From Publishers Weekly
oet, feminist and Benedictine oblate Norris (The Cloister Walk) turns to the sixth-century twins Benedict and Scholastica for this informative dual biography. In easily accessible language and a straightforward tone, she describes the twins' embrace of the monastic life and Benedict's miraculous visions and special calling. Norris is at her most appealing in her wry contrast of Benedict's hard-won insights into the peaceful maintenance of monastic order, codified in his famous Rule, with Scholastica's natural understanding of the shared spiritual life. Young readers will be lured into the narrative by dePaola's friendly art, presented in panels that loosely recall the structure and composition of medieval religious art. Like Norris, he emphasizes Benedict's and Scholastica's humanity rather than their saintliness. Readers will be able to identify with these protagonists, even if the complexities of their vocations elude them. Ages 4-8.
Copyright 2001 Cahners Business Information, Inc.
From School Library Journal
Gr 2-4-This fictionalized biography of Saints Benedict and Scholastica, twins who lived in sixth-century Italy, is told in a lively, authoritative manner. Born to a respected family in the mountain town of Nursia, the children were separated for their education. Scholastica was placed in a convent and Benedict was sent to Rome. Repelled by the power struggles, injustice, and greed he encountered in the city, Benedict longed for a simple, prayerful life. First he became a cave-dwelling hermit, and later, after many difficulties, he founded a monastery on Monte Cassino, which eventually became the Benedictine order of monks. Meanwhile, his sister remained in the convent and supported her beloved brother with prayer. Many stories of miracles are woven into the text. A brief summary of the Rule of St. Benedict, still used by monks and nuns today, is included. As usual, dePaola's elegant, stylized artwork seems particularly well suited to the eternal quality of religious subjects. The framed spreads are painted in soft, warm acrylics on tea-stained watercolor paper, which gives the semblance of an old manuscript. The text is arranged in boxes of various sizes to help create an eye-appealing format.
Patricia Pearl Dole, formerly at First Presbyterian School, Martinsville, VA
Copyright 2001 Cahners Business Information, Inc.
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