From Publishers Weekly
Living alone in the forest, Baba Yaga watches longingly as the babushkas of the village care for their grandchildren. Snatching an outfit off a clothesline, the wizened, long-eared creature disguises herself as one of the village grandmothers and goes in search of a child to love. She finds the cherubic Victor, whose mother needs someone to watch him while she works. Baba Yaga savors her new life, until one day she overhears the other babushkas speaking hatefully of the legendary Baba Yaga. Greatly saddened, she decides to return to her home in the woods before Victor discovers her true identity. Polacco's soothing version of this Russian folktale ends happily: Baba Yaga saves her beloved charge from a pack of vicious wolves and earns the babushkas' praise and acceptance. The art features Polacco's ( Rechenka's Eggs ) trademark sumptuous colors, a rich melange of patterns and textures--and even a sprinkling of forest fairies. Such visual dimension, coupled with her direct yet resonant narrative, marks this as another of Polacco's winning picture books. Ages 4-8.
Copyright 1993 Reed Business Information, Inc.
From School Library Journal
Kindergarten-Grade 3-Wishing to be like the people she watches from the woods, Baba Yaga dresses herself in human clothing and covers her elfin ears with a scarf. Resembling any other grandmother or babushka, she is welcomed into the home of a young mother and quickly assumes the care of a child named Victor. She grows to love the boy, but when the other old women tell terrifying stories of the witch Baba Yaga, she returns to the woods with a heavy heart. Missing her, Victor wanders into the woods and is threatened by ferocious wolves. Coming to his rescue, Baba Yaga is finally accepted by the babushkas who realize that, "Those who judge one another on what they hear or see, and not what they know of them in their hearts, are fools indeed!" Polacco's reassuring text is accompanied by her full-page illustrations drawn in a casual, relaxed style in a variety of mediums: markers, charcoal pencil, chalk pastel, and gouache. The underlying message of tolerance is well presented, and the author does an admirable job of melding the two contrasting grandmother images from Russian culture. While her depiction of the misunderstood creature may surprise serious students of folklore, those wanting to share a kinder, gentler Baba Yaga will welcome this picture book.
Denise Anton Wright, Illinois State University, NormalCopyright 1993 Reed Business Information, Inc.
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