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Happy Days: The Production Notebook of Samuel Beckett
 
 

Happy Days: The Production Notebook of Samuel Beckett (Hardcover)

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5.0 out of 5 stars  See all reviews (1 customer review)


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  Hardcover, March 31, 1986 -- $39.99 $20.32
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Editorial Reviews

Product Description

Samuel Beckett directed "Krapp's Last Tape" on four separate occasions, and this volume offers a facsimile of his 1969 Schiller-Theater notebook. The notebook contains what is probably some of the most explicit analysis by Beckett of his own work ever revealed. The revised text incorporates many of the changes Beckett made in the 1969 Schiller production, as well as subsequent changes in later productions. Professor Knowlson worked closely with Beckett over these revisions - and deviations from the original are noted and explained in detail. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Hardcover: 206 pages
  • Publisher: Grove/Atlantic (April 1986)
  • Language: English
  • ISBN-10: 0394551052
  • ISBN-13: 978-0394551050
  • Product Dimensions: 9 x 6 x 1 inches
  • Shipping Weight: 14.4 ounces
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon.com Sales Rank: #1,418,820 in Books (See Bestsellers in Books)

    Popular in these categories: (What's this?)

    #68 in  Books > Literature & Fiction > Authors, A-Z > ( B ) > Beckett, Samuel
    #75 in  Books > Literature & Fiction > British > Classics > Beckett, Samuel

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7 of 8 people found the following review helpful:
5.0 out of 5 stars The Illustrious Beckett Reveals Himself, July 7, 2000
An essential tool for anyone interesting in producing Samuel Beckett's full-length play, Happy Days, this production notebook serves as an explanation to not only the author's sometimes unrecognized references and sources as well as difficulties with the technical elements of production (for example, how the original production coped with the necessity for a flaming parasol). Even if one is not looking to produce Happy Days for the stage, Beckett's production notebook is a great insight into the character Winnie, whose intelligence is equivocal to Beckett's own and draws (often without the reader's knowledge, save for this notebook) from Keats, Browning, and Shakespeare. Reading the author's notes on both the play as a piece of literature and as a theatrical event also gives one a better understanding of Beckett as playwright and as an imminent literary figure of the twentieth century. True scholars of Beckett will also enjoy the copies of handwritten notes, transcribed into type on adjoining pages. This notebook is a perfect tool for dramaturgy or for simply gaining a better understanding of this Beckettian masterpiece.
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