traditional instruments currently in use in Western music. This second edition has been thoroughly revised to take into account the insights arising from recent research, and to generalize or clarify the presentation in many places. The book should continue to serve as a guide for all who have an interest in music and how it is produces as well as serving as a comprehensive reference for those undertaking research in the field.

FROM THE REVIEWS:

AUDIO "All in all, the book presents a fine balance between mathematical rigor, graphical detail, and verbal description. The book can function as a specialized text at the upperclassman or graduate level, but the intuitive clarity of so many of the graphs and descriptions recommends this work as a broad source of information for the reader who may, in fact, be frightened by a little mathematics!"

COMPUTER MUSICAL JOURNAL "...it captures the state of the art and is thus an essential volume for libraries of musical acoustics."

SCIENCE MAGAZINE "No comprehensive quantitative analysis of music-making devices existed until Fletcher and Rossing published THE PHYSICS OF MUSICAL INSTRUMENTS...Now with the second edition, this impressive volume has been nicely revised and updated."

THE AUSTRALIAN & NEW ZEALAND PHYSICIST "...an analysis of the physics of musical instruments that is both rigorous and clear...This already excellent book has been brought up to date. Anyone interested in understanding how musical instruments work will find this book a delight to read."

Product Details

• Hardcover: 756 pages
• Publisher: Springer; 2nd edition (May 23, 2008)
• Language: English
• ISBN-10: 0387983740
• ISBN-13: 978-0387983745
• Product Dimensions: 9.3 x 6.4 x 2 inches
• Shipping Weight: 2.7 pounds (View shipping rates and policies)
• Average Customer Review: 5.0 out of 5 stars See all reviews (4 customer reviews)
• Amazon.com Sales Rank: #412,536 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

20 of 20 people found the following review helpful:

5.0 out of 5 stars Hard-core book on the physics of musical instruments, February 16, 2006

By	calvinnme "Texan refugee" (Fredericksburg, Va) - See all my reviews (TOP 10 REVIEWER)

This is a one-of-a-kind book on the physics of musical instruments. However, be aware that it is a book about physics ONLY. There are no hints or exercises on how to model musical instruments, nothing on acoustics or psychoacoustics, synthesis, etc. In other words, do not expect an expanded version of Perry Cook's book "Real Sound Synthesis for Interactive Applications". If you can deal with these expectations, then this is a worthwhile read for those interested in the pure physics of musical instruments who are willing to do the work of implementing the synthesis themselves, if that is the reader's ultimate goal. The first eight chapters of the book provide some pretty good background material on vibrating systems and sound waves that should be read sequentially. However, from chapter 9 through 21 the author just presents the physics of each instrument with no real organization by chapter, unless you count the fact that the physics of the instruments are presented in groups organized as either percussion, wind, or stringed instruments. There is a final chapter on materials and their properties that doesn't really fit in with previous chapters. Each chapter has an extensive bibliography. I would recommend this book for anyone interested in the physics of musical instruments and has the necessary mathematical maturity to handle the material. The reader who has taken a year of college physics with maybe a specific class on acoustics and who also is comfortable with calculus and both partial and ordinary differential equations would be best qualified to make the most of the information in this book. Having had a course in the EE topic of Signals and Systems wouldn't hurt either when it comes to the discussions of frequency analysis and response.
The books that helped me get through the math and physics of this volume were Kinsler's "Fundamentals of Acoustics", "Introduction to Partial Differential Equations with Applications" by Zachmanoglou, and finally, an out-of-print work: "Schaum's Outline of Acoustics" by Seto, ISBN 0070563284.

20 of 20 people found the following review helpful:

5.0 out of 5 stars The best reference work under this title., October 13, 2005

By	Edward A. Fagen "music lover" (Middlebury, VT) - See all my reviews (REAL NAME)

This is the long-awaited second edition of Fletcher & Rossing. Note first that it really is a reference work, not a teaching text. There is no lesson plan, no problems, no solutions manual, no accompanying workbook Except for the first two foundation sections on vibrating systems and sound waves, there is no ongoing development. Nothing builds. It's just one topic piled on another.
But the great merit of reference works is that you can cherry-pick, i.e. seek information on isolated topics with little concern for what preceded them. As a reference work, F&R get the highest possible marks from me. They are clearly the masters of this field, not least because of their numerous important contributions to it. With the possible exception of the works of Arthur Benade, they own the business.
Despite its enormous size and great depth of coverage, however, it is not an encyclopedic study of musical instruments. It is exactly what the title says: a work on the PHYSICS of musical instruments. A rigid boundary has been drawn between physics and every other aspect of music-making. In particular, psychoacoustics is totally ignored. There are no entries in the index under loudness, Fletcher-Munson, combination tones, false bass, consonance, dissonance, etc. Even equal temperament tuning gets little more than one page out of 756.
The Preface says the work is addressed to "the reader...who is not frightened by a little mathematics." Well, some of the math is "little" but some of it is not. See for example the use of Green's functions to find the air load on a vibrating membrane, pp. 588-590. Perhaps at MIT, where incoming freshman are sorted out by the do-or-die killer course in mathematical physics from Morse & Feshbach, these methods are taught to undergrads, but not at most other schools. Almost everywhere else this would be considered first-year graduate material. These pages would not only frighten the average reader; they frighten me. I always hated Green's functions and considered it part of my mission in life to prune them away wherever they grew.
There are a few typos, mislabeled equations and the like. The next-to-last sentence of text on p. 232 says, "This is an adquate approximation provided the sound wavelength is small compared to the transverse dimensions of the ducts and cavities involved." Surely "small" should read "large."
In sum, not for beginners, and probably not for most musicians either. But within its compass it reigns supreme. There is no better book in this field.

17 of 25 people found the following review helpful:

5.0 out of 5 stars An excellent musical acoustics book, September 2, 1998

By A Customer

The new 1998 edition of Fletcher and Rossing is an excellent book for anyone working in musical acoustics or building instruments. Covers a wide range of instruments and gives extensive references to primary literature and ... it's good reading too.