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Better Together
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Editorial Reviews
From Publishers Weekly
Starred Review. From Anna Akhmatova to Stefan Zweig, Tacitus to Margaret Thatcher, this scintillating compendium of 110 new biographical essays plumbs the responsibilities of artists, intellectuals and political leaders. British critic James (Visions Before Midnight) structures each entry as a brief life sketch followed by quotations that spark an appreciation, a condemnation or a tangent (a piece on filmmaker Terry Gilliam veers into a discussion of torturers' pleasure in their work). Sometimes, as in his salute to Tony Curtis's acting or his savage assault on bebop legend John Coltrane's penchant for "subjecting some helpless standard to ritual murder," James's purpose is just bravura opinionating. But most articles are linked by a defense of liberal humanism against totalitarianisms of the left and right—and ideologues who champion them. He lionizes prewar Vienna's martyred Jewish cafe intellectuals; castigates French apologists for communism—especially Sartre, who "could sound as if he was talking about everything while saying nothing"; and chides Borges for not noticing Argentina's descent into fascism. This theme can grow intrusive; even in an entry on children's author Beatrix Potter, he feels called upon to denounce Soviet children's books. But James's brilliantly aphoristic prose, full of aesthetic insights but careful not to let aesthetics obscure morality, makes for a delightful browse suffused with a potent message. Photos.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Bookmarks Magazine
For more than 40 years a critic, writer, and public personality, the Australian-born Clive James, prolific author of Unreliable Memoirs, The Meaning of Recognition, and North Face of Soho, among many other books, has garnered a well-deserved reputation as "an eclectic master of the high/low" (Los Angeles Times). James's wide-ranging intellect is on display here in a big way: "doorstop" appears more than once in reviews of the book. Fortunately, the book moves along—thanks to the author's deft prose, his keen sense of humor, and his ability to connect a host of disparate subjects. Though the book clearly isn't meant to be read straight through, even those skeptical of James's agenda admire the scope of the undertaking. Red flags: the seeming randomness of some of James's entries, his digressions, and his inclusion of fewer than a dozen women (including Coco Chanel and Margaret Thatcher) on the list.
Starred Review. From Anna Akhmatova to Stefan Zweig, Tacitus to Margaret Thatcher, this scintillating compendium of 110 new biographical essays plumbs the responsibilities of artists, intellectuals and political leaders. British critic James (Visions Before Midnight) structures each entry as a brief life sketch followed by quotations that spark an appreciation, a condemnation or a tangent (a piece on filmmaker Terry Gilliam veers into a discussion of torturers' pleasure in their work). Sometimes, as in his salute to Tony Curtis's acting or his savage assault on bebop legend John Coltrane's penchant for "subjecting some helpless standard to ritual murder," James's purpose is just bravura opinionating. But most articles are linked by a defense of liberal humanism against totalitarianisms of the left and right—and ideologues who champion them. He lionizes prewar Vienna's martyred Jewish cafe intellectuals; castigates French apologists for communism—especially Sartre, who "could sound as if he was talking about everything while saying nothing"; and chides Borges for not noticing Argentina's descent into fascism. This theme can grow intrusive; even in an entry on children's author Beatrix Potter, he feels called upon to denounce Soviet children's books. But James's brilliantly aphoristic prose, full of aesthetic insights but careful not to let aesthetics obscure morality, makes for a delightful browse suffused with a potent message. Photos.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Bookmarks Magazine
For more than 40 years a critic, writer, and public personality, the Australian-born Clive James, prolific author of Unreliable Memoirs, The Meaning of Recognition, and North Face of Soho, among many other books, has garnered a well-deserved reputation as "an eclectic master of the high/low" (Los Angeles Times). James's wide-ranging intellect is on display here in a big way: "doorstop" appears more than once in reviews of the book. Fortunately, the book moves along—thanks to the author's deft prose, his keen sense of humor, and his ability to connect a host of disparate subjects. Though the book clearly isn't meant to be read straight through, even those skeptical of James's agenda admire the scope of the undertaking. Red flags: the seeming randomness of some of James's entries, his digressions, and his inclusion of fewer than a dozen women (including Coco Chanel and Margaret Thatcher) on the list.
Copyright © 2004 Phillips & Nelson Media, Inc.
See all Editorial Reviews
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