The Annotated Wizard of Oz (Centennial Edition) (Hardcover)

by L. Frank Baum (Author), Martin Gardner (Foreword), Michael Patrick Hearn (Editor), W. W. Denslow (Illustrator) "Dorothy LIVED IN the midst of the great Kansas prairies, with Uncle Henry, who was a farmer, and Aunt Em, who was the farmer's wife..." (more)
Key Phrases: tin woodman, green whiskers, musical extravaganza, Tin Woodman, New York, Marvelous Land (more...)

Editorial Reviews

Amazon.com
An updated version of the definitive guide, The Annotated Wizard of Oz provides a facsimile color version of the first edition of L. Frank Baum's children's classic along with extensive notes and a thorough history of the immense Oz project. In his excellent introduction, Michael Patrick Hearn describes the author's early life and interests and the development of his collaboration with W.W. Denslow, the original illustrator for his books.

An energetic and excitable fellow, Baum's devotion to make-believe began in his early 20s, when he joined a small touring theatrical troupe on the East Coast. Later attempts to run a general store and a newspaper in South Dakota (then the Wild West) failed miserably. Although few of his business ventures or artistic efforts had met with success, in 1897 Baum's "Father Goose" rhymes (designed and illustrated by Denslow) became a surprise bestseller, and Baum was able to buy his family a summer cottage on Lake Michigan, christened "The Sign of the Goose," for which he made most of the furniture (goose-themed, of course) and stenciled the walls with a frieze of green geese.

The idea for The Wonderful Wizard of Oz, "a modern fairy tale," as he considered it, soon followed, and the book appeared in May 1900. The 10,000-copy first printing sold out in two weeks, and about 90,000 sold within the first year. Hearn goes on to describe the many books that followed, as well as the 1902 musical extravaganza The Wizard of Oz and Baum's subsequent, ill-starred attempts to depict the world of Oz on film. (He died long before the 1939 MGM musical made his fairy tale known around the globe.) In 1907, he told a reporter for the Grand Rapids Herald why he preferred young readers:

To write fairy stories for children, to amuse them, to divert restless children, sick children, to keep them out of mischief on rainy days, seems of greater importance than to write grown-up novels. Few of the popular novels last the year out, responding as they do to a certain psychological demand, characteristic of the time; whereas, a child's book is, comparatively speaking, the same always, since children are always the same kind of folks with the same needs to be satisfied.

Hearn has gone to great lengths in his notes to this facsimile of The Wonderful Wizard of Oz, often referring to subsequent volumes in the series, slowly building a key to the rules and history of Oz, pointing out inconsistencies as well as hints to Baum's literary sources (such as Bunyan's Pilgrim's Progress), and providing, among other delights, a mini-treatise on malevolent vegetation in Oz. This is an essential volume for the Oz aficionado or the student of children's literature, and a wonderful resource for parents of young readers. --Regina Marler

From Library Journal
We're off to see the Wizard! Many readers of this annotated version of arguably the most famous American fairly tale will be surprised to learn that the 1939 MGM movie musical was based on a best-selling children's book written 100 years ago; far more readers will be astonished to find out that The Wizard was followed by a good 40 sequels, many as popular as the first Oz tale by Baum and illustrator Denslow. This volume reproduces Denslow's color drawings from the first edition (1900) and includes previously unpublished illustrations. Despite the popularity of that work, whose copyright author and illustrator shared, the two never collaborated again. As the self-styled Royal Historian of Oz, Baum went on to write 13 more Oz adventures; his mantel was then passed to Ruth Plumly Thompson, editor of the Philadelphia Public Ledger's Sunday children's page, who produced an additional 19 titles. John R. Neill, illustrator of all the Oz books but the first, then wrote three more sequels, and