The Interpretation of French Song (Norton Library) (Paperback)

by Pierre Bernac (Author)

Editorial Reviews

Product Description
"No voice teacher, no coach, no accompanist, no singer, and for that matter, no music-lover should be without this publication . . . from a man whose knowledge of this repertoire is so complete and profound as to make his treatment of it definitive and without equal." —Notes This is the standard work on its subject, and its author the outstanding authority. Pierre Bernac had a long and distinguished career as a singer, specializing in the French song (or mélodie) repertoire. For many years he was incomparable partnered by Francis Poulenc, one of the composers discussed in this book. M. Bernac later taught and gave master classes in Europe and the United States. He died in 1979.

Among eighteen composers whose vocal works are covered in the book are Berlioz, Gounod, Duparc, Chausson, Fauré, Debussy, Satie, Ravel—as well as Poulenc and others. The greater part of each composer's output in the genre is discussed: texts of nearly 200 songs are given in French, with line-for-line verse translations by Winifred Radford, notes on pronunciation, and simple but detailed suggestion for performance and interpretation. Preceding these sections on the songs themselves are three most important chapters on performance and interpretation in vocal music, on singing in French, and on the particular problems involved in the interpretation of French mélodies.

This is the book every serious singer needs—and, more and more, singers are "discovering" French song. It is also an invaluable guide for the concert-goer and record collector. .

Language Notes
Text: English, French (translation)

Product Details

• Paperback: 344 pages
• Publisher: W.W. Norton & Co.; 1 edition (February 17, 1978)
• Language: English
• ISBN-10: 0393008789
• ISBN-13: 978-0393008784
• Product Dimensions: 7.2 x 4.9 x 0.7 inches
• Shipping Weight: 7.8 ounces (View shipping rates and policies)
• Average Customer Review: 5.0 out of 5 stars See all reviews (7 customer reviews)
• Amazon.com Sales Rank: #526,434 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

17 of 17 people found the following review helpful:

5.0 out of 5 stars Singers must have this book., November 3, 1999

By A Customer

A most necessary companion for singers of all levels preparing French song literature. Pierre Bernac is full of insightful interpretations of much of the standard French literature and some not-so-standard, as well. Excellent translations and detailed interpretations make the book an invaluable resource.

11 of 11 people found the following review helpful:

5.0 out of 5 stars The Interpretation of French Song, November 15, 2003

By	Eileen Davis (Columbus, OH United States) - See all my reviews

Pierre Bernac's book is an invaluable resource for all classical singers, voice teachers and vocal coaches. His writing is eloquent and graceful and the facts he offers on French diction and song interpretation are easy to comprehend. The poems of major French poets, set to music by many foremost French composers, are analyzed with guidance on elision and liaison, breath points and interpretation.He also includes a poetic English translation of each poem. Having been fortunate enough to have worked with Pierre Bernac earlier in my singing career, I have complete confidence in his artistic thoughts on all aspects of diction and performance of the French mélodie. My book is falling apart after all these years and I will most certainly buy another! You voice students out there who are interested in performance-GET THIS BOOK!

Eileen Davis, Author of: Sing French, Diction for Singers

1 of 1 people found the following review helpful:

5.0 out of 5 stars Good for native French singers too, May 8, 2008

By	C. Orde "Corinne Orde" (England) - See all my reviews (REAL NAME)

This review is from: The Interpretation of French Song (Paperback)

In the Foreword Bernac modestly says that the book "does not claim to be anything more than a guide for English-speaking singers who wish to study a repertoire which may not be very familiar to them". It is in fact far more than that, and French-speaking singers will find his suggestions for interpretation, tempo, expression and dynamics to be invaluable. He has an unerring instinct for when a song merits a few general comments for its interpretation and when it calls for a detailed phrase-by-phrase analysis. His choice of repertoire for inclusion in this relatively compact book is surprisingly comprehensive. Particularly useful are his suggestions for when to use the liaison (final consonants being sounded before a word that begins with a vowel, which happens more frequently in poetic language than in normal speech) and when not to. Liaisons are not always intuitive or obvious, even to those who were born and brought up in French.