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Editorial Reviews
From Library Journal
The selections in this year's "best" no doubt reflect the unorthodox interests of the series's current editor, humorist Frazier (Coyote v. Acme, LJ 6/15/96): fishing, fighting, body piercing, and gee-gosh family memoirs. There are also rants against politeness, conventionality, and overpopulation (Joy Williams's hysterical "The Case Against Babies"). The two notable essays are assuredly those that open the collection, Jo Ann Beard's gripping "Fourth State of Matter" and Hilton Als's affecting "Notes on My Mother." Readers of major magazines won't find many nuggets here, save Le Thi Diem Thuy's account of his Vietnamese emigre family, "The Gangster We Are All Looking For," from the Massachusetts Review. Overall, the essays seem to have been chosen for their quirky social appeal rather than for the excellence of their writing. For libraries that collect the series.?Amy Boaz, "Library Journal"
Copyright 1997 Reed Business Information, Inc.
From Kirkus Reviews
The latest sampling of choice nonfiction from America's literary journals and magazines, in a series that is a perennial success. In his introduction, this year's editor, humorist Frazier (Acme v. Coyote, 1996, etc.), describes the essay as a piece that happens when a writer quits longing for form and just writes ``for no better reason than the fun and release of saying.'' And because the genre ``provides a way to tell the narratives and speculate on them at the same time,'' he suggests, it has a particular appeal for an age quite self-absorbed and anxious to puzzle out where it is going. There are some familiar practitioners of the form here, including Susan Sontag, Cynthia Ozick, and Gay Talese. Other veteran writers, such as poet Charles Simic and novelists Richard Ford and Thomas McGuane, are less well known as essayists, though equally strong. And some less familiar writers contribute startling work. Among the standouts is Jo Ann Beard's tour-de-force ``The Fourth State of Matter,'' which describes in fascinating detail the events leading up to tragedy when a disillusioned physics doctoral candidate named Gang Lu shot up the offices of the Iowa City scientific journal where Beard was the managing editor, killing several people; and Paul Sheehan's ``My Habit,'' on his crack-vial collection, which retains its allure even without the cool photographs of his unusual archive that accompanied the essay's original publication in the New Yorker. Boston-based psychologist Lauren Slater's ``Black Swans,'' in which she describes her battles with obsessive-compulsive disorder, has a painful vibrancy. Vietnamese-American Lˆ Thi Diem Th£y's ``The Gangster We Are All Looking For'' is a wrenching exploration of immigrant life in California. Discrete but complementary entertainments in a range of keys that continue to define what is surely one of our most robust literary forms. -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.
See all Editorial Reviews
The selections in this year's "best" no doubt reflect the unorthodox interests of the series's current editor, humorist Frazier (Coyote v. Acme, LJ 6/15/96): fishing, fighting, body piercing, and gee-gosh family memoirs. There are also rants against politeness, conventionality, and overpopulation (Joy Williams's hysterical "The Case Against Babies"). The two notable essays are assuredly those that open the collection, Jo Ann Beard's gripping "Fourth State of Matter" and Hilton Als's affecting "Notes on My Mother." Readers of major magazines won't find many nuggets here, save Le Thi Diem Thuy's account of his Vietnamese emigre family, "The Gangster We Are All Looking For," from the Massachusetts Review. Overall, the essays seem to have been chosen for their quirky social appeal rather than for the excellence of their writing. For libraries that collect the series.?Amy Boaz, "Library Journal"
Copyright 1997 Reed Business Information, Inc.
From Kirkus Reviews
The latest sampling of choice nonfiction from America's literary journals and magazines, in a series that is a perennial success. In his introduction, this year's editor, humorist Frazier (Acme v. Coyote, 1996, etc.), describes the essay as a piece that happens when a writer quits longing for form and just writes ``for no better reason than the fun and release of saying.'' And because the genre ``provides a way to tell the narratives and speculate on them at the same time,'' he suggests, it has a particular appeal for an age quite self-absorbed and anxious to puzzle out where it is going. There are some familiar practitioners of the form here, including Susan Sontag, Cynthia Ozick, and Gay Talese. Other veteran writers, such as poet Charles Simic and novelists Richard Ford and Thomas McGuane, are less well known as essayists, though equally strong. And some less familiar writers contribute startling work. Among the standouts is Jo Ann Beard's tour-de-force ``The Fourth State of Matter,'' which describes in fascinating detail the events leading up to tragedy when a disillusioned physics doctoral candidate named Gang Lu shot up the offices of the Iowa City scientific journal where Beard was the managing editor, killing several people; and Paul Sheehan's ``My Habit,'' on his crack-vial collection, which retains its allure even without the cool photographs of his unusual archive that accompanied the essay's original publication in the New Yorker. Boston-based psychologist Lauren Slater's ``Black Swans,'' in which she describes her battles with obsessive-compulsive disorder, has a painful vibrancy. Vietnamese-American Lˆ Thi Diem Th£y's ``The Gangster We Are All Looking For'' is a wrenching exploration of immigrant life in California. Discrete but complementary entertainments in a range of keys that continue to define what is surely one of our most robust literary forms. -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.
See all Editorial Reviews
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