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6 of 6 people found the following review helpful:
5.0 out of 5 stars
Still the Best Biography on Selena in Print!, July 31, 2003
Although it's an unauthorized biography, "Selena: Como La Flor" remains the definitive book about the life and death of Selena. Patoski does a good job of explaining the history and development of Tejano, or Tex-Mex, music prior to Selena y los Dinos' arrival on the scene. Patoski also covers in detail, much of what the 1997 film bio skipped over: primarily the decade between Selena's beginnings as a regional performer, and her signing with EMI Latin/Capitol Records. Patoski also covers the rather strange goings-on during the final months of Selena's life: her relationship to her fan club president and murderer Yolanda Salvidar; her possible infatuation with a doctor in Mexico; and the possibility that Selena may have been ready to ditch her singing career to persue her interest in selling fashion. Of course, Selena's murder and Yolanda's trial are also dealt with in the book, but it was the events immediately preceeding her death that intrigued me the most. It's clear from "Como la Flor" that, unlike the movie, everything wasn't coming up roses for Selena near the end of her life. Although Patoski gives a balanced portrayal of Selena's father, Abraham Quintanilla Jr., it's pretty clear that Mr. Quintanilla figuratively sacrificed his daughter to fuel his own stiffled musical ambitions. As other reviewers have already mentioned, Mr. Patowski has done an excellent job of researching the slain singer's life. There are comments from many past associates of Selena in the book, and raises interesting questions of what directions Ms. Quintanilla's life may have taken if she hadn't died. If your only source of information about Selena is the Jennifer Lopez film, you owe it to yourself to read "Como la Flor," because this book is far more interesting. (In case you're wondering, I think JLo doesn't hold a candle to Selena in terms of singing!)
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