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13 of 13 people found the following review helpful:
4.0 out of 5 stars
A Masterful Tale of Fourteenth Century England, November 28, 2000
By A Customer
Life in fourteenth century England was a grim affair, particularly when viewed through modern eyes. There was little in the way of material comfort, most people struggling merely to subsist. Liberty, too, was scarce in a feudal system dominated by the often capricious and competing forces of King, Lord and Church. And there were intermingled the ubiquitous spectres of magic, superstition, banditry, and disease. With the ravages of the Black Death, life in the late Middle Ages was truly nasty, brutish and short. Against this background, Barry Unsworth's "Morality Play" weaves a masterful and compelling tale of Nicholas Barber, a twenty-three year old priest, "a poor scholar, open-breeched to the winds of heaven as people say, with nothing but Latin to recommend [him]." Nicholas, after commiting adultery and losing his cloak while fleeing the wrathful husband, takes up with an itinerant band of players. He thus becomes both a fugitive, by leaving his diocese without permission of his Bishop, and a sinner by entering upon an occupation forbidden by the Church. The players soon find themselves in a town where Thomas Wells, a twelve year old boy, has been murdered and a young woman has been hastily tried, convicted and sentenced to hang for the crime. It is then that their leader, Martin, suggests that the troupe depart from the accepted practice of the day, the enactment of plays based upon Biblical stories with well-known themes. Martin proposes, instead, that they perform a "Morality Play" based upon the murder of Thomas Wells. It is a proposal fraught with peril, not only to their physical safety, but also to their moral well-being, for as Nicholas suggests, "if we make our own meanings, God will oblige us to answer our own questions, He will leave us in the void without the comfort of his Word." The players accept Martin's suggestion, and soon the facts surrounding the murder of Thomas Wells, as well as the motives and behavior of the players, become troubling and enigmatic. The result is an absorbing narrative that unravels as part murder mystery, part suspense story and part historical fiction, the telling all the time enriched by Nicholas Barber's first person voice and diction. "Morality Play" leaves the reader with a profoundly satisfying feeling for the historical period and the characters. But the book also operates on a deeper level, the text providing an often thought-provoking gloss on the relationship between theatre and reality, between life on the stage and real life. "Morality Play" is, thus, like all great fiction, not only an entertainment, but an intellectually stimulating short novel that educates even as it delights.
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