The Truelove (Vol. Book 15) (Aubrey/Maturin Series) (Paperback)

~ Patrick O'Brian (Author) "Standing at the frigate's taffrail, and indeed leaning upon it, Jack Aubrey considered her wake, stretching away neither very far nor emphatically over the smooth..." (more)
Key Phrases: forenoon watch, great cabin, six bells, Captain Aubrey, Captain Pullings, Jack Aubrey (more...)

Editorial Reviews

From Publishers Weekly

This entry in O'Brian's late-18th-century seafaring series will delight fans, while offering newcomers a good place to jump in. Here Jack Aubrey and Stephen Maturin are assigned to help a Polynesian queen in her struggle with a Napoleon-backed rival, and a female convict is smuggled aboard by a midshipman in Australia.
Copyright 1993 Reed Business Information, Inc.

From Kirkus Reviews

The musings and adventures of 18th-century sailors Jack Aubrey and Stephen Maturin (The Ionian Missionary, The Surgeon's Mate, et. many al.) follow the winds to the South Pacific. On this cruise: a shipboard wedding and a Polynesian dust-up. With Britain between wars for the moment, Captain Aubrey shifts his flag to The Truelove, a merchantman with a military past, and sails to Sydney and points east on a leisurely semiofficial cruise. As usual, Jack is accompanied by his friend Maturin, physician, naturalist, and early intelligence agent, and, as on previous voyages, the crew includes Mr. Martin, a clergyman who shares Stephen's great interest in birds of the world. This time, though, there is a bird on board--a prostitute smuggled out of Sydney by a smitten young officer. She's bad news. Even after she is wed to the smitten and violently jealous Lt. Oakes, Clarissa sees no reason not to scratch the itches of her husband's messmates. Discipline goes to pot, and Jack decides to disembark the young couple at the earliest opportunity. But nothing happens quickly when one must wait for wind. There is plenty of time for Clarissa to consult her physician, who learns that the lady is left cold by the marriage act and, in discussing her depressing past, also learns the identity of a traitor in the highest level of government. When Truelove at last finds the wind, it is off to a Hawaiianish island and rousing battle to install a government sympathetic to his Britannic majesty George III. Intelligent escape. Not for the rushed. (In April, Norton will also issue first-time US editions--at $9.95 each--of two more Jack Aubrey adventures: Treason's Harbour--ISBN: 0-393-30863-4; and The Far Side of the World--ISBN: 0-393-30862-6.) -- Copyright ©1992, Kirkus Associates, LP. All rights reserved. --This text refers to the Hardcover edition.

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Product Details

• Paperback: 304 pages
• Publisher: W.W. Norton & Co. (July 17, 1993)
• Language: English
• ISBN-10: 0393310167
• ISBN-13: 978-0393310160
• Product Dimensions: 7.6 x 5.3 x 0.5 inches
• Shipping Weight: 8.8 ounces (View shipping rates and policies)
• Average Customer Review: 3.7 out of 5 stars  See all reviews (19 customer reviews)
• Amazon.com Sales Rank: #50,294 in Books (See Bestsellers in Books)

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• This is item 15 in The Aubrey-Maturin Series.

Customer Reviews

Most Helpful Customer Reviews

16 of 18 people found the following review helpful:

4.0 out of 5 stars A lighthearted romp for the Surprise & crew..., January 7, 2000

By	L. Alper (Englewood CO) - See all my reviews (REAL NAME)

Anyone who is working their way thru the Aubrey/ Maturin series as I currently am, will find "The Truelove" a slight change from earlier installments. This time around Jack Aubrey isn't concerning himself with earth-shaking events & Stephen Maturin is devoting himself to his philosophical and naturalist inclinations, so instead we simply spend some time afloat with them and the other members of the Surprise along with something entirely new - a woman!

Clarissa Harvill is a cipher & altho Patrick O'Brian reveals more about her as the book draws to a close, there are still many things left unsaid in her interactions with the other crew members. Maybe this reviewer did not read carefully enough, but allusions and omissions regarding Clarissa sometimes left me confused. However, the pleasure of O'Brian's writing is such that, even tho I'm often a little lost when reading his books (especially when it comes to naval terms), I'm never bored.

This definitely should not be the first book in the Aubrey/Maturin series you pick up, but do pick it up once you've started following their adventures. You won't regret it!

14 of 17 people found the following review helpful:

5.0 out of 5 stars Joint Review of All Aubrey-Maturin Books, October 26, 2003

By	R. Albin (Ann Arbor, Michigan United States) - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

Some critics have referred to the Aubrey/Maturin books as one long novel united not only by their historical setting but also by the central plot element of the Aubrey/Maturin friendship. Having read these fine books over a period of several years, I decided to evaluate their cumulative integrity by reading them consecutively in order of publication over a period of a few weeks. This turned out to be a rewarding enterprise. For readers unfamiliar with these books, they describe the experiences of a Royal Navy officer and his close friend and traveling companion, a naval surgeon. The experiences cover a broad swath of the Napoleonic Wars and virtually the whole globe.
Rereading all the books confirmed that O'Brian is a superb writer and that his ability to evoke the past is outstanding. O'Brian has numerous gifts as a writer. He is the master of the long, careful description, and the short, telling episode. His ability to construct ingenious but creditable plots is first-rate, probably because he based much of the action of his books on actual events. For example, some of the episodes of Jack Aubrey's career are based on the life of the famous frigate captain, Lord Cochrane. O'Brian excels also in his depiction of characters. His ability to develop psychologically creditable characters through a combination of dialogue, comments by other characters, and description is tremendous. O'Brien's interest in psychology went well beyond normal character development, some books contain excellent case studies of anxiety, depression, and mania.
Reading O'Brien gives vivid view of the early 19th century. The historian Bernard Bailyn, writing of colonial America, stated once that the 18th century world was not only pre-industrial but also pre-humanitarian (paraphrase). This is true as well for the early 19th century depicted by O'Brien. The casual and invariable presence of violence, brutality, and death is a theme running through all the books. The constant threats to life are the product not only of natural forces beyond human control, particularly the weather and disease, but also of relative human indifference to suffering. There is nothing particularly romantic about the world O'Brien describes but it also a certain grim grandeur. O'Brien also shows the somewhat transitional nature of the early 19th century. The British Navy and its vessals were the apogee of what could be achieved by pre-industrial technology. This is true both of the technology itself and the social organization needed to produce and use the massive sailing vessals. Aubrey's navy is an organization reflecting its society; an order based on deference, rigid hierarchy, primitive notions of honor, favoritism, and very, very corrupt. At the same time, it was one of the largest and most effective bureaucracies in human history to that time. The nature of service exacted great penalities for failure in a particularly environment, and great success was rewarded greatly. In some ways, it was a ruthless meritocracy whose structure and success anticipates the great expansion of government power and capacity seen in the rest of the 19th century.
O'Brian is also the great writer about male friendship. There are important female characters in these books but since most of the action takes place at sea, male characters predominate. The friendship between Aubrey and Maturin is the central armature of the books and is a brilliant creation. The position of women in these books is ambiguous. There are sympathetic characters, notably Aubrey's long suffering wife. Other women figures, notably Maturin's wife, leave a less positive impression. On board ship, women tend to have a disruptive, even malign influence.
How did O'Brian manage to sustain his achievement over 20 books? Beyond his technical abilities as a writer and the instrinsic interest of the subject, O'Brien made a series of very intelligent choices. He has not one but two major protagonists. The contrasting but equally interesting figures of Aubrey and Maturin allowed O'Brien to a particularly rich opportunity to expose different facets of character development and to vary plots carefully. This is quite difficult and I'm not aware of any other writer who has been able to accomplish such sustained development of two major protagonists for such a prolonged period. O'Brian's use of his historical setting is very creative. The scenes and events in the books literally span the whole globe as Aubrey and Maturin encounter numerous cultures and societies. The naval setting allowed him also to introduce numerous new and interesting characters. O'Brian was able to make his stories attractive to many audiences. Several of these stories can be enjoyed as psychological novels, as adventure stories, as suspense novels, and even one as a legal thriller. O'Brian was also a very funny writer, successful at both broad, low humor, and sophisticated wit. Finally, O'Brian made efforts to link some of the books together. While a number are complete in themselves, others form components of extended, multi-book narratives. Desolation Island, Fortune of War, and The Surgeon's Mate are one such grouping. Treason's Harbor, The Far Side of the World, and The Reverse of the Medal are another. The Letter of Marque and the ensuing 4 books, centered around a circumnavigation, are another.
Though the average quality of the books is remarkably high, some are better than others. I suspect that different readers will have different favorites. I personally prefer some of the books with greater psychological elements. The first book, Master and Commander, is one of my favorites. The last 2 or 3, while good, are not as strong as earlier books. I suspect O'Brian's stream of invention was beginning to diminish. All can be read profitably as stand alone works though there is definitely something to be gained by reading in consecutive order.

5 of 5 people found the following review helpful:

3.0 out of 5 stars Not at all his best . . ., January 4, 2003

By	Michael K. Smith (Gonzales, Louisiana) - See all my reviews (TOP 500 REVIEWER)

This fifteenth novel in the series is not one of the author's better efforts, I'm afraid. The SURPRISE has just left Sidney Cove when a female stowaway is discovered in the cable tier. She turns out to be Clarissa, a transported convict under the protection of Midshipman Oakes (for which almost no explanation is given), to whom she is quickly married. ("Clarissa Oakes," in fact, was the English title of this volume, and I hve no idea why they changed it.) Most of the remainder of the book is taken up with the ship's progress across the South Seas and, although there is a land battle at the very end (and even that experienced at one remove), the bulk of the story is an exploration of Clarissa's character and how it was formed, as well as the extremely divisive effect of her somewhat warped personality on the ship's officers and company. As usual, O'Brian shows great skill in narrating a plethora of overlapping subplots, both supporting and complementary, most of them depending on the shifting relationships among the inhabitants of a closed universe -- a ship at sea for weeks and months at a time out of sight of land -- and for that reason the book is certainly worth reading. But if you're in search of a more usual naval adventure, this isn't quite it.