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72 of 78 people found the following review helpful:
5.0 out of 5 stars
Why read Chaucer?, July 7, 2001
Why read Chaucer? Well, in the first place for the beauty and masculine vigor of his English, an English one soon catches on to after a bit of practice. Why else? Well, because Chaucer was intensely human and his stories are interesting, and either truly poignant or richly comic and sometimes even both. Also for the rich gallery of unforgettable human types his stories bring before us, types such as:The rejected Griselda - 'Lat me nat lyk a worm go by the weye;' the frisky Alisoun - ''Tehee!' quod she, and clapte the wyndow to;' the amorous Wife of Bath - 'Allas! Allas! that evere love was synne!', the scurvy Pardoner - 'Of avarice, and of swich cursednesse / Is al my prechyng, for to make hem free / To yeven hir pens, and namely unto me', and a host of others both high and low, noble and despicable, lovable and contemptible. Of course, Chaucer isn't for everyone. Those with no feeling for his language and no sense of humor, and whose own humanity is not their strongest point, may lack what is needed to appreciate Chaucer at his true worth. The present edition is a mammoth volume of 1327 pages which includes the complete and newly edited texts of everything Chaucer wrote - The Canterbury Tales, The Book of the Duchess, The House of Fame, Anelida and Arcite, The Parliament of Fowls, Boece, Troilus and Criseyde, The Legend of Good Women, The Short Poems, A Treatise on the Astrolabe, The Romaunt of the Rose. Brief language glosses are given at the foot of each page, while fuller Notes are found at the end of the book. Unfortunately the lines of the texts are numbered in the conventional way - 10, 20, 30, etc. - instead of having numbers occur _only_ at the end of lines which have been glossed or given Notes - e.g., 9, 12, 16, 18, 32. Such conventional numbering involves readers in the tedious and time-wasting hassle of line counting, and the equally time-wasting frustration of searching through notes only to find that no note exists. The book also includes a full Introduction (Chaucers' Life, The Canon and Chronology of Chaucer's Works, Language and Versification, The Texts), a General Bibliography, 300 pages of Explanatory Notes, 100 pages of Textual Notes, an extremely detailed 100-page Glossary, and an Index of Proper Names. Despite the many helps provided by the editors, and since the needs of readers are insatiable, no-one is going to find everything they would like to find. A complete text of this nature is best considered as one for the beginning student; scholarly texts of individual works are going to be needed by anyone who wishes to go deeper, and the Bibliography is there as a guide for those wishing to explore critical and other issues in greater depth. But in the presence of so much scholarship, there is a danger of forgetting that so much of Chaucer's power is in the sheer music of his lines. Those new to Chaucer would be well advised to learn how to read Middle English _aloud_ as soon as possible by listening to one of the many excellent recordings. If they were to do this they'd soon find their pleasure in Chaucer magnified enormously. Robert Burton, in his Anatomy of Melancholy,' points out that 'when a thing has once been done, people think it easy; when the road is made, they forget how rough the way used to be.' All those who love Chaucer are indebted to the editors of the present volume for having smoothed our way towards a fuller appreciation of the work of a truly marvelous poet.
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