The Ionian Mission (Vol. Book 8) (Aubrey/Maturin Series) (Paperback)

~ (Author) "Marriage was once represented as a field of battle rather than a bed of roses, and perhaps there are some who may still support this..." (more)
Key Phrases: flogged round, inshore squadron, great cabin, Captain Aubrey, Professor Graham, Jack Aubrey (more...)

Editorial Reviews

Amazon.com Review

Aubrey and Maturin return to the choppy Mediterranean waters where they first served together, enforcing the Royal Navy's blockade of Toulon. Then the two companions are sent to the Greek Islands, where another series of maritime cliff-hangers awaits them. O'Brian performs his peculiar narrative magic as adeptly as ever, putting (as The Observer would have it) the "spark of character into the sawdust of time."

From Publishers Weekly

This entry in the Aubrey/Maturin series (see above review of The Surgeon's Mate ) finds Captain Jack Aubrey "shoved into a temporary command in that rotten old Worcester ," a poorly built ship. Worse, he's off to the Mediterranean to join the Royal Navy's endless blockade of the French port of Toulon. Aside from a chance encounter with a French man-of-war that triggers a brief but extremely colorful battle, there is little excitement as HMS Worcester settles in with the other blockading ships, some with crews showing signs of strain from remaining constantly alert but inactive. Second in command at Toulon is Admiral Harte, no friend of Aubrey's (who cuckolded the admiral years ago). Harte dispatches Aubrey on a delicate mission to the politically volatile Ionian coast. Although he has the succor of Stephen Maturin, a seasoned intelligence agent, and Professor Graham, an expert on the region's customs, Aubrey is caught in a complex net of Turkish politics and rivalries. And while Harte seems to offer all reasonable backing for the mission, Aubrey knows that should he fail, the admiral would like nothing better than to throw him to the dogs.
Copyright 1991 Reed Business Information, Inc.

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Product Details

• Paperback: 400 pages
• Publisher: W.W. Norton & Co. (January 17, 1992)
• Language: English
• ISBN-10: 0393308219
• ISBN-13: 978-0393308211
• Product Dimensions: 7.8 x 5.5 x 0.8 inches
• Shipping Weight: 12.8 ounces (View shipping rates and policies)
• Average Customer Review: 4.3 out of 5 stars  See all reviews (21 customer reviews)
• Amazon.com Sales Rank: #19,007 in Books (See Bestsellers in Books)

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• This is item 8 in The Aubrey-Maturin Series.

Customer Reviews

Most Helpful Customer Reviews

18 of 22 people found the following review helpful:

5.0 out of 5 stars Joint Review of All Aubrey-Maturin Books, October 26, 2003

By	R. Albin (Ann Arbor, Michigan United States) - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

Some critics have referred to the Aubrey/Maturin books as one long novel united not only by their historical setting but also by the central plot element of the Aubrey/Maturin friendship. Having read these fine books over a period of several years, I decided to evaluate their cumulative integrity by reading them consecutively in order of publication over a period of a few weeks. This turned out to be a rewarding enterprise. For readers unfamiliar with these books, they describe the experiences of a Royal Navy officer and his close friend and traveling companion, a naval surgeon. The experiences cover a broad swath of the Napoleonic Wars and virtually the whole globe.
Rereading all the books confirmed that O'Brian is a superb writer and that his ability to evoke the past is outstanding. O'Brian has numerous gifts as a writer. He is the master of the long, careful description, and the short, telling episode. His ability to construct ingenious but creditable plots is first-rate, probably because he based much of the action of his books on actual events. For example, some of the episodes of Jack Aubrey's career are based on the life of the famous frigate captain, Lord Cochrane. O'Brian excels also in his depiction of characters. His ability to develop psychologically creditable characters through a combination of dialogue, comments by other characters, and description is tremendous. O'Brien's interest in psychology went well beyond normal character development, some books contain excellent case studies of anxiety, depression, and mania.
Reading O'Brien gives vivid view of the early 19th century. The historian Bernard Bailyn, writing of colonial America, stated once that the 18th century world was not only pre-industrial but also pre-humanitarian (paraphrase). This is true as well for the early 19th century depicted by O'Brien. The casual and invariable presence of violence, brutality, and death is a theme running through all the books. The constant threats to life are the product not only of natural forces beyond human control, particularly the weather and disease, but also of relative human indifference to suffering. There is nothing particularly romantic about the world O'Brien describes but it also a certain grim grandeur. O'Brien also shows the somewhat transitional nature of the early 19th century. The British Navy and its vessals were the apogee of what could be achieved by pre-industrial technology. This is true both of the technology itself and the social organization needed to produce and use the massive sailing vessals. Aubrey's navy is an organization reflecting its society; an order based on deference, rigid hierarchy, primitive notions of honor, favoritism, and very, very corrupt. At the same time, it was one of the largest and most effective bureaucracies in human history to that time. The nature of service exacted great penalities for failure in a particularly environment, and great success was rewarded greatly. In some ways, it was a ruthless meritocracy whose structure and success anticipates the great expansion of government power and capacity seen in the rest of the 19th century.
O'Brian is also the great writer about male friendship. There are important female characters in these books but since most of the action takes place at sea, male characters predominate. The friendship between Aubrey and Maturin is the central armature of the books and is a brilliant creation. The position of women in these books is ambiguous. There are sympathetic characters, notably Aubrey's long suffering wife. Other women figures, notably Maturin's wife, leave a less positive impression. On board ship, women tend to have a disruptive, even malign influence.
How did O'Brian manage to sustain his achievement over 20 books? Beyond his technical abilities as a writer and the instrinsic interest of the subject, O'Brien made a series of very intelligent choices. He has not one but two major protagonists. The contrasting but equally interesting figures of Aubrey and Maturin allowed O'Brien to a particularly rich opportunity to expose different facets of character development and to vary plots carefully. This is quite difficult and I'm not aware of any other writer who has been able to accomplish such sustained development of two major protagonists for such a prolonged period. O'Brian's use of his historical setting is very creative. The scenes and events in the books literally span the whole globe as Aubrey and Maturin encounter numerous cultures and societies. The naval setting allowed him also to introduce numerous new and interesting characters. O'Brian was able to make his stories attractive to many audiences. Several of these stories can be enjoyed as psychological novels, as adventure stories, as suspense novels, and even one as a legal thriller. O'Brian was also a very funny writer, successful at both broad, low humor, and sophisticated wit. Finally, O'Brian made efforts to link some of the books together. While a number are complete in themselves, others form components of extended, multi-book narratives. Desolation Island, Fortune of War, and The Surgeon's Mate are one such grouping. Treason's Harbor, The Far Side of the World, and The Reverse of the Medal are another. The Letter of Marque and the ensuing 4 books, centered around a circumnavigation, are another.
Though the average quality of the books is remarkably high, some are better than others. I suspect that different readers will have different favorites. I personally prefer some of the books with greater psychological elements. The first book, Master and Commander, is one of my favorites. The last 2 or 3, while good, are not as strong as earlier books. I suspect O'Brian's stream of invention was beginning to diminish. All can be read profitably as stand alone works though there is definitely something to be gained by reading in consecutive order.

8 of 9 people found the following review helpful:

5.0 out of 5 stars Enormously satisfying, August 17, 2000

By	Pauline J. Alama "Fantasy author" (Rutherford, NJ United States) - See all my reviews (REAL NAME)

Capt. Jack Aubrey of the British navy sets out on a delicate mission calling for cunning, finesse, and political acumen -- not generally his strong points, at least on dry land. With the advice of his friend, surgeon and sectret agent Stephen Maturin, Aubrey must choose which of three rival regimes to support in their conflict over a disputed territory. If he chooses amiss -- as some in the admiralty seem to hope he will do -- he faces disgrace and quite possibly bankruptcy. Can he navigate the treacherous waters of politics in the Ottoman Empire? I wouldn't dream of giving it away!

Along with the dry humor and vivid historical texture Patrick O'Brien can be counted on to provide, this book brings out depths in Aubrey's character that hadn't been apparent in earlier books. I rate this one of the best of a very good series. (They're best read in order; start with Master & Commander, if you haven't started yet.)

8 of 9 people found the following review helpful:

5.0 out of 5 stars "My kingdom for a sheep", April 4, 2000

By	Doug Briggs (Houston, TX USA) - See all my reviews

This review is from: The Ionian Mission (Vol. Book 8) (Aubrey/Maturin Series) (Hardcover)

"The Ionian Mission" is every bit as worthy as any of the Aubrey/Maturins that came before. This time they are engaged in Jack's worst nightmare: a blockade, which is bad enough, but in this case Rear Admiral Harte is second in command. Harte is a scrub to those under him whom he doesn't especially dislike. But to Aubrey! Ugh.

But Jack gets a respite from the tedium when ordered to escort the ship captained by his old mid, now Commander William Babbington, on a mission that Harte hopes will set Aubrey up for a fall.

We're at sea. Babbington is visiting Captain Aubrey aboard the Worcester, his Dryad sailing along over there, when we are treated to one of tasty little morsels that O'Brian's sack is so full of. Babbington and Aubrey are leaning on the Worcester's rail when the quote begins:

The Worcester and the Dryad had hardly sunk the squadron's topsails below the western horizon before the sun came out and the breeze increased so that the sparkling blue was flecked with white horses.

"Buttons, the French call them," observed Captain Aubrey in his thick, cold-ridden voice.

"Do they indeed, sir," said Captain Babbington. "I never knew that. What a curious notion."

"Well, you could say that they are as much like sheep as they are horses," said Jack, blowing his nose. "But sheep ain't poetical, whereas horses are."

"Are they really, sir? I was not aware."

"Of course they are, William. Nothing more poetical, except maybe doves. Pegasus, and so on. Think of the fellow in the play that calls out 'My kingdom for a horse' -- it would not have been poetry at all, had he said sheep."

In this episode Jack re-encounters that dusky maid, Mercedes, a re-encounter that might have been a reunion if Stephen had not made the most untimely and unwelcome entrance to the Crown in his life. And it is Stephen's turn to issue the call, "Come brother. There is not a moment to lose. We must run to the boat."

It ain't all poetical and dashed hopes, however. Fate delivers to Jack his favorite ship, the Surprise. She takes on two ships in as furious a little battle as you could ever wish to see. And wins, with Bonden doing it the civil, tucking the vanquished Turk's swords under his arm with savoir faire.