From Publishers Weekly
In an enchanting book of wonders, Uruguayan writer Galeano applies the collage-like technique of Memory of Fire, his fictive historical trilogy of the Americas, to his own life and the contemporary scene. redundant and you later make clear that these are short pieces.aa He writes of his years in exile during Uruguay's military dictatorship in the 1970s, of his heart attack and of his wife's loss of a child halfway to term. His sociopolitical commentaries expose the shallow selfishness and callousness vague. do you mean 'cultural character' 'lack of individuality'aa? /works without.gs of our time. His targets range from or more vivid:'He skewers...'? aa/leave as is.g political repression in Chile, Guatemala and Marxist Cuba to whites' persecution of Native Americans to the inequities of any system in which "voters vote but don't elect . . . . Bankruptcies are socialized while profits are privatized." Lovers, executioners, fabulous animals, slavish bureaucrats and the numberless poor inhabit his dreamlike parables and mini-stories (many a single page or shorter), which hop from Amsterdam to Hollywood. Galeano's surreal drawings complement the text, blending wild imagination, pointed satire and old-fashioned charm.
Copyright 1991 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Library Journal
This literary scrapbook, mixing memoir, documentary, essay, and prose poem, defies clear-cut genre classification. Journalist/writer Galeano, who claims he writes for the downtrodden, infuses the people and subjects dear to him with his socialist viewpoint and ironic poignancy, typified by such pieces as "Christmas Eve" and "Paradoxes." The series of vignettes lacks the thematic unity that pervades the historical reinterpretation of his trilogy Memory of Fire ( LJ 10/1/85, LJ 6/1/87, LJ 5/1/88), since this mixture of politics, art, and literature not only covers a more disparate and heterogeneous content but also obviates chronological progression. An uneven collage that falls short of emulating the jolting vision of his earlier work.
- Lawrence Olszewski, OCLC, Dublin, OhioCopyright 1991 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.