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Editorial Reviews
From Publishers Weekly
This first collection of seven stories from the author of The Hatbox Baby is a gentle journey through wistful memories, suffused with subdued longing. Brown places her characters in soft, twilight settings a quiet Rhode Island beach town, a windy cliff in Maine, a Spanish mountain village, the muddy English countryside from which they reflect upon the past and tepidly contemplate the future. In the title story, a grandfather feels the need to tell his granddaughter the story of his own grandmother, an undertaker who faced scandal and death with equanimity, but was undone by a severed hand. His wish is that "no one will be forgotten. No one will be left in the dark." Other characters in this collection, including two adolescent protagonists, have a similar sense of impending loss. In "Friend to Women," Claire, who suffers from heart arrhythmia, returns to the beach of her childhood and recollects both a teenage encounter with a middle-aged senator and the ardent but unwanted advances of one of her husband's colleagues; she understands for the first time how they have determined the contours of her life. The elongated structure of these stories works best in "The Correspondent." Lettie, by now familiar as one of Brown's tiny and self-doubting heroines, considers the unlikely friendship that developed through correspondence between her Manhattanite daughter and an impoverished Southern girl. The narrative unwinds to reveal timid growth and understated accomplishment, but the foundations of the story and its romantic prose are solid. Brown's prose is fluid and graceful and, despite the occasional use of romantic clich‚, it eschews melodrama and unrealistic conclusions. These stories lack the economy usually associated with the form but, for this reason, they will probably appeal to readers who enjoyed Brown's novels.
From Library Journal
This sweet collection of stories by Virginia native Brown (The Hatbox Baby, Rose's Garden) offers intimate glimpses into the various lives and landscapes being portrayed. The title story offers a slightly gruesome account of a remote Maine location where Louis's grandmother, Louise, found her calling as an undertaker. Louis cautiously decides to pass on his grandmother's story to his visiting schoolteacher granddaughter. In "Friend to Women," 51-year-old Claire convinces her husband to rent a house by the coast for a year, and the whole of the story recounts their drive to see the house for the first time as they move. In all the stories, there is an urgent poignancy in the telling, and the characters' emotional lives are laid bare to the reader. Fans of her novels will not be disappointed. Ann H. Fisher, Radford P.L., VA
Copyright 2001 Reed Business Information, Inc. --This text refers to the Hardcover edition.
See all Editorial Reviews
This first collection of seven stories from the author of The Hatbox Baby is a gentle journey through wistful memories, suffused with subdued longing. Brown places her characters in soft, twilight settings a quiet Rhode Island beach town, a windy cliff in Maine, a Spanish mountain village, the muddy English countryside from which they reflect upon the past and tepidly contemplate the future. In the title story, a grandfather feels the need to tell his granddaughter the story of his own grandmother, an undertaker who faced scandal and death with equanimity, but was undone by a severed hand. His wish is that "no one will be forgotten. No one will be left in the dark." Other characters in this collection, including two adolescent protagonists, have a similar sense of impending loss. In "Friend to Women," Claire, who suffers from heart arrhythmia, returns to the beach of her childhood and recollects both a teenage encounter with a middle-aged senator and the ardent but unwanted advances of one of her husband's colleagues; she understands for the first time how they have determined the contours of her life. The elongated structure of these stories works best in "The Correspondent." Lettie, by now familiar as one of Brown's tiny and self-doubting heroines, considers the unlikely friendship that developed through correspondence between her Manhattanite daughter and an impoverished Southern girl. The narrative unwinds to reveal timid growth and understated accomplishment, but the foundations of the story and its romantic prose are solid. Brown's prose is fluid and graceful and, despite the occasional use of romantic clich‚, it eschews melodrama and unrealistic conclusions. These stories lack the economy usually associated with the form but, for this reason, they will probably appeal to readers who enjoyed Brown's novels.
Copyright 2001 Cahners Business Information, Inc.
--This text refers to the Hardcover edition.From Library Journal
This sweet collection of stories by Virginia native Brown (The Hatbox Baby, Rose's Garden) offers intimate glimpses into the various lives and landscapes being portrayed. The title story offers a slightly gruesome account of a remote Maine location where Louis's grandmother, Louise, found her calling as an undertaker. Louis cautiously decides to pass on his grandmother's story to his visiting schoolteacher granddaughter. In "Friend to Women," 51-year-old Claire convinces her husband to rent a house by the coast for a year, and the whole of the story recounts their drive to see the house for the first time as they move. In all the stories, there is an urgent poignancy in the telling, and the characters' emotional lives are laid bare to the reader. Fans of her novels will not be disappointed. Ann H. Fisher, Radford P.L., VA
Copyright 2001 Reed Business Information, Inc. --This text refers to the Hardcover edition.
See all Editorial Reviews
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Inside This Book Citations: This book cites 4 books | 2 books that cite this book Explore: Citations | Concordance | Text Stats Key Phrases - CAPs: Carrie Brown, Miss Massie Rivers, Belle Isle, Jack Benoit, The Correspondent (more) Browse Sample Pages: Front Cover | Copyright | Table of Contents | Excerpt | Back Cover | Surprise Me! |
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