From Booklist
Object-relations psychotherapy is the theoretical basis for Kavaler-Adler's approach to how women may develop healthy creative selves. Expanding on ideas examined in
The Compulsion to Create, Kavaler-Adler highlights the lives of such outstanding artists as Camille Claudel, Virginia Woolf, and, more recently, Diane Arbus. Suzanne Farrell and the ballerina's relationship with George Balanchine is cited as a successful "fantasy of union with a muse," in contrast to the destructive tendencies of others in the study who were never able to overcome "an unstable sense of self . . . from early trauma." From an analytical viewpoint, perhaps most fascinating is a critique of Anne Sexton's therapy with various doctors; Kavaler-Adler speculates on care that might have helped rather than hindered the poet, who eventually capitulated to the suicidal demands of her darker self. Compelling reading for all who remain curious as to why gifted artists often suffer the worst despair.
Alice Joyce
Review
"Compelling reading for all who remain curious as to why gifted artists often suffer the worst despain." --
Booklist. . . an amalgam of theoretical and clinical brilliance brought to life through the medium of the psycho-biography. For the clinician it is a lodestone of clinical wisdom, of intuitive genius brought to bear on the treatment situation.
Althea Horner, Ph.D....Kavaler-Adler highlights the lives of such outstanding artists as Camille Claudel, Virginia Woolf, and, more recently, Diana Arbus...perhaps most fascinating is a critique of Anne Sexton's therapy with various doctors....
Booklist...Kavaler-Adler highlights the lives of such outstanding artists as Camille Claudel, Virginia Woolf, and, more recently, Diana Arbus...perhaps most fascinating is a critique of Anne Sextons therapy with various doctors....
BooklistCompelling reading for all who remain curious as to why gifted artists often suffer the worst despain.
BooklistKavaler-Adler . . . comes across as a gifted analyst who uses object relations methods, mourning processes and empathy, to heal her women patients. We see the powerful influence of psychotherapy, helping women make the transition from being the isolated victims of their own joyless and addicted creativity, to using creativity as a pathway to spontaneity and authenticity. . . . The focus on the uniqueness of creativity for women artists is timely and welcome. . . . The book will be of interest to therapists involved in dynamic psychotherapy and especially to those interested in object relations. It will also appeal to readers interested in the psychological aspects of creativity, and the life histories of these women. It may also be used in teaching advanced clinical psychotherapy, as a lively illustration of object relations theory.
Journal of Analytic Social WorkThis is the second in a series of works by the author on the creative process, and it maintains the fascination and profundity in the earlier one. Dr. Kavaler-Adler has uniquely integrated the Otherness (the muse) of the creative process in women with the exciting and alluring and yet rejectingly intrusive chimerical male figure in the female artist's internal mental world to create the virtually archetypal-universal concept of the demon lover. In so doing, the author spans the horizon of the Kleinian, Object Relations, and Developmental literature, on one hand, and the artistic/literary biographical literature on the other. The effect is compelling and riveting. The concept of the demon lover offers yet a different window into the psychoanalytic exploration of the creative process.
James S. GrotsteinThis is the second in a series of works by the author on the creative process, and it maintains the fascination and profundity in the earlier one. Dr. Kavaler-Adler has uniquely integrated the Otherness (the muse) of the creative process in women with the exciting and alluring and yet rejectingly intrusive chimerical male figure in the female artists internal mental world to create the virtually archetypal-universal concept of the demon lover. In so doing, the author spans the horizon of the Kleinian, Object Relations, and Developmental literature, on one hand, and the artistic/literary biographical literature on the other. The effect is compelling and riveting. The concept of the demon lover offers yet a different window into the psychoanalytic exploration of the creative process.
James S. Grotstein
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